Bach, C.P.E.: Keyboard Works

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Explore the complete catalog of Keyboard compositions by Bach, C.P.E.. This curated list includes composition years, historical Wikipedia context, and interactive audio to add specific tracks directly to your listening queue.

Title Year Actions
12 Variations on La folia d'Espagne, H.263, Wq.118, no. 9
18 Probestücke, Wq.63, no. 1-12

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

2 Marches and Polonoises, H.1
24 Sonatas, Wq.62

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

29 Keyboard Pieces, Wq.116, nos. 29-57
3 Fantasias, Wq.117, nos. 11-13

This is a list of Private Passions episodes from 2000 to 2004. It does not include repeated episodes or compilations.

3 Solfeggios, Wq.117, nos. 2-4
3 Sonatas, Wq.57

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

50 Sonatas, Wq.65

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

6 Leichte Clavier-Sonaten, Wq.53, H.1

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

6 Sonatas, Wq.48, H.24-29

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

6 Sonatas, Wq.50

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

6 Sonatas, Wq.51

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

6 Sonatas, Wq.52

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

6 Sonatas, Wq.54

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

6 Sonatas, Wq.55

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

6 Sonatas, Wq.58

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

6 Sonatas, Wq.59

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

6 Sonatas, Wq.61

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

6 Sonatas, Wq.64

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

6 Sonate per cembalo, Wq.49

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

8 Variations on an Arietta, contribution to set of 22 variations in A major, H.155, Wq.118, no. 2
Abschied von meinem Silbermannischen Claviere, rondo for keyboard in E minor, H.272, Wq.66
Abwechselnde Menuetten in C major, H.216, Wq.116, no. 5

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Abwechselnde Menuetten in D major, H.214, Wq.116, no. 3

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Alla polacca in A minor, H.166, Wq.112, no. 5

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Alla polacca in A minor, Wq.113, H.197

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Alla polacca in C major, H.215, Wq.116, no. 4

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Alla polacca in D major, H.170, Wq.112, no. 17

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Alla polacca in D major, H.217, Wq.116, no. 6

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Alla polacca in D major, Wq.113, H.199

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Alla polacca in D major, Wq.114, H.232

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Alla polacca in E flat major, Wq.114, H.233

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Alla polacca in G major, H.219, Wq.116, no. 8

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Alla polacca in G minor, H.168, Wq.112, no. 11

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Alla polacca, H.215, Wq.116, no. 4

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Allegretto in A major, Wq.113, H.200

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Allegretto in A major, Wq.114, H.236

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Allegretto in D major, H.157

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Allegretto in D major, H.302, Wq.116, no. 20

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Allegretto in D minor, Wq.113, H.198

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Allegretto in F major, H.301, Wq.116, no. 19

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Allegretto with 6 Variations in C major, H.65, Wq.118, no. 5

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Allegro and Solfeggio, for keyboard in C major, H.153, Wq.116, no. 21

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Allegro di molto in D minor, Wq.114, H.228

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Allegro in C major, H.153, Wq.116, no. 21

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Allegro in D major, H.251, Wq.116, no. 25

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Allegro in D major, H.254, Wq.116, no. 28

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Allegro in D major, H.255

The keyboard concertos, BWV 1052–1065, are concertos for harpsichord (or organ), strings and continuo by Johann Sebastian Bach. There are seven complete concertos for a single harpsichord (BWV 1052–1058), three concertos for two harpsichords (BWV 1060–1062), two concertos for three harpsichords (BWV 1063 and 1064), and one concerto for four harpsichords (BWV 1065). Two other concertos include solo harpsichord parts: the concerto BWV 1044, which has solo parts for harpsichord, violin and flute, and Brandenburg Concerto No. 5 in D major, with the same scoring. In addition, there is a nine-bar concerto fragment for harpsichord (BWV 1059) which adds an oboe to the strings and continuo. Most of Bach's harpsichord concertos (with the exception of the 5th Brandenburg Concerto) are thought to be arrangements made from earlier concertos for melodic instruments probably written in Köthen. In many cases, only the harpsichord version has survived. They are among the first concertos for keyboard instrument ever written.

Allegro in D major, H.302, Wq.116, no. 20

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Allegro in D minor, Wq.113, H.203

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Allegro in E major, Wq.114, H.235

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Allegro in F major, H.256

In music, the BACH motif is a succession of notes important or characteristic to a piece, which consists of the notes B♭, A, C, B♮: In German musical nomenclature, in which the note B natural is named H and the B flat named B, it forms Johann Sebastian Bach's family name. One of the most frequently occurring examples of a musical cryptogram, the motif has been used by countless composers, especially after the Bach Revival in the first half of the 19th century.

Allegro in G major, H.193, Wq.113

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

Allegro in G major, H.193, Wq.113, no. 1

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

Allegro in G major, H.252, Wq.116, no. 26

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Andante e sostenuto in G minor, Wq.113, H.201

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Andante in C major, Wq.114, H.237

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Andante in F major, H.250, Wq.116, no. 24

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Andante in G minor,H.253, Wq.116, no. 27

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Andantino e grazioso in B flat major, Wq.114, H.229

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Andantino in D minor, H.108, Wq.116, no. 18

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Andantino in F major, H.108, Wq.116, no. 18

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Andantino no. 1 in C major, H.249, Wq.116, no. 23

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Arioso in A major, H.535, Wq.79

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Arioso in C major, Wq.113, H.194

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Arioso with 20 Variations in C major, H.259, Wq.118, no. 10

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Arioso with 7 Variations in F major, Wq.118, no. 4

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Canzonetta with 6 variations, H.275, Wq.118, no. 8

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Clavierstuck fur die rechte oder linke Hand allein, for clavichord, H.241, Wq.117, no. 1
Duet in C major, Wq. 142, H. 636

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Duet in D major, for organ

The organ concertos of Johann Sebastian Bach are solo works for organ, transcribed and reworked from instrumental concertos originally composed by Antonio Vivaldi and the musically talented Prince Johann Ernst of Saxe-Weimar. While there is no doubt about the authenticity of BWV 592–596, the sixth concerto BWV 597 is now probably considered to be spurious. Composed during Bach's second period at the court in Weimar (1708–1717), the concertos can be dated more precisely to 1713–1714. Bach also made several transcriptions of Vivaldi's concertos for single, two and four harpsichords from exactly the same period in Weimar. The original concertos were picked from Vivaldi's Op.3, L'estro armonico, composed in 1711, a set of twelve concertos for one, two and four violins. The publication of these Bach transcriptions by C.F. Peters in the 1850s and Breitkopf & Härtel in the 1890s played a decisive role in the Vivaldi revival of the twentieth century. There are six organ concertos:

Fantasia and Fugue à 4, in C minor, Wq.119, no. 7

Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble, and orchestra. There are over 1,000 known compositions by Bach. Almost all are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Fantasia and Fugue in C minor, Wq.119, no. 7

Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble, and orchestra. There are over 1,000 known compositions by Bach. Almost all are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Fantasia in B flat major, H.146, Wq.112, no. 8

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Fantasia in B flat major, H.289, Wq. 61, no. 3

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Fantasia in B flat major, H.289, Wq.61, no. 3

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Fantasia in C major, H.284, Wq.59, no. 6

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Fantasia in C major, H.291, Wq.61, no. 6

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Fantasia in D major, for clavichord, H.160, Wq.117, no. 14

Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble, and orchestra. There are over 1,000 known compositions by Bach. Almost all are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Fantasia in D major, H.160, Wq.117, no. 14

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Fantasia in D major, Wq.112/2, H.144

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Fantasia in D minor, Wq.113, H.195

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Fantasia in D minor, Wq.114, H.234

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Fantasia in E flat major, H.348

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Fantasia in F major, H.148, Wq.112, no. 15

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Fantasia in F major, H.279, Wq.59, no. 5

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

Fantasia in F sharp minor, H.300, Wq.67

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

Fantasia in F sharp minor, Wq.67

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

Fantasia in G minor, H.225, Wq.117, no. 13

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Fantasia no. 1 in G major, for clavichord, H.223, Wq.117, no. 11

Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble, and orchestra. There are over 1,000 known compositions by Bach. Almost all are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Fantasia no. 2 in D minor, for clavichord, H.224, Wq.117, no. 12

Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble, and orchestra. There are over 1,000 known compositions by Bach. Almost all are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Fantasy in A major, H.278, Wq.58, no. 7

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Fantasy in E flat major, H.277, Wq.58, no. 6

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Fugue a2 in D minor, for clavichord, H.99, Wq.119, no. 2
Fugue in D minor

The Well-Tempered Clavier, BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time clavier referred to a variety of keyboard instruments, namely the harpsichord, the clavichord and the organ (which operates using air instead of strings), but not excluding the regal and the then newly-invented pianoforte. The modern German spelling for the collection is Das wohltemperierte Klavier (WTK; German pronunciation: [das ˌvoːlˌtɛmpəˈʁiːɐ̯tə klaˈviːɐ̯]). Bach gave the title Das Wohltemperirte Clavier to a book of preludes and fugues in all 24 keys, major and minor, dated 1722, composed "for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study". 20 years later, Bach compiled a second book of the same kind (24 pairs of preludes and fugues), which became known as The Well-Tempered Clavier, Part Two (in German: Zweyter Theil, modern spelling: Zweiter Teil). Modern editions usually refer to both parts as The Well-Tempered Clavier, Book 1 (WTC 1) and The Well-Tempered Clavier, Book 2 (WTC 2), respectively. The collection is generally regarded as one of the most important works in the history of classical music.

Fugue in E flat major, Wq.119, no. 6, H.102

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Fugue in G minor, H.101/5, Wq.112, no. 19

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Keyboard Sonata in A major, Wq. 89, no. 3, H.527

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Keyboard Sonata in C major, Wq.90, no. 3, H.524

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Keyboard Sonata in D minor, Wq. 112/7, H.179

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Keyboard Sonata in D minor, Wq.69, H. 53

Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble, and orchestra. There are over 1,000 known compositions by Bach. Almost all are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Keyboard Sonata in E minor, Wq. 89, no. 5, H.529

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Keyboard Sonata in F major, Wq.91, no. 3, H.533

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Keyboard Sonata in G major, Wq.90, no. 2, H.523

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Keyboard Sonatina in D major, Wq.109, H.453

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Keyboard Suite in E minor, H.66, Wq.62, no. 12

Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble, and orchestra. There are over 1,000 known compositions by Bach. Almost all are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

L'Aly Rupalich in C major, H.95, Wq.117, no. 27
L'Auguste, polonaise in F major, H.122, Wq.117, no. 22

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

L'Ernestine in D major, H.124, Wq.117, no. 38

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

L'Ernestine, H.685, Wq.199, no. 6

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

L'Herrmann in G minor, H.92, Wq.117, no. 21
L'Herrmann, H.92, Wq.117, no. 23
L'irresoluë G, Wq.117, no. 31

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

La Bergius in B flat major, H.90, Wq.117, no. 20

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

La Boehmer in D major, Wq.117, no. 26, "Murky"
La Borchward, polonaise in G major, Wq.117, no. 17

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

La Buchholz in D minor, H.93, Wq.117, no. 24

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

La capricieuse in E minor, Wq.117, no. 33

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

La Caroline in A minor, H.98, Wq.117, no. 39

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

La complaisante in B flat major, Wq.117, no. 28

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

La Gabriel in C major, H.97, Wq.117, no. 35

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

La Gause in F major, Wq.117, no. 37

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

La Gleim, rondo in A minor, H.89, Wq.117, no. 19

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

La journalière C-, Wq.117, no. 32

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

La Louise D, H.114, Wq.117, no. 36

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

La Philippine, arioso in A major, H.96, Wq.117, no. 34

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

La Pott, minuet in C major, Wq.117, no. 18
La Prinzette in F major, H.91, Wq.117, no. 21

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

La Sophie, aria in B flat major, H.125, Wq.117, no. 40

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

La Stahl in D minor, H.94, Wq.117, no. 25

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

La Xénophon - La Sybille, in C sharp major, H.123, Wq.117, no. 29

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Les langueurs tendres in F minor, Wq.117, no. 30

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

March in D major, BWV.Anh.122

The BWV Anh. (German: Bach-Werke-Verzeichnis Anhang, lit. 'Bach Works Catalogue Annex') is a list of lost, doubtful, and spurious compositions by, or once attributed to, Johann Sebastian Bach.

March in G major, H.1/3

The title Notebook for Anna Magdalena Bach (German: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bach presented to his second wife, Anna Magdalena. Keyboard music (minuets, rondeaux, polonaises, chorales, sonatas, preludes, musettes, marches, gavottes) makes up most of both notebooks, and a few pieces for voice (songs, and arias) are included. The Notebooks provide a glimpse into the domestic music of the 18th century and the musical tastes of the Bach family. The second notebook contains a mixture of pieces known to be by J. S. Bach, pieces known to be by others, and pieces whose authorship is unknown or debated.

Menuet I and II in D major, H.214, Wq.116, no. 3

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Menuet I and II in E flat major, H.171, Wq.116, no. 1

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Menuet in C major, H.1.5, Wq.111

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Menuet in F major, H.258

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Minuet in C major, H.216, Wq.116, no. 5

Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble, and orchestra. There are over 1,000 known compositions by Bach. Almost all are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Minuet in D major, H.165, Wq.112, no. 3

Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble, and orchestra. There are over 1,000 known compositions by Bach. Almost all are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Minuet in F major, H.218, Wq.116, no. 7

Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble, and orchestra. There are over 1,000 known compositions by Bach. Almost all are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Minuet in F major, Wq.113, H.196

Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble, and orchestra. There are over 1,000 known compositions by Bach. Almost all are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Minuet in G major, Wq.114, H.231

Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble, and orchestra. There are over 1,000 known compositions by Bach. Almost all are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Minuet with 21 Variations, H.14, Wq.118, no. 7

Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble, and orchestra. There are over 1,000 known compositions by Bach. Almost all are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Minuet with 5 Variations in C major, H.44, Wq.118, no. 3

Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble, and orchestra. There are over 1,000 known compositions by Bach. Almost all are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Minuetto I-II, H.167, Wq.112, no. 9
Minuetto I-II, H.169, Wq.112, no. 16
Minuetto in C major, H.159, Wq.116, no. 15
Minuetto in E flat major, H.171, Wq.116, no. 1
Organ Sonata in A major, Wq.70, no. 1

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Organ Sonata in A minor, Wq.70, no. 4

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Organ Sonata in B flat major, Wq. 70, no. 2

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Organ Sonata in D major, Wq.70, no. 5

Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble, and orchestra. There are over 1,000 known compositions by Bach. Almost all are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Organ Sonata in F major, Wq.70, no. 3

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Organ Sonata in G minor, Wq.70, no. 6

Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble, and orchestra. There are over 1,000 known compositions by Bach. Almost all are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Poco allegro in E minor, Wq.114, H.238

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Polonaise in G minor, BWV.Anh.119

Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble, and orchestra. There are over 1,000 known compositions by Bach. Almost all are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Polonaise in G minor, BWV.Anh.125

Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble, and orchestra. There are over 1,000 known compositions by Bach. Almost all are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Poloniase in G major, H.340
Polonoise in C minor, H.154, Wq.116, no. 22
Polonoise in E flat major, H.168, Wq.116, no. 2
Polonoise in E flat major, H.172, Wq.116, no. 2

The title Notebook for Anna Magdalena Bach (German: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bach presented to his second wife, Anna Magdalena. Keyboard music (minuets, rondeaux, polonaises, chorales, sonatas, preludes, musettes, marches, gavottes) makes up most of both notebooks, and a few pieces for voice (songs, and arias) are included. The Notebooks provide a glimpse into the domestic music of the 18th century and the musical tastes of the Bach family. The second notebook contains a mixture of pieces known to be by J. S. Bach, pieces known to be by others, and pieces whose authorship is unknown or debated.

Polonoise in G minor, H.1/2

The title Notebook for Anna Magdalena Bach (German: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bach presented to his second wife, Anna Magdalena. Keyboard music (minuets, rondeaux, polonaises, chorales, sonatas, preludes, musettes, marches, gavottes) makes up most of both notebooks, and a few pieces for voice (songs, and arias) are included. The Notebooks provide a glimpse into the domestic music of the 18th century and the musical tastes of the Bach family. The second notebook contains a mixture of pieces known to be by J. S. Bach, pieces known to be by others, and pieces whose authorship is unknown or debated.

Polonoise in G minor, H.1/4

The title Notebook for Anna Magdalena Bach (German: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bach presented to his second wife, Anna Magdalena. Keyboard music (minuets, rondeaux, polonaises, chorales, sonatas, preludes, musettes, marches, gavottes) makes up most of both notebooks, and a few pieces for voice (songs, and arias) are included. The Notebooks provide a glimpse into the domestic music of the 18th century and the musical tastes of the Bach family. The second notebook contains a mixture of pieces known to be by J. S. Bach, pieces known to be by others, and pieces whose authorship is unknown or debated.

Polonoise in G minor, H.154, Wq.116, no. 22
Preludio in D major, Wq.70, no. 7

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Presto in B flat major, H.202, Wq.113

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Presto in C minor, H.230, Wq.114

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Romance avec 12 variations in G, H.226, Wq.118, no. 6, "Colin a peine à seize ans"
Rondo in A major, H.276, Wq.58, no. 1

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Rondo in A minor, H.262, Wq.56, no. 5

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Rondo in B flat major, H.267, Wq.58, no. 5

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Rondo in C major, H.260, Wq.56, no. 1

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Rondo in C minor, H.283, Wq.59, no. 4

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Rondo in D major, H.261, Wq.56, no. 3

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Rondo in D minor, H.290, Wq.61, no. 4

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Rondo in E flat major, H.288, Wq.61, no. 1

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Rondo in E major, H.265, Wq.57, no. 1

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Rondo in E major, H.274, Wq.58, no. 3

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Rondo in F major, H.266, Wq.57, no. 5

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Rondo in G major, H.268, Wq.59, no. 2

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Rondo in G major, H.271, Wq.57, no. 3

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Rondo no. 1 in E

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

Rondo no. 2 in G

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

Rondo no. 3 in F

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

Sinfonia in E flat major, H.104, Wq.122, no. 2

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Sinfonia in E minor, H.115, Wq.122, no. 3

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Sinfonia in F major, H.104, Wq.122, no. 2

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Sinfonia in F major, H.227, Wq.122, no. 5

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Sinfonia in G major, H.191, Wq.112, no. 13

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Sinfonia in G major, H.45, Wq.122, no. 1

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Singode: Belinde, H.695, Wq.112, no. 14
Singode: Das Privilegium, H.693, Wq.112, no. 6
Singode: Die Landschaft, H.694, Wq.112, no. 12
Solfeggio in C major, H.147, Wq.112, no. 10

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Solfeggio in C minor, Wq.117, no. 2

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

Solfeggio in G major, H.145, Wq.112, no. 4

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Solfeggio in G major, H.149, Wq.112, no. 18

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Solfeggio no. 1 in C minor, H.220, Wq.117, no. 2

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Solfeggio no. 2 in E flat major, H.221, Wq.117, no. 3

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Solfeggio no. 3 in A major, H.222, Wq.117, no. 4

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Sonata in C minor, H. 209, Wq.60

Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble, and orchestra. There are over 1,000 known compositions by Bach. Almost all are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Sonata in D major, H.505, Wq.83

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Sonata no. 1 in A minor

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

Sonata no. 2 in D minor

The Piano Sonata No. 2 in B♭ minor, Op. 35, is a piano sonata in four movements by Polish composer Frédéric Chopin. Chopin completed the work while living in George Sand's manor in Nohant, some 250 km (160 mi) south of Paris, a year before it was published in 1840. The first of the composer's three mature sonatas (the others being the Piano Sonata No. 3 in B minor, Op. 58 and the Sonata for Piano and Cello in G minor, Op. 65), the work is considered to be one of the greatest piano sonatas of the literature. The third movement of the Piano Sonata No. 2 is Chopin's famous funeral march (French: Marche funèbre; Polish: Marsz żałobny) which was composed at least two years before the remainder of the work and has remained, by itself, one of Chopin's most popular compositions. The Piano Sonata No. 2 carries allusions and reminiscences of music by J. S. Bach and by Ludwig van Beethoven; Beethoven's Piano Sonata No. 12 also has a funeral march as its third movement. A typical performance of Chopin's second sonata lasts between 21 and 25 minutes, depending on whether the repetition of the first movement's exposition is observed. While the Piano Sonata No. 2 gained instant popularity with the public, critical reception was initially more doubtful. Robert Schumann, among other critics, argued that the work was structurally inferior and that Chopin "could not quite handle sonata form", a criticism that did not withstand time. The work has been recorded by numerous pianists and is regularly programmed in concerts and piano competitions. The Marche funèbre exists in countless arrangements and has been performed at funerals all over the world (including Chopin's own), having become an archetypal evocation of death.

Sonata no. 3 in F minor

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

Sonatas and Rondos, Wq.56

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical eras. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the empfindsamer Stil or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Georg Philipp Telemann as Kapellmeister there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather Telemann, a friend of his father J. S. Bach. Bach was an influential pedagogue, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, among others.

Variations on an Arietta,H.155, Wq.118, no. 2

This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989, E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalogue assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not, however, reflect parallel chronologies in Bach's works. The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. The new complete edition of Carl Philipp Emanuel Bach's works surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.

Veränderungen über das Lied: Ich schlief, da träumte mir in F major, H.69, Wq.181, no. 1