Gesualdo: Vocal Works
View all works by Gesualdo in the main appExplore the complete catalog of Vocal compositions by Gesualdo. This curated list includes composition years, historical Wikipedia context, and interactive audio to add specific tracks directly to your listening queue.
| Title | Year | Actions |
|---|---|---|
| Ad te levavi, motet, W. 9/77 | ||
| Adoramus te, Christe, motet, W. 9/51 | ||
| Ahi, disperata vita |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Ahi, dispietata e cruda |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Ahi, già mi discoloro | ||
| Ahi, troppo saggia | ||
| Al mio gioir il ciel si fa sereno |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| All'apparir di quelle luci ardenti |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| All'ombra degl'allori |
Pomponio Nenna (baptized 13 June 1556 – 25 July 1608) was a Neapolitan Italian composer of the Renaissance. He is mainly remembered for his madrigals, which were influenced by Gesualdo, and for his polychoral sacred motets, posthumously published as Sacrae Hebdomadae Responsoria in 1622. |
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| All'ombra degl'allori, W10.32 | ||
| Alme d'amor rubelle |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Amor, pace non chero | ||
| Ancide sol la morte |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Ancidetemi pur, grievi martiri |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Ancor che per amarti |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Arde il mio cor, W4.62 | ||
| Ardens est cor meum, motet, W. 9/65 |
This is a list of Private Passions episodes from 2005 to 2009. It does not include repeated episodes or compilations. |
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| Ardita zanzaretta, W6.57 | ||
| Ardo per te, mio bene, W6.62 | ||
| Asciugate i begli occhi, W5.57 | ||
| Assumpta est Maria, motet, W. 9/58 |
This is a list of Private Passions episodes from 2000 to 2004. It does not include repeated episodes or compilations. |
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| Ave Regina caelorum, W8.11 | ||
| Ave, dulcissima Maria, W8.17 | ||
| Ave, sanctissima Maria, motet, W. 9/26 | ||
| Baci soavi e cari |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Bella angioletta |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Beltà, poi che t'assenti, W6.16 | ||
| Benedictus Dominus Deus Israel, motet, W. 7/93 |
This is a list of Private Passions episodes from 1995 to 1999. It does not include repeated episodes or compilations. |
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| Caligaverunt oculi mei, motet |
Tenebrae responsories are the responsories sung following the lessons of Tenebrae, the Matins services of the last three days of Holy Week: Maundy Thursday, Good Friday and Holy Saturday. Polyphonic settings to replace plainchant have been published under a various titles, including Responsoria pro hebdomada sancta (Responsories for Holy Week). In most places, Matins as well as Lauds of these days were normally anticipated on the evening of the preceding day and were celebrated on Wednesday, Maundy Thursday and Good Friday, respectively. The 1955 reform of the Holy Week ceremonies by Pope Pius XII, redefining Triduum Sacrum to include Easter Sunday and take in only the close of Maundy Thursday, moved them to Thursday, Friday and Saturday evenings. Tenebrae as such was not included in the 1970 Liturgy of the Hours, vanishing altogether around 1977. Summorum Pontificum (2007) now permits clerics bound to recitation of the Divine Office to use the 1961 Roman Breviary. Composers who produced polyphonic settings include Carlo Gesualdo (Responsoria et alia ad Officium Hebdomadae Sanctae spectantia, 1611), Tomás Luis de Victoria, Jean L'Héritier, Marc-Antoine Charpentier, (19 settings: H.111 -119, H.126 - 134 and H.144), Jan Dismas Zelenka (ZWV 55), Max Reger and Francis Poulenc. |
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| Candida man qual neve |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Candido e verde fiore |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Canzon francese | ||
| Caro amoroso neo |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Che fai meco, mio cor, W4.27 | ||
| Che sentir deve il petto | ||
| Chiaro risplender suole, W6.25 | ||
| Come esser può ch'io viva? |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Come vivi cor mio |
Pomponio Nenna (baptized 13 June 1556 – 25 July 1608) was a Neapolitan Italian composer of the Renaissance. He is mainly remembered for his madrigals, which were influenced by Gesualdo, and for his polychoral sacred motets, posthumously published as Sacrae Hebdomadae Responsoria in 1622. |
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| Come vivi cor mio, W10.34 | ||
| Cor mio deh non piangete, W4.37 | ||
| Correte, amati, a prova, W5.54 | ||
| Crudelissima doglia |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Da pacem, Domine, motet, W. 9/19 |
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the preeminent polyphonic forms of Renaissance music. According to the English musicologist Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond. The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". |
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| Dalle odorate spoglie |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Danzan le ninfe | ||
| Deh come in van sospiro | ||
| Deh, coprite il bel seno, W5.64 | ||
| Deh, se già fu crudele al mio |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Del bel de'bei vostri occhi |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Deus refugium, W8.54 | ||
| Dignare me, laudare te, W8.24 | ||
| Discedite a me omnes, motet, W. 9/35 | ||
| Dolce spirto d'Amore |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Dolcissima mia vita, W5.23 | ||
| Dolcissimo sospiro |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Domine, ne despicias, W8.28 | ||
| Donna, se m'ancidete | ||
| Dunque non m'offendete | ||
| E quell'arpa felice | ||
| Ecco, morirò dunque |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Exaudi Deus, deprecationem meam, W8.42 | ||
| Felice primavera! |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Felicissimo sonno, W5.33 | ||
| Franciscus humilis et pauper, motet, W. 9/81 | ||
| Frenò Tirsi il desio | ||
| Gagliarda |
Francesco Libetta (born 16 October 1968) is an Italian pianist, composer, writer and conductor. |
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| Gaudeamus omnes diem festum celebrantes, motet, W. 9/39 | ||
| Gelo ha madonna in seno |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Già piansi nel dolore, W6.96 | ||
| Gioite voi col canto, W5.13 | ||
| Hai rotto e sciolto e spento |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Hei mihi, Domine, W8.30 | ||
| Hor che in gioia | ||
| Il sol, qualor più splende, W4.69 | ||
| Illumina faciem tuam, W8.60 | ||
| Illumina nos misericordiarum, motet, W. 9/89 | ||
| In monte oliveti, tenebrae lesson for 6 voices, W.7/9 |
This is a list of Private Passions episodes from 2005 to 2009. It does not include repeated episodes or compilations. |
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| In piu leggiadro velo |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| In te, Domine, speravi, W10.26 | ||
| Invan, dunque, o crudele |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Io parto, e non più dissi, W6.29 | ||
| Io pur respiro in cosí gran dolore, W6.44 | ||
| Io tacerò, ma nel silenzio mio, W4.21 | ||
| Itene, O miei sospiri, W5.19 | ||
| Laboravi in gemitu meo, W8.33 | ||
| Languisce al fin, W5.45 | ||
| Languisco e moro |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Luci serene e chiare, W4.13 | ||
| Luzzasco Luzzaschi: Toccata del 4 tono | ||
| Ma se avverra ch'io moia | ||
| Ma se tale ha costei |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Madonna, io ben vorrei |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Maria, Mater gratiae, W8.63 | ||
| Mentre gira costei, W4.51 | ||
| Mentre madonna |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Mentre, mia stella, miri |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Meraviglia d'amore |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Mercè grido piangendo, W5.49 | ||
| Mille volte il di moro |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Miserere Mei, Deus, W7.92 | ||
| Moro, e mentre sospiro, W4.46 | ||
| Moro, lasso, al mio duolo, W6.74 | ||
| Ne derelinquas me, motet, W. 9/69 | ||
| Ne tien face o saetta | ||
| Non e questa la mano |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Non mai non cangero |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Non mi toglia il ben mio |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Non mirar, non mirare |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Non t'amo, o voce ingrata |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| O anima sanctissima, motet, W. 9/85 | ||
| O beata mater, motet, W. 9/73 |
This is a list of Private Passions episodes from 1995 to 1999. It does not include repeated episodes or compilations. |
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| O com'e gran martire |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| O crux benedicta, W8.48 | ||
| O dolce mio martire |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| O dolce mio tesoro |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| O dolorosa gioia, W5.27 | ||
| O mio soave ardore | ||
| O Oriens, motet, W. 9/31 | ||
| O sacrum convivium, motet, W. 9/47 |
Thomas Tallis (; also Tallys or Talles; c. 1505 – 23 November 1585) was an English composer of High Renaissance music. His compositions are primarily vocal, and he occupies a primary place in anthologies of English choral music. Tallis is considered one of England's greatest composers, and is honoured for his original voice in English musicianship. |
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| O sempre crudo amore | ||
| O tenebroso giorno, W5.72 | ||
| O voi, troppo felici, W5.51 | ||
| O vos omnes, W7.80 | ||
| Occhi del mio cor vita, W5.42 | ||
| Or che in gioia credea, W4.33 | ||
| Peccantem me quotidie, W8.36 | ||
| Poichè l'avida sete, W5.67a | ||
| Precibus et meritis beatae Mariae, W8.45 | ||
| Qual fora, donna, W5.31 | ||
| Quando di lui la sospirata vita | ||
| Quando ridente e bella, W6.100 | ||
| Quanto ha di dolce amore |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Quel 'no' crudel che la mia speme ancise |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Questa crudele e pia, W4.30 | ||
| Questi leggiadri odorosetti fiori |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Reminiscere miserationum tuarum, W8.21 | ||
| Resta di darmi noia, W6.23 | ||
| S'io non miro non moro, W5.17 | ||
| Sana me, Domine, motet, W. 9/23 | ||
| Sancti spiritus, Domine, corda nostra, W8.26 | ||
| Se chiudete nel core, W4.65 | ||
| Se cosi dolce e il duolo |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Se da si nobil mano |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Se la mia morte brami, W6.13 | ||
| Se per lieve ferita |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Se piange, ohime |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Se taccio, il duol s'avanza |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Se tu fuggi, io non resto, W5.76 | ||
| Se vi duol il mio duolo, W5.37 | ||
| Se vi miro pietosa |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Sento che nel partire, W2.37 | ||
| Sì gioioso mi fanno i dolor miei |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Son sì belle le rose |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Sospirava il mio core |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Sparge la morte al mio Signor |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Sparge la morte al mio Signor, W4.42 | ||
| Suite from Book 6, for brass ensemble |
The Grammy Award for Best Chamber Music Performance was awarded from 1959 to 2011. The award was discontinued in 2012 in a major overhaul of Grammy categories; since 2012, recordings in this category have fallen under the Best Small Ensemble Performance category. The award has had several minor name changes: From 1959 to 1960 the award was known as Best Classical Performance - Chamber Music (including chamber orchestra) In 1961 it was awarded as Best Classical Performance - Vocal or Instrumental - Chamber Music From 1962 to 1964 it was awarded as Best Classical Performance - Chamber Music In 1965 it was awarded as two awards for Best Chamber Music Performance - Vocal and Best Chamber Music Performance - Instrumental From 1966 to 1967 it was awarded as Best Classical Chamber Music Performance - Instrumental or Vocal From 1968 to 1990 it was awarded as Best Chamber Music Performance In 1991 it was awarded as Best Chamber Music or Other Small Ensemble Performance From 1992 to 2011 it has been awarded as Best Chamber Music Performance Years reflect the year in which the Grammy Awards were presented, for works released in the previous year. |
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| T'amo, mia vita!, W5.79 | ||
| Talor sano desio, W4.18 | ||
| Tenebrae factae sunt, W8.51 | ||
| Tenebrae Responsories, W7: Good Friday | ||
| Tenebrae Responsories, W7: Holy Saturday | ||
| Tenebrae Responsories, W7: Maundy Thursday | ||
| Tenebrae Responsories, W7: Other Days | ||
| Tirsi morir volea |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Tribularer si nescirem, W8.51 | ||
| Tribulationem et dolorem inveni, W8.57 | ||
| Tristis est anima mea, W8.13 | ||
| Tu m'uccidi, o crudele, W5.60 | ||
| Tu piangi o fille mia | ||
| Tu segui o bella Clori |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Veggio, si, dal mio sole |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Veni Creator Spiritus, motet, W. 9/43 |
This is a list of Private Passions episodes from 2005 to 2009. It does not include repeated episodes or compilations. |
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| Veni sponsa Christi, motet, W. 9/54 | ||
| Venit lumen tuum, W8.14 | ||
| Verba mea, motet, W. 9/61 | ||
| Virgo benedicta, motet, W. 9/15 | ||
| Voi volete ch'io mora |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Volan quasi farfalle |
This is a list of compositions by Carlo Gesualdo (1566–1613), the Prince of Venosa. |
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| Volgi mia luce |