This article presents a complete catalog of original compositions by Ferruccio Busoni, including a large number of early works, most of which remain unpublished. The earliest preserved pieces were written when he was barely seven years old. Over 200 of the total of 303 original compositions were produced before the age of twenty. For a more selective list of recorded works, see Ferruccio Busoni discography. Busoni also produced a number of cadenzas, transcriptions, and editions. For a complete list see List of adaptations by Ferruccio Busoni.

This article presents a complete catalog of original compositions by Ferruccio Busoni, including a large number of early works, most of which remain unpublished. The earliest preserved pieces were written when he was barely seven years old. Over 200 of the total of 303 original compositions were produced before the age of twenty. For a more selective list of recorded works, see Ferruccio Busoni discography. Busoni also produced a number of cadenzas, transcriptions, and editions. For a complete list see List of adaptations by Ferruccio Busoni.

Ludwig van Beethoven's Piano Concerto No. 4 in G major, Op. 58, was composed in 1805–1806. Beethoven was the soloist in the public premiere as part of the concert on 22 December 1808 at Vienna's Theater an der Wien.

This article presents a complete catalog of original compositions by Ferruccio Busoni, including a large number of early works, most of which remain unpublished. The earliest preserved pieces were written when he was barely seven years old. Over 200 of the total of 303 original compositions were produced before the age of twenty. For a more selective list of recorded works, see Ferruccio Busoni discography. Busoni also produced a number of cadenzas, transcriptions, and editions. For a complete list see List of adaptations by Ferruccio Busoni.

This article presents a complete catalog of original compositions by Ferruccio Busoni, including a large number of early works, most of which remain unpublished. The earliest preserved pieces were written when he was barely seven years old. Over 200 of the total of 303 original compositions were produced before the age of twenty. For a more selective list of recorded works, see Ferruccio Busoni discography. Busoni also produced a number of cadenzas, transcriptions, and editions. For a complete list see List of adaptations by Ferruccio Busoni.

Ferruccio Busoni composed his Concerto for Piano and String Quartet in D minor, Op. 17, BV 80, in 1878, at the age of twelve. The original title was Concerto per piano-forte con accompagnamento di quartetto ad arco, Op. 17. Conceived for string quartet, the piano can also be accompanied by a string orchestra as Concerto for Piano and Strings, the title under which it was published in 1987.

This article presents a complete catalog of original compositions by Ferruccio Busoni, including a large number of early works, most of which remain unpublished. The earliest preserved pieces were written when he was barely seven years old. Over 200 of the total of 303 original compositions were produced before the age of twenty. For a more selective list of recorded works, see Ferruccio Busoni discography. Busoni also produced a number of cadenzas, transcriptions, and editions. For a complete list see List of adaptations by Ferruccio Busoni.

This article presents a complete catalog of original compositions by Ferruccio Busoni, including a large number of early works, most of which remain unpublished. The earliest preserved pieces were written when he was barely seven years old. Over 200 of the total of 303 original compositions were produced before the age of twenty. For a more selective list of recorded works, see Ferruccio Busoni discography. Busoni also produced a number of cadenzas, transcriptions, and editions. For a complete list see List of adaptations by Ferruccio Busoni.

This article presents a complete catalog of original compositions by Ferruccio Busoni, including a large number of early works, most of which remain unpublished. The earliest preserved pieces were written when he was barely seven years old. Over 200 of the total of 303 original compositions were produced before the age of twenty. For a more selective list of recorded works, see Ferruccio Busoni discography. Busoni also produced a number of cadenzas, transcriptions, and editions. For a complete list see List of adaptations by Ferruccio Busoni.

This article presents a complete catalog of original compositions by Ferruccio Busoni, including a large number of early works, most of which remain unpublished. The earliest preserved pieces were written when he was barely seven years old. Over 200 of the total of 303 original compositions were produced before the age of twenty. For a more selective list of recorded works, see Ferruccio Busoni discography. Busoni also produced a number of cadenzas, transcriptions, and editions. For a complete list see List of adaptations by Ferruccio Busoni.

Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition. From an early age, Busoni was an outstanding, if sometimes controversial, pianist. He studied at the Vienna Conservatory and then with Wilhelm Mayer and Carl Reinecke. After brief periods teaching in Helsinki, Boston, and Moscow, he devoted himself to composing, teaching, and touring as a virtuoso pianist in Europe and the United States. His writings on music were influential, and covered not only aesthetics but considerations of microtones and other innovative topics. He was based in Berlin from 1894 but spent much of World War I in Switzerland. He began composing in his early years in a late romantic style, but after 1907, when he published his Sketch of a New Esthetic of Music, he developed a more individual style, often with elements of atonality. His visits to America led to interest in North American indigenous tribal melodies which were reflected in some of his works. His compositions include works for piano, among them a monumental Piano Concerto, and transcriptions of the works of others, notably Johann Sebastian Bach (published as the Bach-Busoni Editions). He also wrote chamber music, vocal and orchestral works, and operas—one of which, Doktor Faust, he left unfinished when he died, in Berlin, at the age of 58.

This article presents a complete catalog of original compositions by Ferruccio Busoni, including a large number of early works, most of which remain unpublished. The earliest preserved pieces were written when he was barely seven years old. Over 200 of the total of 303 original compositions were produced before the age of twenty. For a more selective list of recorded works, see Ferruccio Busoni discography. Busoni also produced a number of cadenzas, transcriptions, and editions. For a complete list see List of adaptations by Ferruccio Busoni.

This article presents a complete catalog of original compositions by Ferruccio Busoni, including a large number of early works, most of which remain unpublished. The earliest preserved pieces were written when he was barely seven years old. Over 200 of the total of 303 original compositions were produced before the age of twenty. For a more selective list of recorded works, see Ferruccio Busoni discography. Busoni also produced a number of cadenzas, transcriptions, and editions. For a complete list see List of adaptations by Ferruccio Busoni.

This article presents a complete catalog of original compositions by Ferruccio Busoni, including a large number of early works, most of which remain unpublished. The earliest preserved pieces were written when he was barely seven years old. Over 200 of the total of 303 original compositions were produced before the age of twenty. For a more selective list of recorded works, see Ferruccio Busoni discography. Busoni also produced a number of cadenzas, transcriptions, and editions. For a complete list see List of adaptations by Ferruccio Busoni.

Johannes Brahms (; German: [joˈhanəs ˈbʁaːms] ; 7 May 1833 – 3 April 1897) was a German composer, virtuoso pianist, and conductor of the mid-Romantic period. His music is noted for its rhythmic vitality and freer treatment of dissonance, often set within studied yet expressive contrapuntal textures. He adapted the traditional structures and techniques of a wide historical range of earlier composers. His œuvre includes four symphonies, four concertos, a Requiem, much chamber music, and hundreds of folk-song arrangements and Lieder, among other works for symphony orchestra, piano, organ, and choir. Born to a musical family in Hamburg, Brahms began composing and concertizing locally in his youth. He toured Central Europe as a pianist in his adulthood, premiering many of his own works and meeting Franz Liszt in Weimar. Brahms worked with Ede Reményi and Joseph Joachim, seeking Robert Schumann's approval through Joachim. He gained both Robert and Clara Schumann's support and guidance. Brahms stayed with Clara in Düsseldorf, becoming devoted to her amid Robert's insanity and institutionalization. The two remained close, lifelong friends after Robert's death. Brahms never married, perhaps in an effort to focus on his work as a musician and scholar. He was a self-conscious, sometimes severely self-critical composer. Though innovative, his music was considered relatively conservative within the polarized context of the War of the Romantics, an affair in which Brahms regretted his public involvement. His compositions were largely successful, attracting a growing circle of supporters, friends, and musicians. Eduard Hanslick celebrated them polemically as absolute music, and Hans von Bülow even cast Brahms as the successor of Johann Sebastian Bach and Ludwig van Beethoven, an idea Richard Wagner mocked. Settling in Vienna, Brahms conducted the Singakademie and Gesellschaft der Musikfreunde, programming the early and often "serious" music of his personal studies. He considered retiring from composition late in life but continued to write chamber music, especially for Richard Mühlfeld. Brahms's contributions and craftsmanship were admired by his contemporaries like Antonín Dvořák, whose music he enthusiastically supported, and a variety of later composers. Max Reger and Alexander Zemlinsky reconciled Brahms's and Wagner's often contrasted styles. So did Arnold Schoenberg, who emphasized Brahms's "progressive" side. He and Anton Webern were inspired by the intricate structural coherence of Brahms's music, including what Schoenberg termed its developing variation. It remains a staple of the concert repertoire, continuing to influence composers into the 21st century.

Johannes Brahms (; German: [joˈhanəs ˈbʁaːms] ; 7 May 1833 – 3 April 1897) was a German composer, virtuoso pianist, and conductor of the mid-Romantic period. His music is noted for its rhythmic vitality and freer treatment of dissonance, often set within studied yet expressive contrapuntal textures. He adapted the traditional structures and techniques of a wide historical range of earlier composers. His œuvre includes four symphonies, four concertos, a Requiem, much chamber music, and hundreds of folk-song arrangements and Lieder, among other works for symphony orchestra, piano, organ, and choir. Born to a musical family in Hamburg, Brahms began composing and concertizing locally in his youth. He toured Central Europe as a pianist in his adulthood, premiering many of his own works and meeting Franz Liszt in Weimar. Brahms worked with Ede Reményi and Joseph Joachim, seeking Robert Schumann's approval through Joachim. He gained both Robert and Clara Schumann's support and guidance. Brahms stayed with Clara in Düsseldorf, becoming devoted to her amid Robert's insanity and institutionalization. The two remained close, lifelong friends after Robert's death. Brahms never married, perhaps in an effort to focus on his work as a musician and scholar. He was a self-conscious, sometimes severely self-critical composer. Though innovative, his music was considered relatively conservative within the polarized context of the War of the Romantics, an affair in which Brahms regretted his public involvement. His compositions were largely successful, attracting a growing circle of supporters, friends, and musicians. Eduard Hanslick celebrated them polemically as absolute music, and Hans von Bülow even cast Brahms as the successor of Johann Sebastian Bach and Ludwig van Beethoven, an idea Richard Wagner mocked. Settling in Vienna, Brahms conducted the Singakademie and Gesellschaft der Musikfreunde, programming the early and often "serious" music of his personal studies. He considered retiring from composition late in life but continued to write chamber music, especially for Richard Mühlfeld. Brahms's contributions and craftsmanship were admired by his contemporaries like Antonín Dvořák, whose music he enthusiastically supported, and a variety of later composers. Max Reger and Alexander Zemlinsky reconciled Brahms's and Wagner's often contrasted styles. So did Arnold Schoenberg, who emphasized Brahms's "progressive" side. He and Anton Webern were inspired by the intricate structural coherence of Brahms's music, including what Schoenberg termed its developing variation. It remains a staple of the concert repertoire, continuing to influence composers into the 21st century.

This article presents a complete catalog of original compositions by Ferruccio Busoni, including a large number of early works, most of which remain unpublished. The earliest preserved pieces were written when he was barely seven years old. Over 200 of the total of 303 original compositions were produced before the age of twenty. For a more selective list of recorded works, see Ferruccio Busoni discography. Busoni also produced a number of cadenzas, transcriptions, and editions. For a complete list see List of adaptations by Ferruccio Busoni.

This article presents a complete catalog of original compositions by Ferruccio Busoni, including a large number of early works, most of which remain unpublished. The earliest preserved pieces were written when he was barely seven years old. Over 200 of the total of 303 original compositions were produced before the age of twenty. For a more selective list of recorded works, see Ferruccio Busoni discography. Busoni also produced a number of cadenzas, transcriptions, and editions. For a complete list see List of adaptations by Ferruccio Busoni.

The term string quartet is a type of musical composition or a group of four people who play the quartets. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists, a violist, and a cellist. The string quartet was developed into its present form by the Austrian composer Joseph Haydn, whose works in the 1750s established the ensemble as a group of four more-or-less equal partners. Since that time, the string quartet has been considered a prestigious form; writing for four instruments with broadly similar characteristics both constrains and tests a composer. String quartet composition flourished in the Classical era, and Mozart, Beethoven and Schubert each wrote a number of them. Many Romantic and early-twentieth-century composers composed string quartets, including Mendelssohn, Schumann, Brahms, Dvořák, Janáček, and Debussy. There was a slight lull in string quartet composition later in the 19th century, but it received a resurgence in the 20th century, with the Second Viennese School, Bartók, Shostakovich, Babbitt, and Carter producing highly regarded examples of the genre, and it remains an important and refined musical form. The standard structure for a string quartet as established in the Classical era is four movements, with the first movement in sonata form, allegro, in the tonic key; a slow movement in a related key and a minuet and trio follow; and the fourth movement is often in rondo form or sonata rondo form, in the tonic key. Some string quartet ensembles play together for many years and become established and promoted as an entity in a manner similar to an instrumental soloist or an orchestra.

The String Quartet in D minor, Voces intimae (literal English translation: "Intimate voices" or "Inner voices"), Op. 56, is a five-movement chamber piece for two violins, viola, and cello written in 1909 by the Finnish composer Jean Sibelius. It is the only major work for string quartet of his mature period.

This article presents a complete catalog of original compositions by Ferruccio Busoni, including a large number of early works, most of which remain unpublished. The earliest preserved pieces were written when he was barely seven years old. Over 200 of the total of 303 original compositions were produced before the age of twenty. For a more selective list of recorded works, see Ferruccio Busoni discography. Busoni also produced a number of cadenzas, transcriptions, and editions. For a complete list see List of adaptations by Ferruccio Busoni.

This article presents a complete catalog of original compositions by Ferruccio Busoni, including a large number of early works, most of which remain unpublished. The earliest preserved pieces were written when he was barely seven years old. Over 200 of the total of 303 original compositions were produced before the age of twenty. For a more selective list of recorded works, see Ferruccio Busoni discography. Busoni also produced a number of cadenzas, transcriptions, and editions. For a complete list see List of adaptations by Ferruccio Busoni.

The Sonatas and Partitas for Solo Violin (BWV 1001–1006) are a set of six works composed by Johann Sebastian Bach. They are sometimes referred to in English as the Sonatas and Partias for Solo Violin in accordance with Bach's headings in the autograph manuscript: "Partia" (plural "Partien") was commonly used in German-speaking regions during Bach's time, whereas the Italian "partita" was introduced to this set in the 1879 Bach Gesellschaft edition, having become standard by that time. The set consists of three sonatas da chiesa in four movements and three partitas (or partias) in Baroque suite dance-form movements. The 2nd Partita is widely known for its Chaconne, considered one of the most masterful and expressive works ever written for solo violin. The set was completed by 1720 but was not published until 1802 by Nikolaus Simrock in Bonn. Even after publication, it was largely ignored until the celebrated violinist Joseph Joachim started performing these works. Today, Bach's 'Sonatas and Partitas are an essential part of the violin repertoire, and they are frequently performed and recorded. The Sei Solo a Violino senza Basso accompagnato (Six Solos for Violin Without Bass Accompaniment), as Bach titled them, firmly established the technical capability of the violin as a solo instrument. The pieces often served as archetypes for solo violin pieces by later generations of composers, including Eugène Ysaÿe and Béla Bartók.

This article presents a complete catalog of original compositions by Ferruccio Busoni, including a large number of early works, most of which remain unpublished. The earliest preserved pieces were written when he was barely seven years old. Over 200 of the total of 303 original compositions were produced before the age of twenty. For a more selective list of recorded works, see Ferruccio Busoni discography. Busoni also produced a number of cadenzas, transcriptions, and editions. For a complete list see List of adaptations by Ferruccio Busoni.

Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition. From an early age, Busoni was an outstanding, if sometimes controversial, pianist. He studied at the Vienna Conservatory and then with Wilhelm Mayer and Carl Reinecke. After brief periods teaching in Helsinki, Boston, and Moscow, he devoted himself to composing, teaching, and touring as a virtuoso pianist in Europe and the United States. His writings on music were influential, and covered not only aesthetics but considerations of microtones and other innovative topics. He was based in Berlin from 1894 but spent much of World War I in Switzerland. He began composing in his early years in a late romantic style, but after 1907, when he published his Sketch of a New Esthetic of Music, he developed a more individual style, often with elements of atonality. His visits to America led to interest in North American indigenous tribal melodies which were reflected in some of his works. His compositions include works for piano, among them a monumental Piano Concerto, and transcriptions of the works of others, notably Johann Sebastian Bach (published as the Bach-Busoni Editions). He also wrote chamber music, vocal and orchestral works, and operas—one of which, Doktor Faust, he left unfinished when he died, in Berlin, at the age of 58.