This is a list of some notable composers who wrote symphonic poems.

In biological nomenclature, organisms often receive scientific names that honor a person. A taxon (e.g. species or genus; plural: taxa) named in honor of another entity is an eponymous taxon, and names specifically honoring a person or persons are known as patronyms. Scientific names are generally formally published in peer-reviewed journal articles or larger monographs along with descriptions of the named taxa and ways to distinguish them from other taxa. Following rules of Latin grammar, species or subspecies names derived from a man's name often end in -i or -ii if named for an individual, and -orum if named for a group of men or mixed-sex group, such as a family. Similarly, those named for a woman often end in -ae, or -arum for two or more women. This list is part of the List of organisms named after famous people, and includes organisms named after famous individuals born before 1 January 1800. It also includes ensembles in which at least one member was born before that date; but excludes companies, institutions, ethnic groups or nationalities, and populated places. It does not include organisms named for fictional entities, for biologists, paleontologists or other natural scientists, nor for associates or family members of researchers who were not otherwise notable (exceptions are made, however, for natural scientists who are much more famous for other aspects of their lives, such as, for example, writer Johann Wolfgang von Goethe). Organisms named after famous people born later can be found in: List of organisms named after famous people (born 1800–1899) List of organisms named after famous people (born 1900–1924) List of organisms named after famous people (born 1925–1949) List of organisms named after famous people (born 1950–present) The scientific names are given as originally described (their basionyms); subsequent research may have placed species in different genera, or rendered them taxonomic synonyms of previously described taxa. Some of these names may be unavailable in the zoological sense or illegitimate in the botanical sense due to senior homonyms already having the same name.

Franz Adolf Berwald (23 July 1796 – 3 April 1868) was a Swedish Romantic composer and violinist. He made his living as an orthopedist and later as the manager of a saw mill and glass factory, and became more appreciated as a composer after his death than he had been in his lifetime. Prominent in his oeuvre are several operas, much chamber music and four symphonies.

Franz Adolf Berwald (23 July 1796 – 3 April 1868) was a Swedish Romantic composer and violinist. He made his living as an orthopedist and later as the manager of a saw mill and glass factory, and became more appreciated as a composer after his death than he had been in his lifetime. Prominent in his oeuvre are several operas, much chamber music and four symphonies.

This is a list of some notable composers who wrote symphonic poems.

This is a list of some notable composers who wrote symphonic poems.

Franz Adolf Berwald (23 July 1796 – 3 April 1868) was a Swedish Romantic composer and violinist. He made his living as an orthopedist and later as the manager of a saw mill and glass factory, and became more appreciated as a composer after his death than he had been in his lifetime. Prominent in his oeuvre are several operas, much chamber music and four symphonies.

Franz Berwald completed the Symphony No. 2 in D major, "Capricieuse", on June 18, 1842, in Nyköping. The original score has been lost since the 1850s. In 1909, the Franz Berwald Foundation commissioned Ernst Ellberg to reconstruct the score from 4-stave sketches containing indications for orchestration. Ellberg's reconstruction was published in 1913 and first performed on January 9, 1914. Towards the end of the century, Nils Castegren reviewed Ellberg's reconstruction and published an "urtext" for Bärenreiter. Ellberg's reconstruction calls for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, tenor trombone, 2 bass trombones, timpani and strings. While Berwald gave clear indications for the woodwinds and strings, such as "detailed notations ... indicating when certain wind instruments play in unison with the respective string parts or in a different octave," where he wanted brass and/or timpani, Berwald would merely write the names of the instruments. However, Berwald did indicate the tuning and register of the brass and timpani at the beginning of each movement. The work is in three movements, Allegro Andante Allegro assai and lasts about 29 and a half minutes per Berwald's indications of duration (from which metronome markings could be extrapolated).

The Symphony No. 3 in C major of the Swedish composer Franz Berwald, nicknamed the Singulière, was written in 1845. It is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani and strings. It is about a half-hour in length and is in three movements: Allegro fuocoso in C major Adagio - Scherzo (Allegro assai) - Adagio (in G major) Finale: Presto in C minor (ends in C major) The autograph was bought by the Stockholm Academy of Music in the 1870s. The work was not premiered until 37 years after the death of the composer. The first performance took place on January 10, 1905 in Stockholm under the baton of Tor Aulin.

Symphony No. 4 in E-flat major is an orchestral work by Swedish composer Franz Berwald written in 1845. Berwald considered naming the symphony "Sinfonie naïve" but the autograph score is simply inscribed "No. 4 in E flat". Berwald attempted to interest French composer/conductor Daniel Auber in premiering the symphony but it had to wait until April 9, 1878 (ten years after the composer's death) when it was finally given a first performance under Berwald champion Ludvig Norman. The first published score refers to the work as the composer's 3rd symphony.

C-sharp minor is a minor scale based on C♯, with the pitches C♯, D♯, E, F♯, G♯, A, and B. Its key signature consists of four sharps. The C-sharp natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The C-sharp harmonic minor and melodic minor scales are: Its relative major is E major. Its parallel major, C-sharp major, is usually written instead as the enharmonic key of D-flat major, since C-sharp major’s key signature with seven sharps is not normally used. Its enharmonic equivalent, D-flat minor, having eight flats including the B, has a similar problem. Therefore, C-sharp minor is often used as the parallel minor for D-flat major. (The same enharmonic situation occurs with the keys of A-flat major and G-sharp minor, and in some cases, with the keys of G-flat major and F-sharp minor, and with the keys of E-flat major and D-sharp minor.)