Cui: Chamber Works
View all works by Cui in the main appExplore the complete catalog of Chamber compositions by Cui. This curated list includes composition years, historical Wikipedia context, and interactive audio to add specific tracks directly to your listening queue.
| Title | Year | Actions |
|---|---|---|
| 5 Petites Duos, for flute, violin and piano, op. 56 |
The following is a list of compositions by the Russian composer César Cui. Titles of overall works are supplied in English unless the non-Russian original is distinctive in some way. Russian titles are added where helpful and applicable. Years in parentheses refer to the composition dates, not publishing dates. Complete listings of individual numbers within a larger work are not given, although certain well-known or recorded selections are cited. For important selections within an opera, go to the Wikipedia article for that opera, listed below and on the Wikipedia category-page for Cui's operas. Many individual compositions by Cui (primarily songs and choral pieces) have been published over the years, especially in English and French editions, without information as to opus number, if any. In order to avoid inaccuracy and unnecessary clutter, only those pieces that verifiably do not belong to an opus are included below along with the works with established opus numbers. (Note: Cui's compositions, especially from the end of his life, remain in manuscript in the Russian National Library; likewise with the full orchestral scores of several of the operas. The recent publications of the last of Cui's instrumental works (Opp. 104–106) has addressed the research gap in his unknown works.) |
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| Kaleidoscope, 24 morceaux, for violin and piano, op. 50 |
The following is a list of compositions by the Russian composer César Cui. Titles of overall works are supplied in English unless the non-Russian original is distinctive in some way. Russian titles are added where helpful and applicable. Years in parentheses refer to the composition dates, not publishing dates. Complete listings of individual numbers within a larger work are not given, although certain well-known or recorded selections are cited. For important selections within an opera, go to the Wikipedia article for that opera, listed below and on the Wikipedia category-page for Cui's operas. Many individual compositions by Cui (primarily songs and choral pieces) have been published over the years, especially in English and French editions, without information as to opus number, if any. In order to avoid inaccuracy and unnecessary clutter, only those pieces that verifiably do not belong to an opus are included below along with the works with established opus numbers. (Note: Cui's compositions, especially from the end of his life, remain in manuscript in the Russian National Library; likewise with the full orchestral scores of several of the operas. The recent publications of the last of Cui's instrumental works (Opp. 104–106) has addressed the research gap in his unknown works.) |
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| Orientale, for violin and piano, op. 50, no. 9 |
César Antonovich Cui (Russian: Цезарь Антонович Кюи, romanized: Tsezar Antonovich Kyui; IPA: [ˈt͡sjezərʲ ɐnˈtonəvʲɪt͡ɕ kʲʊˈi] ; French: Cesarius Benjaminus Cui; 18 January [O.S. 6 January] 1835 – 26 March 1918) was a Russian composer and music critic, member of the Belyayev circle and The Five – a group of composers gathered by the idea of creating a specifically Russian type of music. As an officer of the Imperial Russian Army, he rose to the rank of Engineer-General (equivalent to full General), taught fortifications in Russian military academies and wrote a number of monographs on the subject. |
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| Petite Suite, for violin and piano, op. 14 |
This is a list of compositions for cello and piano. It includes sonatas as well as other pieces for cello and piano. |