La hija de Cólquide (also known by the English translation, The Daughter of Colchis) is a ballet score composed by Carlos Chávez in 1943–44 on commission from the Elizabeth Sprague Coolidge Foundation for Martha Graham. The title refers to the mythological character Medea, daughter of King Aeëtes of Colchis, in the story of Jason and the Golden Fleece. The ballet spawned several subsidiary works in Chávez's catalog including his Third String Quartet. When Graham eventually choreographed it, she wrote a new scenario and gave it the title Dark Meadow.

This is a list of compositions by Aaron Copland (1900–1990) in chronological order of composition:

Jean Coulthard, (February 10, 1908 – March 9, 2000) was a Canadian composer and music educator. She was one of a trio of women composers who dominated Western Canadian music in the twentieth century: Coulthard, Barbara Pentland, and Violet Archer. All three died within weeks of each other in 2000. Her works might be loosely termed "prematurely neo-Romantic," as the orthodox serialists who dominated academic musical life in North America during the 1950s and 1960s had little use for her.

This is a list of notable compositions for the flute (particularly the Western concert flute).

This is a partial repertoire list of classical works for saxophone.

La hija de Cólquide (also known by the English translation, The Daughter of Colchis) is a ballet score composed by Carlos Chávez in 1943–44 on commission from the Elizabeth Sprague Coolidge Foundation for Martha Graham. The title refers to the mythological character Medea, daughter of King Aeëtes of Colchis, in the story of Jason and the Golden Fleece. The ballet spawned several subsidiary works in Chávez's catalog including his Third String Quartet. When Graham eventually choreographed it, she wrote a new scenario and gave it the title Dark Meadow.

This is a list of compositions by Aaron Copland (1900–1990) in chronological order of composition:

A piano quartet is a chamber music composition for piano and three other instruments, or a musical ensemble comprising such instruments. Those other instruments are usually a string trio consisting of a violin, viola and cello. Piano quartets for that standard lineup were written by Wolfgang Amadeus Mozart, Robert Schumann, Ludwig van Beethoven, Johannes Brahms, Antonín Dvořák and Gabriel Fauré among others. In the 20th century, composers have also written for more varied groups, with Anton Webern's Quartet, opus 22 (1930), for example, being for piano, violin, clarinet and tenor saxophone, and Paul Hindemith's quartet (1938) as well as Olivier Messiaen's Quatuor pour la fin du temps (1940) both for piano, violin, cello and clarinet. An early example of this can be found in Franz Berwald's quartet for piano, horn, clarinet and bassoon from 1819, his opus 1. A rare form of piano quartets consist of two pianos with two players at each piano. This type of ensemble is informally referred to as "eight-hand piano", or "two piano eight hands". Eight-hand piano was popular in the late 19th century before the advent of recordings as it was a mechanism to reproduce and study symphonic works. Music lovers could hear the major symphonic works all in the convenience of a parlour or music hall that had two pianos and four pianists. Many of the popular works of Mozart, Schumann, Brahms and Dvořák were transcribed for two piano eight hands. The majority of 8 hand piano music consists of transcriptions, or arrangements.

This is a list of compositions for piano and orchestra. For a description of related musical forms, see Concerto and Piano concerto.

Ferruccio Busoni discography is a list of recordings of music composed or adapted by Ferruccio Busoni. For recordings of music with Busoni as pianist, see Ferruccio Busoni discography (as pianist).

Ferruccio Busoni discography is a list of recordings of music composed or adapted by Ferruccio Busoni. For recordings of music with Busoni as pianist, see Ferruccio Busoni discography (as pianist).

This is a list of compositions by Aaron Copland (1900–1990) in chronological order of composition:

A violin sonata is a musical composition for violin, which is nearly always accompanied by a piano or other keyboard instrument, or by figured bass in the Baroque period.

Among the fairly large repertoire for the standard piano trio (violin, cello, and piano) are the following works: Ordering is by surname of composer.