Most of César Franck's works seem to have been published during his lifetime, although only 21 works received a publisher's opus number. The mature published works were catalogued by Wilhelm Mohr in his Franck Werke Verzeichnis (FWV). He divided Franck's compositions into two main groups: instrumental works, M.1-48, and vocal works, M.49-91, arranging them by genre, and by composition date order within each genre. The CFF catalogue (see § External links) compiled by Joël-Marie Fauquet (published in 1999) details almost every known work by Franck, including many not listed by Mohr. In addition, many dates are listed in Fauquet's catalogue that are incorrect in Mohr's, or missing altogether. In 2022, a critical 8-volume edition of the complete organ and harmonium works by Franck was published by Lyrebird Music, which follows the CFF catalogue and includes previously unpublished compositions.

Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic period who wrote primarily for solo piano. He has maintained worldwide renown as a leading composer of his era whose "poetic genius was based on a professional technique that was without equal in his generation". Chopin was born in Żelazowa Wola and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his early works in Warsaw before leaving Poland at age 20, less than a month before the outbreak of the November 1830 Uprising; at 21, he settled in Paris. Thereafter he gave only 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and giving piano lessons, for which he was in high demand. Chopin formed a friendship with Franz Liszt and was admired by many musical contemporaries, including Robert Schumann. After a failed engagement to Maria Wodzińska from 1836 to 1837, he maintained an often troubled relationship with the French writer Aurore Dupin (known by her pen name George Sand). A brief and unhappy visit to Mallorca with Sand in 1838–39 proved one of his most productive periods of composition. In his final years he was supported financially by his admirer Jane Stirling. In poor health most of his life, Chopin died in Paris in 1849 at age 39. All of Chopin's compositions feature the piano. Most are for solo piano, though he also wrote two piano concertos before leaving Warsaw, some chamber music, and 19 songs set to Polish lyrics. His piano pieces are technically demanding and expanded the limits of the instrument; his own performances were noted for their nuance and sensitivity. Chopin's major piano works include mazurkas, waltzes, nocturnes, polonaises, the instrumental ballade (which Chopin created as an instrumental genre), études, impromptus, scherzi, preludes, and sonatas, some published only posthumously. Among the influences on his style of composition were Polish folk music, the classical tradition of Mozart and Schubert, and the atmosphere of the Paris salons, of which he was a frequent guest. His innovations in style, harmony, and musical form, and his association of music with nationalism, were influential throughout and after the late Romantic period. Chopin's music, his status as one of music's earliest celebrities, his indirect association with political insurrection, his high-profile love life, and his early death have made him a leading symbol of the Romantic era. His works remain popular, and he has been the subject of numerous films and biographies of varying historical fidelity. Among his many memorials is the Fryderyk Chopin Institute, which was created by the Polish parliament to research and promote his life and works, and which hosts the prestigious International Chopin Piano Competition, devoted entirely to his works.

Most of César Franck's works seem to have been published during his lifetime, although only 21 works received a publisher's opus number. The mature published works were catalogued by Wilhelm Mohr in his Franck Werke Verzeichnis (FWV). He divided Franck's compositions into two main groups: instrumental works, M.1-48, and vocal works, M.49-91, arranging them by genre, and by composition date order within each genre. The CFF catalogue (see § External links) compiled by Joël-Marie Fauquet (published in 1999) details almost every known work by Franck, including many not listed by Mohr. In addition, many dates are listed in Fauquet's catalogue that are incorrect in Mohr's, or missing altogether. In 2022, a critical 8-volume edition of the complete organ and harmonium works by Franck was published by Lyrebird Music, which follows the CFF catalogue and includes previously unpublished compositions.

Most of César Franck's works seem to have been published during his lifetime, although only 21 works received a publisher's opus number. The mature published works were catalogued by Wilhelm Mohr in his Franck Werke Verzeichnis (FWV). He divided Franck's compositions into two main groups: instrumental works, M.1-48, and vocal works, M.49-91, arranging them by genre, and by composition date order within each genre. The CFF catalogue (see § External links) compiled by Joël-Marie Fauquet (published in 1999) details almost every known work by Franck, including many not listed by Mohr. In addition, many dates are listed in Fauquet's catalogue that are incorrect in Mohr's, or missing altogether. In 2022, a critical 8-volume edition of the complete organ and harmonium works by Franck was published by Lyrebird Music, which follows the CFF catalogue and includes previously unpublished compositions.

Most of César Franck's works seem to have been published during his lifetime, although only 21 works received a publisher's opus number. The mature published works were catalogued by Wilhelm Mohr in his Franck Werke Verzeichnis (FWV). He divided Franck's compositions into two main groups: instrumental works, M.1-48, and vocal works, M.49-91, arranging them by genre, and by composition date order within each genre. The CFF catalogue (see § External links) compiled by Joël-Marie Fauquet (published in 1999) details almost every known work by Franck, including many not listed by Mohr. In addition, many dates are listed in Fauquet's catalogue that are incorrect in Mohr's, or missing altogether. In 2022, a critical 8-volume edition of the complete organ and harmonium works by Franck was published by Lyrebird Music, which follows the CFF catalogue and includes previously unpublished compositions.

A ballade (; French: [balad]; and Latin: ballare ,pronounced [bälˈlʲäːrɛ]) refers to a one-movement instrumental piece with lyrical and dramatic narrative qualities reminiscent of such a song setting. In 19th century romantic music, a piano ballade is a genre of solo piano pieces written in a balletic narrative style, with lyrical and virtuosic elements being prominently featured.

Achille Claude Debussy (French pronunciation: [aʃil klod dəbysi]; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, Pelléas et Mélisande. Debussy's orchestral works include Prélude à l'après-midi d'un faune (1894), Nocturnes (1897–1899) and Images (1905–1912). His music was to a considerable extent a reaction against Wagner and the German musical tradition. He regarded the classical symphony as obsolete and sought an alternative in his "symphonic sketches", La mer (1903–1905). His piano works include sets of 24 Préludes and 12 Études. Throughout his career he wrote mélodies based on a wide variety of poetry, including his own. He was greatly influenced by the Symbolist poetic movement of the later 19th century. A small number of works, including the early La Damoiselle élue and the late Le Martyre de saint Sébastien have important parts for chorus. In his final years, he focused on chamber music, completing three of six planned sonatas for different combinations of instruments. With early influences including Russian and Far Eastern music and works by Chopin, Debussy developed his own style of harmony and orchestral colouring, derided – and unsuccessfully resisted – by much of the musical establishment of the day. His works have strongly influenced a wide range of composers including Béla Bartók, Igor Stravinsky, George Gershwin, Olivier Messiaen, George Benjamin, and the jazz pianist and composer Bill Evans. Debussy died from cancer at his home in Paris at the age of 55 after a composing career of a little more than 30 years.

Most of César Franck's works seem to have been published during his lifetime, although only 21 works received a publisher's opus number. The mature published works were catalogued by Wilhelm Mohr in his Franck Werke Verzeichnis (FWV). He divided Franck's compositions into two main groups: instrumental works, M.1-48, and vocal works, M.49-91, arranging them by genre, and by composition date order within each genre. The CFF catalogue (see § External links) compiled by Joël-Marie Fauquet (published in 1999) details almost every known work by Franck, including many not listed by Mohr. In addition, many dates are listed in Fauquet's catalogue that are incorrect in Mohr's, or missing altogether. In 2022, a critical 8-volume edition of the complete organ and harmonium works by Franck was published by Lyrebird Music, which follows the CFF catalogue and includes previously unpublished compositions.

Most of César Franck's works seem to have been published during his lifetime, although only 21 works received a publisher's opus number. The mature published works were catalogued by Wilhelm Mohr in his Franck Werke Verzeichnis (FWV). He divided Franck's compositions into two main groups: instrumental works, M.1-48, and vocal works, M.49-91, arranging them by genre, and by composition date order within each genre. The CFF catalogue (see § External links) compiled by Joël-Marie Fauquet (published in 1999) details almost every known work by Franck, including many not listed by Mohr. In addition, many dates are listed in Fauquet's catalogue that are incorrect in Mohr's, or missing altogether. In 2022, a critical 8-volume edition of the complete organ and harmonium works by Franck was published by Lyrebird Music, which follows the CFF catalogue and includes previously unpublished compositions.

This is a compilation of pieces for cello and pipe organ. See also the entries on cello and the List of compositions for cello and orchestra, List of compositions for cello and piano and List of solo cello pieces. Ordering is by surname of composer.

Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic period who wrote primarily for solo piano. He has maintained worldwide renown as a leading composer of his era whose "poetic genius was based on a professional technique that was without equal in his generation". Chopin was born in Żelazowa Wola and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his early works in Warsaw before leaving Poland at age 20, less than a month before the outbreak of the November 1830 Uprising; at 21, he settled in Paris. Thereafter he gave only 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and giving piano lessons, for which he was in high demand. Chopin formed a friendship with Franz Liszt and was admired by many musical contemporaries, including Robert Schumann. After a failed engagement to Maria Wodzińska from 1836 to 1837, he maintained an often troubled relationship with the French writer Aurore Dupin (known by her pen name George Sand). A brief and unhappy visit to Mallorca with Sand in 1838–39 proved one of his most productive periods of composition. In his final years he was supported financially by his admirer Jane Stirling. In poor health most of his life, Chopin died in Paris in 1849 at age 39. All of Chopin's compositions feature the piano. Most are for solo piano, though he also wrote two piano concertos before leaving Warsaw, some chamber music, and 19 songs set to Polish lyrics. His piano pieces are technically demanding and expanded the limits of the instrument; his own performances were noted for their nuance and sensitivity. Chopin's major piano works include mazurkas, waltzes, nocturnes, polonaises, the instrumental ballade (which Chopin created as an instrumental genre), études, impromptus, scherzi, preludes, and sonatas, some published only posthumously. Among the influences on his style of composition were Polish folk music, the classical tradition of Mozart and Schubert, and the atmosphere of the Paris salons, of which he was a frequent guest. His innovations in style, harmony, and musical form, and his association of music with nationalism, were influential throughout and after the late Romantic period. Chopin's music, his status as one of music's earliest celebrities, his indirect association with political insurrection, his high-profile love life, and his early death have made him a leading symbol of the Romantic era. His works remain popular, and he has been the subject of numerous films and biographies of varying historical fidelity. Among his many memorials is the Fryderyk Chopin Institute, which was created by the Polish parliament to research and promote his life and works, and which hosts the prestigious International Chopin Piano Competition, devoted entirely to his works.

This is a list of musical compositions for keyboard instruments such as the piano, organ or harpsichord and orchestra. See entries for concerto, piano concerto, organ concerto and harpsichord concerto for a description of related musical forms.

Most of César Franck's works seem to have been published during his lifetime, although only 21 works received a publisher's opus number. The mature published works were catalogued by Wilhelm Mohr in his Franck Werke Verzeichnis (FWV). He divided Franck's compositions into two main groups: instrumental works, M.1-48, and vocal works, M.49-91, arranging them by genre, and by composition date order within each genre. The CFF catalogue (see § External links) compiled by Joël-Marie Fauquet (published in 1999) details almost every known work by Franck, including many not listed by Mohr. In addition, many dates are listed in Fauquet's catalogue that are incorrect in Mohr's, or missing altogether. In 2022, a critical 8-volume edition of the complete organ and harmonium works by Franck was published by Lyrebird Music, which follows the CFF catalogue and includes previously unpublished compositions.

Most of César Franck's works seem to have been published during his lifetime, although only 21 works received a publisher's opus number. The mature published works were catalogued by Wilhelm Mohr in his Franck Werke Verzeichnis (FWV). He divided Franck's compositions into two main groups: instrumental works, M.1-48, and vocal works, M.49-91, arranging them by genre, and by composition date order within each genre. The CFF catalogue (see § External links) compiled by Joël-Marie Fauquet (published in 1999) details almost every known work by Franck, including many not listed by Mohr. In addition, many dates are listed in Fauquet's catalogue that are incorrect in Mohr's, or missing altogether. In 2022, a critical 8-volume edition of the complete organ and harmonium works by Franck was published by Lyrebird Music, which follows the CFF catalogue and includes previously unpublished compositions.

Most of César Franck's works seem to have been published during his lifetime, although only 21 works received a publisher's opus number. The mature published works were catalogued by Wilhelm Mohr in his Franck Werke Verzeichnis (FWV). He divided Franck's compositions into two main groups: instrumental works, M.1-48, and vocal works, M.49-91, arranging them by genre, and by composition date order within each genre. The CFF catalogue (see § External links) compiled by Joël-Marie Fauquet (published in 1999) details almost every known work by Franck, including many not listed by Mohr. In addition, many dates are listed in Fauquet's catalogue that are incorrect in Mohr's, or missing altogether. In 2022, a critical 8-volume edition of the complete organ and harmonium works by Franck was published by Lyrebird Music, which follows the CFF catalogue and includes previously unpublished compositions.

This is a list of compositions for piano and orchestra. For a description of related musical forms, see Concerto and Piano concerto.

Most of César Franck's works seem to have been published during his lifetime, although only 21 works received a publisher's opus number. The mature published works were catalogued by Wilhelm Mohr in his Franck Werke Verzeichnis (FWV). He divided Franck's compositions into two main groups: instrumental works, M.1-48, and vocal works, M.49-91, arranging them by genre, and by composition date order within each genre. The CFF catalogue (see § External links) compiled by Joël-Marie Fauquet (published in 1999) details almost every known work by Franck, including many not listed by Mohr. In addition, many dates are listed in Fauquet's catalogue that are incorrect in Mohr's, or missing altogether. In 2022, a critical 8-volume edition of the complete organ and harmonium works by Franck was published by Lyrebird Music, which follows the CFF catalogue and includes previously unpublished compositions.

Most of César Franck's works seem to have been published during his lifetime, although only 21 works received a publisher's opus number. The mature published works were catalogued by Wilhelm Mohr in his Franck Werke Verzeichnis (FWV). He divided Franck's compositions into two main groups: instrumental works, M.1-48, and vocal works, M.49-91, arranging them by genre, and by composition date order within each genre. The CFF catalogue (see § External links) compiled by Joël-Marie Fauquet (published in 1999) details almost every known work by Franck, including many not listed by Mohr. In addition, many dates are listed in Fauquet's catalogue that are incorrect in Mohr's, or missing altogether. In 2022, a critical 8-volume edition of the complete organ and harmonium works by Franck was published by Lyrebird Music, which follows the CFF catalogue and includes previously unpublished compositions.

Most of César Franck's works seem to have been published during his lifetime, although only 21 works received a publisher's opus number. The mature published works were catalogued by Wilhelm Mohr in his Franck Werke Verzeichnis (FWV). He divided Franck's compositions into two main groups: instrumental works, M.1-48, and vocal works, M.49-91, arranging them by genre, and by composition date order within each genre. The CFF catalogue (see § External links) compiled by Joël-Marie Fauquet (published in 1999) details almost every known work by Franck, including many not listed by Mohr. In addition, many dates are listed in Fauquet's catalogue that are incorrect in Mohr's, or missing altogether. In 2022, a critical 8-volume edition of the complete organ and harmonium works by Franck was published by Lyrebird Music, which follows the CFF catalogue and includes previously unpublished compositions.

Charles-Alexis Chauvet (French pronunciation: [ʃaʁl alɛksi ʃovɛ]; 7 June 1837 – 29 January 1871) was a French organist and composer.

Most of César Franck's works seem to have been published during his lifetime, although only 21 works received a publisher's opus number. The mature published works were catalogued by Wilhelm Mohr in his Franck Werke Verzeichnis (FWV). He divided Franck's compositions into two main groups: instrumental works, M.1-48, and vocal works, M.49-91, arranging them by genre, and by composition date order within each genre. The CFF catalogue (see § External links) compiled by Joël-Marie Fauquet (published in 1999) details almost every known work by Franck, including many not listed by Mohr. In addition, many dates are listed in Fauquet's catalogue that are incorrect in Mohr's, or missing altogether. In 2022, a critical 8-volume edition of the complete organ and harmonium works by Franck was published by Lyrebird Music, which follows the CFF catalogue and includes previously unpublished compositions.

The pump organ or reed organ is a type of organ that uses free reeds to generate sound, with air passing over vibrating thin metal strips mounted in a frame. Types include the pressure-based harmonium, the suction reed organ (which employs a vacuum system), and the Indian harmonium. Historical examples include the Kunstharmonium and the American reed organ, while earlier forms include the physharmonica and the seraphine. More portable than pipe organs, free-reed organs became widespread in smaller churches and private homes during the 19th century, although their volume and tonal range were limited. They generally featured one, or occasionally two, manuals, while pedal-boards were rare. Higher-end pump organs offered a broader range of tones, and models intended for churches or affluent households were often housed in finely crafted cabinets. Between the 1850s and the 1920s, several million reed organs and melodeons were manufactured in the United States and Canada, with some exported abroad. Major manufacturers included the Cable Piano Company, Estey Organ, and Mason & Hamlin. In addition to the larger, furniture-sized instruments popular in the West, more compact designs also developed. The portable, hand-pumped Indian harmonium, adapted from Western designs such as the guide-chant in the 19th century, became a central instrument across the Indian subcontinent. Today, the Indian harmonium is widely employed by Sikhs, Hindus, and Muslims for devotional music such as qawwali, ghazal, kirtan, and bhajan. It is also commonly used in Indian classical music and within Western yoga and kirtan subcultures.

Most of César Franck's works seem to have been published during his lifetime, although only 21 works received a publisher's opus number. The mature published works were catalogued by Wilhelm Mohr in his Franck Werke Verzeichnis (FWV). He divided Franck's compositions into two main groups: instrumental works, M.1-48, and vocal works, M.49-91, arranging them by genre, and by composition date order within each genre. The CFF catalogue (see § External links) compiled by Joël-Marie Fauquet (published in 1999) details almost every known work by Franck, including many not listed by Mohr. In addition, many dates are listed in Fauquet's catalogue that are incorrect in Mohr's, or missing altogether. In 2022, a critical 8-volume edition of the complete organ and harmonium works by Franck was published by Lyrebird Music, which follows the CFF catalogue and includes previously unpublished compositions.

Most of César Franck's works seem to have been published during his lifetime, although only 21 works received a publisher's opus number. The mature published works were catalogued by Wilhelm Mohr in his Franck Werke Verzeichnis (FWV). He divided Franck's compositions into two main groups: instrumental works, M.1-48, and vocal works, M.49-91, arranging them by genre, and by composition date order within each genre. The CFF catalogue (see § External links) compiled by Joël-Marie Fauquet (published in 1999) details almost every known work by Franck, including many not listed by Mohr. In addition, many dates are listed in Fauquet's catalogue that are incorrect in Mohr's, or missing altogether. In 2022, a critical 8-volume edition of the complete organ and harmonium works by Franck was published by Lyrebird Music, which follows the CFF catalogue and includes previously unpublished compositions.

There is a long tradition in classical music of writing music in sets of pieces that cover all the major and minor keys of the chromatic scale. These sets typically consist of 24 pieces, one for each of the major and minor keys (sets that comprise all the enharmonic variants include 30 pieces). Examples include Johann Sebastian Bach's The Well-Tempered Clavier and Frédéric Chopin's 24 Preludes, Op. 28. Such sets are often organized as preludes and fugues or designated as preludes or études. Some composers have restricted their sets to cover only the 12 major keys or the 12 minor keys; or only the flat keys (Franz Liszt's Transcendental Études) or the sharp keys (Sergei Lyapunov's Op. 11 set). In yet another type, a single piece may progressively modulate through a set of tonalities, as occurs in Ludwig van Beethoven's 2 Preludes through all the Major Keys, Op. 39. The bulk of works of this type have been written for piano solo, but there also exist sets for piano 4-hands; two pianos; organ; guitar; two guitars; flute; recorder; oboe; violin solo; violin and piano; cello solo; cello and piano; voice and piano; and string quartet. There are examples of attempts to write full sets that, for one reason or another, were never completed (Josef Rheinberger's organ sonatas, Dmitri Shostakovich's string quartets, César Franck's L'Organiste).

Most of César Franck's works seem to have been published during his lifetime, although only 21 works received a publisher's opus number. The mature published works were catalogued by Wilhelm Mohr in his Franck Werke Verzeichnis (FWV). He divided Franck's compositions into two main groups: instrumental works, M.1-48, and vocal works, M.49-91, arranging them by genre, and by composition date order within each genre. The CFF catalogue (see § External links) compiled by Joël-Marie Fauquet (published in 1999) details almost every known work by Franck, including many not listed by Mohr. In addition, many dates are listed in Fauquet's catalogue that are incorrect in Mohr's, or missing altogether. In 2022, a critical 8-volume edition of the complete organ and harmonium works by Franck was published by Lyrebird Music, which follows the CFF catalogue and includes previously unpublished compositions.

Most of César Franck's works seem to have been published during his lifetime, although only 21 works received a publisher's opus number. The mature published works were catalogued by Wilhelm Mohr in his Franck Werke Verzeichnis (FWV). He divided Franck's compositions into two main groups: instrumental works, M.1-48, and vocal works, M.49-91, arranging them by genre, and by composition date order within each genre. The CFF catalogue (see § External links) compiled by Joël-Marie Fauquet (published in 1999) details almost every known work by Franck, including many not listed by Mohr. In addition, many dates are listed in Fauquet's catalogue that are incorrect in Mohr's, or missing altogether. In 2022, a critical 8-volume edition of the complete organ and harmonium works by Franck was published by Lyrebird Music, which follows the CFF catalogue and includes previously unpublished compositions.

Franz Liszt (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era, and his piano works continue to be widely performed and recorded. Liszt achieved success as a concert pianist from an early age, and received lessons from the esteemed musicians Carl Czerny and Antonio Salieri. He gained further renown for his performances during tours of Europe in the 1830s and 1840s, developing a reputation for technical brilliance as well as physical attractiveness. In a phenomenon dubbed "Lisztomania", he rose to a degree of stardom and popularity among the public not experienced by the virtuosos who preceded him. During this period and into his later life, Liszt was a friend, musical promoter and benefactor to many composers of his time, including Hector Berlioz, Frédéric Chopin, Robert Schumann, Clara Schumann and Richard Wagner, among others. Liszt coined the terms "transcription" and "paraphrase", and would perform arrangements of his contemporaries' music to popularise it. Alongside Wagner, Liszt was one of the most prominent representatives of the New German School, a progressive group of composers involved in the "War of the Romantics" who developed ideas of programmatic music and harmonic experimentation. Liszt taught piano performance to hundreds of students throughout his life, many of whom went on to become notable performers. He left behind an extensive and diverse body of work that influenced his forward-looking contemporaries and anticipated 20th-century ideas and trends. Among Liszt's musical contributions were the concept of the symphonic poem, innovations in thematic transformation and Impressionism in music, and the invention of the masterclass as a method of teaching performance. In a radical departure from his earlier compositional styles, many of Liszt's later works also feature experiments in atonality, foreshadowing developments in 20th-century classical music. Today he is best known for his original piano works, such as the Hungarian Rhapsodies, Années de pèlerinage, Transcendental Études, "La campanella", and the Piano Sonata in B minor.

Most of César Franck's works seem to have been published during his lifetime, although only 21 works received a publisher's opus number. The mature published works were catalogued by Wilhelm Mohr in his Franck Werke Verzeichnis (FWV). He divided Franck's compositions into two main groups: instrumental works, M.1-48, and vocal works, M.49-91, arranging them by genre, and by composition date order within each genre. The CFF catalogue (see § External links) compiled by Joël-Marie Fauquet (published in 1999) details almost every known work by Franck, including many not listed by Mohr. In addition, many dates are listed in Fauquet's catalogue that are incorrect in Mohr's, or missing altogether. In 2022, a critical 8-volume edition of the complete organ and harmonium works by Franck was published by Lyrebird Music, which follows the CFF catalogue and includes previously unpublished compositions.

Most of César Franck's works seem to have been published during his lifetime, although only 21 works received a publisher's opus number. The mature published works were catalogued by Wilhelm Mohr in his Franck Werke Verzeichnis (FWV). He divided Franck's compositions into two main groups: instrumental works, M.1-48, and vocal works, M.49-91, arranging them by genre, and by composition date order within each genre. The CFF catalogue (see § External links) compiled by Joël-Marie Fauquet (published in 1999) details almost every known work by Franck, including many not listed by Mohr. In addition, many dates are listed in Fauquet's catalogue that are incorrect in Mohr's, or missing altogether. In 2022, a critical 8-volume edition of the complete organ and harmonium works by Franck was published by Lyrebird Music, which follows the CFF catalogue and includes previously unpublished compositions.

Jeanne Marie-Madeleine Demessieux (14 February 1921 – 11 November 1968) was a French organist, pianist, composer, and teacher. She was the chief organist at Saint-Esprit for 29 years and at La Madeleine in Paris starting in 1962. She performed internationally as a concert organist and was the first female organist to sign a record contract. She went on to record many organ works, including her own compositions.

This is a list of compositions for cello and piano. It includes sonatas as well as other pieces for cello and piano.

Most of César Franck's works seem to have been published during his lifetime, although only 21 works received a publisher's opus number. The mature published works were catalogued by Wilhelm Mohr in his Franck Werke Verzeichnis (FWV). He divided Franck's compositions into two main groups: instrumental works, M.1-48, and vocal works, M.49-91, arranging them by genre, and by composition date order within each genre. The CFF catalogue (see § External links) compiled by Joël-Marie Fauquet (published in 1999) details almost every known work by Franck, including many not listed by Mohr. In addition, many dates are listed in Fauquet's catalogue that are incorrect in Mohr's, or missing altogether. In 2022, a critical 8-volume edition of the complete organ and harmonium works by Franck was published by Lyrebird Music, which follows the CFF catalogue and includes previously unpublished compositions.

Most of César Franck's works seem to have been published during his lifetime, although only 21 works received a publisher's opus number. The mature published works were catalogued by Wilhelm Mohr in his Franck Werke Verzeichnis (FWV). He divided Franck's compositions into two main groups: instrumental works, M.1-48, and vocal works, M.49-91, arranging them by genre, and by composition date order within each genre. The CFF catalogue (see § External links) compiled by Joël-Marie Fauquet (published in 1999) details almost every known work by Franck, including many not listed by Mohr. In addition, many dates are listed in Fauquet's catalogue that are incorrect in Mohr's, or missing altogether. In 2022, a critical 8-volume edition of the complete organ and harmonium works by Franck was published by Lyrebird Music, which follows the CFF catalogue and includes previously unpublished compositions.