William Franklin Graham Jr. (; November 7, 1918 – February 21, 2018) was an American evangelist, ordained Southern Baptist minister, and civil rights advocate, whose broadcasts and world tours featuring live sermons became well known in the mid-to-late 20th century. Throughout his career, spanning over six decades, Graham rose to prominence as an evangelical Christian figure in the United States and abroad. According to a biographer, Graham was considered "among the most influential Christian leaders" of the 20th century. Beginning in the late 1940s and early 1950s, Graham became known for filling stadiums and other massive venues around the world where he preached live sermons; these were often broadcast via radio and television with some continuing to be seen into the 21st century. During his six decades on television, Graham hosted his annual "crusades", evangelistic live-campaigns, from 1947 until his retirement in 2005. He also hosted the radio show Hour of Decision from 1950 to 1954. He repudiated racial segregation, at a time of intense racial strife in the United States, insisting on racial integration for all of his revivals and crusades, as early as 1953. He also later invited Martin Luther King Jr. to preach jointly at a revival in New York City in 1957. In addition to his religious aims, he helped shape the worldview of a huge number of people who came from different backgrounds, leading them to find a relationship between the Bible and contemporary secular viewpoints. According to his website, Graham spoke to live audiences consisting of at least 210 million people, in more than 185 countries and territories, through various meetings, including BMS World Mission and Global Mission events. Graham was close to US presidents Dwight D. Eisenhower, Lyndon B. Johnson (one of his closest friends), and Richard Nixon. He was also lifelong friends with Robert Schuller, another televangelist and the founding pastor of the Crystal Cathedral, whom Graham talked into starting his own television ministry. Graham's evangelism was appreciated by mainline Protestant denominations, as he encouraged mainline Protestants, who were converted to his evangelical message, to remain within or return to their mainline churches. Despite early suspicions and apprehension on his part towards Catholicism—common among contemporaneous evangelical Protestants—Graham eventually developed amicable ties with many American Catholic Church figures, later encouraging unity between Catholics and Protestants. Graham operated a variety of media and publishing outlets; according to his staff, more than 3.2 million people have responded to the invitation at Billy Graham Crusades to "accept Jesus Christ as their personal savior". Graham's lifetime audience, including radio and television broadcasts, likely surpassed billions of people. As a result of his crusades, Graham preached the gospel to more people, live and in-person, than anyone in the history of Christianity. Graham was on Gallup's list of most admired men and women a record 61 times. Grant Wacker wrote that, by the mid-1960s, he had become the "Great Legitimator", saying: "By then his presence conferred status on presidents, acceptability on wars, shame on racial prejudice, desirability on decency, dishonor on indecency, and prestige on civic events."

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

The 1917 New Year Honours were appointments by King George V to various orders and honours to reward and highlight good works by citizens of the British Empire. The appointments were published in several editions of The London Gazette in January and February. The 1 January list contained only military honours earned during the ongoing war, particularly for the Battle of the Somme, while political honours were delayed. The announcement was celebrated by The Times in its New Year's Day reporting: "It is a welcome change to publish a list of New Year's Honours which have been earned altogether in the honourable service of the State. What are sometimes called 'political honours' – the results too often of personal and party manoeuvres – seem indescribably repellent in these days of national strain. We cannot, unfortunately, congratulate ourselves that their omission to-day is anything more than a postponement; but for the moment at all events we have a list confined entirely to sailors and soldiers and to civilians whose claim to distinction rests wholly on public service. We rejoice especially in the well-timed promptness with which the official report of the greatest battle in English history is followed by a large recognition of the men responsible for its success." The recipients of honours are displayed here as they were styled before their new honour, and arranged by honour, with classes (Knight, Knight Grand Cross, etc.) and then divisions (Military, Civil, etc.) as appropriate.

Songs from the Labyrinth is the eighth studio album by British singer-songwriter Sting. On this album, he collaborates with Bosnian lutenist Edin Karamazov. The album features music by John Dowland (1563–1626), a lutenist and songwriter. It entered the UK Official Albums Chart at number 24 and reached number 25 on the Billboard 200. The release was a slow seller for a Sting album, his first since 1986's Bring on the Night to fail to break the UK top 10. The album was released and re-released in several versions: LP vinyl and CD editions with 23 tracks, a CD/DVD edition with 8 tracks on the CD and a DVD documentary, The Journey and the Labyrinth (released in both "CD size" and "DVD size" packaging), and a CD re-release with 26 tracks (including live versions of Sting's own "Fields of Gold" and "Message in a Bottle", originally recorded with The Police). In late August 2013, a "Dowland Anniversary Edition" was released, which includes 32 tracks on one CD (the full original album, six live versions of album tracks and Sting's non-Dowland live songs), as well as a DVD with the original documentary.

Marco Goecke (born 12 April 1972) is a German choreographer. He was the director of Hanover State Ballet between 2019 and 2023, and had also held positions at Stuttgart Ballet, Scapino Ballet, Nederlands Dans Theater and Gauthier Dance. He had additionally choreographed works for Paris Opera Ballet, Berlin State Ballet, Les Ballets de Monte-Carlo and Vienna State Ballet, among others. Die Welt's Manuel Brug called him "the most important choreographer in Germany." In February 2023 he smeared dog feces on the face of a female dance critic who had reviewed him negatively and refused to apologise. After the attack he was removed from his position as head of Hanover State Opera’s ballet company. In late May 2024 Goecke was announced to be the director of ballet for the Theater Basel for the upcoming season 2025/2026.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

Anne Azéma (born October 19, 1957) is a French-born soprano, scholar, and stage director. She is artistic director of the Boston Camerata. She has been a singer of early music since 1993, has created and directed programs for the Boston Camerata and is a music scholar. She performs music from the Middle Ages, lute songs from the Renaissance period, Baroque sacred music, Shaker song, and contemporary music theater. She is also a music educator and a researcher. She has performed in Japan, Germany, United States and Australia.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

The Journey and the Labyrinth is a live music album performed by Sting and Edin Karamazov. It was released in 2007 by Deutsche Grammophon.

Philip Kindred Dick (December 16, 1928 – March 2, 1982) was an American science fiction short story writer and novelist. He wrote 45 novels and about 121 short stories, most of which appeared in science fiction magazines. His fiction explored varied philosophical and social questions such as the nature of reality, perception, human nature, and identity, and commonly featured characters struggling against alternate realities, illusory environments, monopolistic corporations, drug abuse, authoritarian governments, and altered states of consciousness. He is considered one of the most important figures in 20th-century science fiction. Born in Chicago, Dick moved to the San Francisco Bay Area with his family at a young age. He began publishing science fiction stories in 1952, at age 23. He found little commercial success until his alternative history novel The Man in the High Castle (1962) earned him acclaim, including a Hugo Award for Best Novel, when he was 33. He followed with science fiction novels such as Do Androids Dream of Electric Sheep? (1968) and Ubik (1969). His 1974 novel Flow My Tears, the Policeman Said won the John W. Campbell Memorial Award for Best Science Fiction Novel. Following years of drug use and a series of mystical experiences in 1974, Dick's work engaged more explicitly with issues of theology, metaphysics, and the nature of reality, as in the novels A Scanner Darkly (1977), VALIS (1981), and The Transmigration of Timothy Archer (1982). A collection of his speculative nonfiction writing on these themes was published posthumously as The Exegesis of Philip K. Dick (2011). He died in 1982 at the age of 53 due to complications of a stroke. Following his death, he became "widely regarded as a master of imaginative, paranoid fiction in the vein of Franz Kafka and Thomas Pynchon". Dick's posthumous influence has been widespread, extending beyond literary circles into Hollywood filmmaking. Popular films based on his works include Blade Runner (1982) and Blade Runner 2049 (2017), Total Recall (adapted twice: in 1990 and in 2012), Screamers (1995), Minority Report (2002), A Scanner Darkly (2006), The Adjustment Bureau (2011), and Radio Free Albemuth (2010). Beginning in 2015, Amazon Prime Video produced the multi-season television adaptation The Man in the High Castle, based on Dick's 1962 novel; and in 2017 Channel 4 produced the anthology series Electric Dreams, based on various Dick stories. In 2005, Time magazine named Ubik (1969) one of the hundred greatest English-language novels published since 1923. In 2007, Dick became the first science fiction writer included in The Library of America series.

This is a Nonesuch Records discography, organized by catalog number.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

The BBC Television Shakespeare is a series of British television adaptations of the plays of William Shakespeare, created by Cedric Messina and broadcast by BBC Television. Transmitted in the UK from 3 December 1978 to 27 April 1985, the series spanned seven seasons and thirty-seven episodes. Development began in 1975 when Messina saw that the grounds of Glamis Castle would make a perfect location for an adaptation of Shakespeare's As You Like It for the Play of the Month series. Upon returning to London, however, he had come to envision an entire series devoted exclusively to the dramatic works of Shakespeare. When he encountered a less than enthusiastic response from the BBC's departmental heads, Messina bypassed the usual channels and took his idea directly to the top of the BBC hierarchy, who greenlighted the show. Experiencing financial, logistical and creative problems in the early days of production, Messina persevered and served as executive producer for two years. When he was replaced by Jonathan Miller at the start of season three, the show experienced something of a creative renaissance as strictures on the directors' interpretations of the plays were loosened, a policy continued under Shaun Sutton, who took over as executive producer for seasons five, six and seven. By the end of its run, the series had proved both a ratings and a financial success. Initially, the adaptations received generally negative reviews, although the reception improved somewhat as the series went on, and directors were allowed more freedom, leading to interpretations becoming more daring. Several episodes are now held in high esteem, particularly some of the traditionally lesser-known and less frequently staged plays. The complete set is a popular collection, and several episodes represent the only non-theatrical production of the particular play currently available on DVD. From 26 May 2020, all 37 plays became available to stream in North America via BritBox.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

When Love Speaks is a compilation album that features interpretations of William Shakespeare's sonnets – some spoken, some set to music – and excerpts from his plays by famous actors and musicians, released under EMI Classics in April 2002. The original idea came from Joy Gelardi (now Joy Beresford Frye) who proposed the album as a fund raiser for Shakespeare’s Globe Theatre. When that plan fell through, Joy and Michael Kamen, together with Alan Rickman, co-produced it in support of Royal Academy of Dramatic Art – where most of the actors on the album had studied. Rickman chose the title, which alludes to a speech in Love's Labour's Lost – "And when love speaks, the voice featuredof all the gods make heaven drowsy with the harmony." – which is, however, not on the album. Richard Attenborough and Michael Kamen backed the album and recruited artists to participate, the launch took place at The Old Vic.

Philip Kindred Dick (December 16, 1928 – March 2, 1982) was an American science fiction short story writer and novelist. He wrote 45 novels and about 121 short stories, most of which appeared in science fiction magazines. His fiction explored varied philosophical and social questions such as the nature of reality, perception, human nature, and identity, and commonly featured characters struggling against alternate realities, illusory environments, monopolistic corporations, drug abuse, authoritarian governments, and altered states of consciousness. He is considered one of the most important figures in 20th-century science fiction. Born in Chicago, Dick moved to the San Francisco Bay Area with his family at a young age. He began publishing science fiction stories in 1952, at age 23. He found little commercial success until his alternative history novel The Man in the High Castle (1962) earned him acclaim, including a Hugo Award for Best Novel, when he was 33. He followed with science fiction novels such as Do Androids Dream of Electric Sheep? (1968) and Ubik (1969). His 1974 novel Flow My Tears, the Policeman Said won the John W. Campbell Memorial Award for Best Science Fiction Novel. Following years of drug use and a series of mystical experiences in 1974, Dick's work engaged more explicitly with issues of theology, metaphysics, and the nature of reality, as in the novels A Scanner Darkly (1977), VALIS (1981), and The Transmigration of Timothy Archer (1982). A collection of his speculative nonfiction writing on these themes was published posthumously as The Exegesis of Philip K. Dick (2011). He died in 1982 at the age of 53 due to complications of a stroke. Following his death, he became "widely regarded as a master of imaginative, paranoid fiction in the vein of Franz Kafka and Thomas Pynchon". Dick's posthumous influence has been widespread, extending beyond literary circles into Hollywood filmmaking. Popular films based on his works include Blade Runner (1982) and Blade Runner 2049 (2017), Total Recall (adapted twice: in 1990 and in 2012), Screamers (1995), Minority Report (2002), A Scanner Darkly (2006), The Adjustment Bureau (2011), and Radio Free Albemuth (2010). Beginning in 2015, Amazon Prime Video produced the multi-season television adaptation The Man in the High Castle, based on Dick's 1962 novel; and in 2017 Channel 4 produced the anthology series Electric Dreams, based on various Dick stories. In 2005, Time magazine named Ubik (1969) one of the hundred greatest English-language novels published since 1923. In 2007, Dick became the first science fiction writer included in The Library of America series.

Contents: Ancient music – Early history – 1500s – 1510s – 1520s – 1530s – 1540s – 1550s – 1560s – 1570s – 1580s – 1590s – 1600s – 1610s – 1620s – 1630s – 1640s – 1650s – 1660s – 1670s – 1680s – 1690s – 1700s – 1710s – 1720s – 1730s – 1740s – 1750s – 1760s – 1770s – 1780s – 1790s – 1800s – 1810s – 1820s – 1830s – 1840s – 1850s – 1860s – 1870s – 1880s – 1890s – 1900s – 1910s – 1920s – 1930s – 1940s – 1950s – 1960s – 1970s – 1980s – 1990s – 2000s – 2010s – 2020s This page indexes the individual year in music pages.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

"Flow, my tears" (originally Early Modern English: Flow my teares fall from your springs) is a lute song (specifically, an "ayre") by the accomplished lutenist and composer John Dowland (1563–1626). Originally composed as an instrumental under the name "Lachrimae pavane" in 1596, it is Dowland's most famous ayre, and became his signature song, literally as well as metaphorically: he would occasionally sign his name "Jo: dolandi de Lachrimae".

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

Mercury is the first planet from the Sun and the smallest in the Solar System. It is a rocky planet with a trace atmosphere and a surface gravity slightly higher than that of Mars. The surface of Mercury is similar to Earth's Moon, being cratered, with an expansive rupes system generated from thrust faults, and bright ray systems, formed by ejecta. Its largest crater, Caloris Planitia, has a diameter of 1,550 km (960 mi), which is about one-third the diameter of the planet (4,880 km or 3,030 mi). Being the most inferior orbiting planet, it always appears close to the Sun in Earth's sky, either as a "morning star" or an "evening star". It is the planet with the highest delta-v required for travel from Earth, as well as to and from the other planets in the Solar System. Mercury's sidereal year (88.0 Earth days) and sidereal day (58.65 Earth days) are in a 3:2 ratio, in a spin–orbit resonance. Consequently, one solar day (sunrise to sunrise) on Mercury lasts for around 176 Earth days: twice the planet's sidereal year. This means that one side of Mercury will remain in sunlight for one Mercurian year of 88 Earth days; while during the next orbit, that side will be in darkness all the time until the next sunrise after another 88 Earth days. Above the planet's surface is an extremely tenuous exosphere and a faint magnetic field just strong enough to deflect solar winds. Combined with its high orbital eccentricity, the planet's surface has widely varying sunlight intensity and temperature, with the equatorial regions ranging from −170 °C (−270 °F) at night to 420 °C (790 °F) during sunlight. Due to its very small axial tilt, the planet's poles are permanently shadowed. This strongly suggests that water ice could be present in the craters. Like the other planets in the Solar System, Mercury formed approximately 4.5 billion years ago. There are competing hypotheses about Mercury's origins and development, some of which incorporate collision with planetesimals and rock vaporization; as of the early 2020s, many broad details of Mercury's geological history are still under investigation or pending data from space probes. Its mantle is highly homogeneous, which suggests that Mercury had a magma ocean early in its history, like the Moon. According to current models, Mercury may have a solid silicate crust and mantle overlaying a solid outer core, a deeper liquid core layer, and a solid inner core. Mercury is expected to be destroyed, along with Venus, and possibly the Earth and the Moon, when the Sun becomes a red giant in approximately seven or eight billion years. Mercury is a classical planet that has been observed and recognized throughout history as a planet (or wandering star). In English, it is named after the ancient Roman god Mercurius (Mercury), god of commerce and communication, and the messenger of the gods. The first successful flyby of Mercury was conducted by Mariner 10 in 1974, and it has since been visited and explored by the MESSENGER and BepiColombo orbiters.

This is a list of Private Passions episodes from 2000 to 2004. It does not include repeated episodes or compilations.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

Songs from the Labyrinth is the eighth studio album by British singer-songwriter Sting. On this album, he collaborates with Bosnian lutenist Edin Karamazov. The album features music by John Dowland (1563–1626), a lutenist and songwriter. It entered the UK Official Albums Chart at number 24 and reached number 25 on the Billboard 200. The release was a slow seller for a Sting album, his first since 1986's Bring on the Night to fail to break the UK top 10. The album was released and re-released in several versions: LP vinyl and CD editions with 23 tracks, a CD/DVD edition with 8 tracks on the CD and a DVD documentary, The Journey and the Labyrinth (released in both "CD size" and "DVD size" packaging), and a CD re-release with 26 tracks (including live versions of Sting's own "Fields of Gold" and "Message in a Bottle", originally recorded with The Police). In late August 2013, a "Dowland Anniversary Edition" was released, which includes 32 tracks on one CD (the full original album, six live versions of album tracks and Sting's non-Dowland live songs), as well as a DVD with the original documentary.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

The Second Book of Songs (title in Early Modern English: The Second Booke of Songs or Ayres of 2, 4 and 5 parts: with Tableture for the Lute or Orpherian, with the Violl de Gamba) is a book of songs composed by Renaissance composer John Dowland and published in London in 1600. He dedicated it to Lucy Russell, Countess of Bedford. The book contains 22 songs plus an instrumental number, a "lesson for the Lute and Base Viol, called Dowlands a dew" (his First Book of Songs of 1597 contained 21 songs plus an instrumental number). The music is often described as lute songs, but this is somewhat misleading. The title page offers options regarding the instruments to be used. Also, some songs are appropriate for more than one voice, although compared to the First Book the music is removed from the world of the English madrigal. In the First Book all the songs can be performed in a four-part version.

This is a list of Private Passions episodes from 2000 to 2004. It does not include repeated episodes or compilations.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Donne ( DUN; 1571 or 1572 – 31 March 1631) was an English poet, scholar, soldier and secretary born into a recusant family, who later became a cleric in the Church of England. Under royal patronage, he was made Dean of St Paul's Cathedral in London (1621–1631). He is considered the preeminent representative of the metaphysical poets. His poetical works are noted for their metaphorical and sensual style and include sonnets, love poems, religious poems, Latin translations, epigrams, elegies, songs and satires. He is also known for his sermons. Donne's style is characterised by abrupt openings and various paradoxes, ironies and dislocations. These features, along with his frequent dramatic or everyday speech rhythms, his tense syntax and his tough eloquence, were both a reaction against the smoothness of conventional Elizabethan poetry and an adaptation into English of European baroque and mannerist techniques. His early career was marked by poetry that bore immense knowledge of English society. A theme in Donne's later poetry is the idea of true religion, something that he spent much time considering and about which he often theorised. He wrote secular poems as well as erotic and love poems. He is particularly famous for his mastery of metaphysical conceits. Despite his great education and poetic talents, Donne lived in poverty for several years, relying heavily on wealthy friends. This was as a result of his secret marriage to Anne More, with whom he eventually had twelve children. He served as a member of Parliament in 1601 and in 1614. In 1615 he unwillingly was ordained Anglican deacon and then priest at the king's insistence.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

This article lists major events and other topics related to classical music in 2020.

"Can She Excuse My Wrongs" is a late 16th-century song by the English Renaissance composer John Dowland, the fifth song in his First Booke of Songes or Ayres (Peter Short, London 1597). The words are set to a dance-tune, a galliard. The song is associated with Robert Devereux, 2nd Earl of Essex, who was executed for treason in 1601 after he rebelled against Elizabeth I. The song is sometimes referred to as "The Earl of Essex Galliard", although that title normally refers to an instrumental version, "The Earl of Essex his galiard", scored for viol consort and lute.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

Philip Kindred Dick (December 16, 1928 – March 2, 1982) was an American science fiction short story writer and novelist. He wrote 45 novels and about 121 short stories, most of which appeared in science fiction magazines. His fiction explored varied philosophical and social questions such as the nature of reality, perception, human nature, and identity, and commonly featured characters struggling against alternate realities, illusory environments, monopolistic corporations, drug abuse, authoritarian governments, and altered states of consciousness. He is considered one of the most important figures in 20th-century science fiction. Born in Chicago, Dick moved to the San Francisco Bay Area with his family at a young age. He began publishing science fiction stories in 1952, at age 23. He found little commercial success until his alternative history novel The Man in the High Castle (1962) earned him acclaim, including a Hugo Award for Best Novel, when he was 33. He followed with science fiction novels such as Do Androids Dream of Electric Sheep? (1968) and Ubik (1969). His 1974 novel Flow My Tears, the Policeman Said won the John W. Campbell Memorial Award for Best Science Fiction Novel. Following years of drug use and a series of mystical experiences in 1974, Dick's work engaged more explicitly with issues of theology, metaphysics, and the nature of reality, as in the novels A Scanner Darkly (1977), VALIS (1981), and The Transmigration of Timothy Archer (1982). A collection of his speculative nonfiction writing on these themes was published posthumously as The Exegesis of Philip K. Dick (2011). He died in 1982 at the age of 53 due to complications of a stroke. Following his death, he became "widely regarded as a master of imaginative, paranoid fiction in the vein of Franz Kafka and Thomas Pynchon". Dick's posthumous influence has been widespread, extending beyond literary circles into Hollywood filmmaking. Popular films based on his works include Blade Runner (1982) and Blade Runner 2049 (2017), Total Recall (adapted twice: in 1990 and in 2012), Screamers (1995), Minority Report (2002), A Scanner Darkly (2006), The Adjustment Bureau (2011), and Radio Free Albemuth (2010). Beginning in 2015, Amazon Prime Video produced the multi-season television adaptation The Man in the High Castle, based on Dick's 1962 novel; and in 2017 Channel 4 produced the anthology series Electric Dreams, based on various Dick stories. In 2005, Time magazine named Ubik (1969) one of the hundred greatest English-language novels published since 1923. In 2007, Dick became the first science fiction writer included in The Library of America series.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

The Serenade for Tenor, Horn and Strings, Op. 31, is a song cycle written in 1943 by Benjamin Britten for tenor, solo horn and a string orchestra. Composed during the Second World War at the request of the horn player Dennis Brain, it is a setting of a selection of six poems by English poets on the subject of night, including both its calm and its sinister aspects. The poets Britten chose to set for the Serenade range from an anonymous 15th-century writer to poets from the 17th, 18th and 19th centuries. Britten's domestic partner – the tenor Peter Pears – and Brain were the soloists at the first performance. They later recorded the work, which has received subsequent recordings by tenors, horn players, orchestras and conductors from Britain, continental Europe, America and Australia.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

Philip Kindred Dick (December 16, 1928 – March 2, 1982) was an American science fiction short story writer and novelist. He wrote 45 novels and about 121 short stories, most of which appeared in science fiction magazines. His fiction explored varied philosophical and social questions such as the nature of reality, perception, human nature, and identity, and commonly featured characters struggling against alternate realities, illusory environments, monopolistic corporations, drug abuse, authoritarian governments, and altered states of consciousness. He is considered one of the most important figures in 20th-century science fiction. Born in Chicago, Dick moved to the San Francisco Bay Area with his family at a young age. He began publishing science fiction stories in 1952, at age 23. He found little commercial success until his alternative history novel The Man in the High Castle (1962) earned him acclaim, including a Hugo Award for Best Novel, when he was 33. He followed with science fiction novels such as Do Androids Dream of Electric Sheep? (1968) and Ubik (1969). His 1974 novel Flow My Tears, the Policeman Said won the John W. Campbell Memorial Award for Best Science Fiction Novel. Following years of drug use and a series of mystical experiences in 1974, Dick's work engaged more explicitly with issues of theology, metaphysics, and the nature of reality, as in the novels A Scanner Darkly (1977), VALIS (1981), and The Transmigration of Timothy Archer (1982). A collection of his speculative nonfiction writing on these themes was published posthumously as The Exegesis of Philip K. Dick (2011). He died in 1982 at the age of 53 due to complications of a stroke. Following his death, he became "widely regarded as a master of imaginative, paranoid fiction in the vein of Franz Kafka and Thomas Pynchon". Dick's posthumous influence has been widespread, extending beyond literary circles into Hollywood filmmaking. Popular films based on his works include Blade Runner (1982) and Blade Runner 2049 (2017), Total Recall (adapted twice: in 1990 and in 2012), Screamers (1995), Minority Report (2002), A Scanner Darkly (2006), The Adjustment Bureau (2011), and Radio Free Albemuth (2010). Beginning in 2015, Amazon Prime Video produced the multi-season television adaptation The Man in the High Castle, based on Dick's 1962 novel; and in 2017 Channel 4 produced the anthology series Electric Dreams, based on various Dick stories. In 2005, Time magazine named Ubik (1969) one of the hundred greatest English-language novels published since 1923. In 2007, Dick became the first science fiction writer included in The Library of America series.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

Philip Kindred Dick (December 16, 1928 – March 2, 1982) was an American science fiction short story writer and novelist. He wrote 45 novels and about 121 short stories, most of which appeared in science fiction magazines. His fiction explored varied philosophical and social questions such as the nature of reality, perception, human nature, and identity, and commonly featured characters struggling against alternate realities, illusory environments, monopolistic corporations, drug abuse, authoritarian governments, and altered states of consciousness. He is considered one of the most important figures in 20th-century science fiction. Born in Chicago, Dick moved to the San Francisco Bay Area with his family at a young age. He began publishing science fiction stories in 1952, at age 23. He found little commercial success until his alternative history novel The Man in the High Castle (1962) earned him acclaim, including a Hugo Award for Best Novel, when he was 33. He followed with science fiction novels such as Do Androids Dream of Electric Sheep? (1968) and Ubik (1969). His 1974 novel Flow My Tears, the Policeman Said won the John W. Campbell Memorial Award for Best Science Fiction Novel. Following years of drug use and a series of mystical experiences in 1974, Dick's work engaged more explicitly with issues of theology, metaphysics, and the nature of reality, as in the novels A Scanner Darkly (1977), VALIS (1981), and The Transmigration of Timothy Archer (1982). A collection of his speculative nonfiction writing on these themes was published posthumously as The Exegesis of Philip K. Dick (2011). He died in 1982 at the age of 53 due to complications of a stroke. Following his death, he became "widely regarded as a master of imaginative, paranoid fiction in the vein of Franz Kafka and Thomas Pynchon". Dick's posthumous influence has been widespread, extending beyond literary circles into Hollywood filmmaking. Popular films based on his works include Blade Runner (1982) and Blade Runner 2049 (2017), Total Recall (adapted twice: in 1990 and in 2012), Screamers (1995), Minority Report (2002), A Scanner Darkly (2006), The Adjustment Bureau (2011), and Radio Free Albemuth (2010). Beginning in 2015, Amazon Prime Video produced the multi-season television adaptation The Man in the High Castle, based on Dick's 1962 novel; and in 2017 Channel 4 produced the anthology series Electric Dreams, based on various Dick stories. In 2005, Time magazine named Ubik (1969) one of the hundred greatest English-language novels published since 1923. In 2007, Dick became the first science fiction writer included in The Library of America series.

Philip Kindred Dick (December 16, 1928 – March 2, 1982) was an American science fiction short story writer and novelist. He wrote 45 novels and about 121 short stories, most of which appeared in science fiction magazines. His fiction explored varied philosophical and social questions such as the nature of reality, perception, human nature, and identity, and commonly featured characters struggling against alternate realities, illusory environments, monopolistic corporations, drug abuse, authoritarian governments, and altered states of consciousness. He is considered one of the most important figures in 20th-century science fiction. Born in Chicago, Dick moved to the San Francisco Bay Area with his family at a young age. He began publishing science fiction stories in 1952, at age 23. He found little commercial success until his alternative history novel The Man in the High Castle (1962) earned him acclaim, including a Hugo Award for Best Novel, when he was 33. He followed with science fiction novels such as Do Androids Dream of Electric Sheep? (1968) and Ubik (1969). His 1974 novel Flow My Tears, the Policeman Said won the John W. Campbell Memorial Award for Best Science Fiction Novel. Following years of drug use and a series of mystical experiences in 1974, Dick's work engaged more explicitly with issues of theology, metaphysics, and the nature of reality, as in the novels A Scanner Darkly (1977), VALIS (1981), and The Transmigration of Timothy Archer (1982). A collection of his speculative nonfiction writing on these themes was published posthumously as The Exegesis of Philip K. Dick (2011). He died in 1982 at the age of 53 due to complications of a stroke. Following his death, he became "widely regarded as a master of imaginative, paranoid fiction in the vein of Franz Kafka and Thomas Pynchon". Dick's posthumous influence has been widespread, extending beyond literary circles into Hollywood filmmaking. Popular films based on his works include Blade Runner (1982) and Blade Runner 2049 (2017), Total Recall (adapted twice: in 1990 and in 2012), Screamers (1995), Minority Report (2002), A Scanner Darkly (2006), The Adjustment Bureau (2011), and Radio Free Albemuth (2010). Beginning in 2015, Amazon Prime Video produced the multi-season television adaptation The Man in the High Castle, based on Dick's 1962 novel; and in 2017 Channel 4 produced the anthology series Electric Dreams, based on various Dick stories. In 2005, Time magazine named Ubik (1969) one of the hundred greatest English-language novels published since 1923. In 2007, Dick became the first science fiction writer included in The Library of America series.

"In darkness let me dwell" is a song ascribed to the lutenist and composer John Dowland. Published in 1610, late in Dowland's career, the song shows the influence of Italian music of the early baroque. It was published as song no. 10 in A Musical Banquet, a 1610 anthology of songs for lute and voice from England, France, Italy, and Spain compiled by Robert Dowland, John's son. "In darkness let me dwell" has been recorded by many artists, notably by Steven Rickards and Dorothy Linell, and by Alexander Chance and Toby Carr. The text for Dowland's setting utilizes the first stanza of an anonymous poem included in the 1606 song collection Funeral Teares by John Coprario. Dowland's setting eventually became more famous than the Coprario setting.

When Love Speaks is a compilation album that features interpretations of William Shakespeare's sonnets – some spoken, some set to music – and excerpts from his plays by famous actors and musicians, released under EMI Classics in April 2002. The original idea came from Joy Gelardi (now Joy Beresford Frye) who proposed the album as a fund raiser for Shakespeare’s Globe Theatre. When that plan fell through, Joy and Michael Kamen, together with Alan Rickman, co-produced it in support of Royal Academy of Dramatic Art – where most of the actors on the album had studied. Rickman chose the title, which alludes to a speech in Love's Labour's Lost – "And when love speaks, the voice featuredof all the gods make heaven drowsy with the harmony." – which is, however, not on the album. Richard Attenborough and Michael Kamen backed the album and recruited artists to participate, the launch took place at The Old Vic.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

Lachrimæ or seaven teares figured in seaven passionate pavans, with divers other pavans, galliards and allemands, set forth for the lute, viols, or violons, in five parts is a collection of instrumental music composed by John Dowland. It was published by John Windet in 1604. It consists of a set of seven slow pieces which the composer calls tears ("teares" in Early Modern spelling) plus other pieces including some livelier numbers. The title page of Lachrimæ is adorned with a Latin epigram: "Aut Furit, aut Lachrimat, quem non Fortuna beavit" ("He whom Fortune has not blessed either rages or weeps"). Dowland points out in his dedication that there are different types of tears. “The teares which Musicke weeps” can be pleasant; “neither are teares shed always in sorrow but sometime in joy and gladnesse”.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

Astrophil and Stella is an English sonnet sequence by Philip Sidney containing 108 sonnets and 11 songs, probably composed in the 1580s. The name derives from the two Greek words, 'aster' (star) and 'phil' (lover), and the Latin word 'stella' meaning star. Thus Astrophil is the star lover, and Stella is his star. Sidney partly nativized the key features of his Italian model Petrarch, including an ongoing but partly obscure narrative, the philosophical trappings of the poet in relation to love and desire, and musings on the art of poetic creation. Sidney also adopts the Petrarchan rhyme scheme, though he uses it with such freedom that fifteen variants are employed. Some have suggested that the love represented in the sequence may be a literal one as Sidney evidently connects Astrophil to himself and Stella to Lady Penelope, thought to be Penelope Devereux (1563–1607), later Lady Rich, the wife of Robert Rich, 3rd Baronet. Sidney and Lady Penelope had been betrothed when the latter was a child. For some reason the match was broken off, and Lady Penelope married Lord Rich, with whom she lived for a while most unhappily. Payne and Hunter suggest that modern criticism, though not explicitly rejecting this connection, leans more towards the viewpoint that writers happily create a poetic persona, artificial and distinct from themselves.

"In darkness let me dwell" is a song ascribed to the lutenist and composer John Dowland. Published in 1610, late in Dowland's career, the song shows the influence of Italian music of the early baroque. It was published as song no. 10 in A Musical Banquet, a 1610 anthology of songs for lute and voice from England, France, Italy, and Spain compiled by Robert Dowland, John's son. "In darkness let me dwell" has been recorded by many artists, notably by Steven Rickards and Dorothy Linell, and by Alexander Chance and Toby Carr. The text for Dowland's setting utilizes the first stanza of an anonymous poem included in the 1606 song collection Funeral Teares by John Coprario. Dowland's setting eventually became more famous than the Coprario setting.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

Now o Now I Needs Must Part is a song by the sixteenth-seventeenth-century composer John Dowland. The lyrics, a bittersweet contemplation of love and loss, are anonymous. The song was first published in Dowland's collection First Booke of Songes or Ayres of foure partes with Tableture for the Lute (1597). Often regarded as a lute song, it can be sung in more than one way. Dowland provides four part harmony, and the words can be sung as a solo with instrumental accompaniment or by four voices.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

"I Saw My Lady Weep" (the composer used the Early Modern spelling "weepe") is a lute song from The Second Book of Songs by Renaissance lutenist and composer John Dowland. It is the first song in the Second Book and is dedicated to Anthony Holborne. It is an example of Dowland's use of chromaticism.

"Old Hundredth" (also known as "Old Hundred") is a hymn tune in long metre, from the second edition of the Genevan Psalter. It is one of the best known melodies in many occidental Christian musical traditions. The tune is usually attributed to the French composer Louis Bourgeois (c. 1510 – c. 1560). Although the tune was first associated with Psalm 134 in the Genevan Psalter, the melody receives its current name from an association with the 100th Psalm, in a translation by William Kethe titled "All People that on Earth do Dwell". The melody is also sung to various other lyrics, including the Common Doxology ("Praise God From Whom All Blessings Flow") and various German Lutheran chorales. In that latter respect it was used by Johann Sebastian Bach as a cantus firmus in his chorale cantata Herr Gott, dich loben alle wir (BWV 130).

Psalm 104 is the 104th psalm of the Book of Psalms, beginning in Hebrew "ברכי נפשי" (barachi nafshi: "bless my soul"); in English in the King James Version: "Bless the LORD, O my soul. O LORD my God, thou art very great". In the slightly different numbering system used in the Greek Septuagint and the Latin Vulgate version of the Bible, this psalm is Psalm 103. In Latin, it is known as "Benedic anima mea Domino". Psalm 104 is used as a regular part of Jewish, Eastern Orthodox, Catholic, Lutheran, Anglican and other Protestant liturgies. It has often been set to music, including works by John Dowland, Heinrich Schütz, Philip Glass and William Lovelady. The inaugural occurrence of the term "Hallelujah" within the Old Testament can be identified in Psalm 104, with subsequent instances found in Psalms 105 and 106. Notably, O. Palmer Robertson perceives these Psalms as a cohesive triad, serving as the concluding compositions of Book 4. Hallelujah will also appear in Psalm 113, Psalm 117, Psalm 135 Psalm and Psalms 146 through 150. The psalm bears a notable resemblance to Akhenaten's Great Hymn to the Aten, written some 400 years earlier in Egypt.

Psalm 130 is the 130th psalm of the Book of Psalms, one of the penitential psalms and one of 15 psalms that begin with the words "A song of ascents" (Shir Hama'alot). The first verse is a call to God in deep sorrow, from "out of the depths" or "out of the deep", as it is translated in the King James Version of the Bible and the Coverdale translation (used in the Book of Common Prayer), respectively. In Latin, it is known as De profundis. In the slightly different numbering system used in the Greek Septuagint version of the Bible, and in the Latin Vulgate, this psalm is Psalm 129. The New American Bible Revised Edition (2010) divides the psalm into two parts: verses 1-4 are a cry for mercy; verses 5-8 are a model expression of trust in God. The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. It is paraphrased in hymns such as Martin Luther's "Aus tiefer Not schrei ich zu dir" in German. The psalm has often been set to music, by composers such as Orlando di Lasso and Heinrich Schütz. John Rutter set it in English as a movement of his Requiem.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.

John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part", and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.