Glass: Keyboard Works

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Explore the complete catalog of Keyboard compositions by Glass. This curated list includes composition years, historical Wikipedia context, and interactive audio to add specific tracks directly to your listening queue.

Title Year Actions
4 Movements, for 2 pianos

The following is a list of compositions by Philip Glass.

A Musical Portrait of Chuck Close

Charles Thomas Close (July 5, 1940 – August 19, 2021) was an American painter, visual artist, and photographer who made massive-scale photorealist and abstract portraits of himself and others. Close also created photo portraits using a very large format camera. He adapted his painting style and working methods in 1988, after being paralyzed by an occlusion of the anterior spinal artery.

Etudes, Vol.1

The stained glass windows of Chartres Cathedral are held to be one of the best-preserved and most complete set of medieval stained glass, notably celebrated for their colours, especially their cobalt blue. They cover 2600 square metres in total and consist of 167 windows illustrating biblical scenes, the lives of the saints and scenes from the life of trade guilds of the period. Some windows survive from an earlier Chartres Cathedral, such as the three lancets on the west front (1145–1155, contemporary with those made for Abbot Suger at the Basilica of Saint-Denis) and the lancet south of the choir known as 'Notre-Dame de la Belle Verrière', famed for its Chartres blue (1180). However, most of the windows were probably made between 1205 and 1240 for the present church, taking in the Fourth Crusade (bringing a large number of important relics to Chartres) and the Albigensian Crusade, as well as the reigns of Philip II Augustus (1180–1223) and Louis VIII (1223–1226), with the building's consecration finally occurring in 1260 under Louis IX (1226–1270). Some of the windows were made later, such as those in the Vendôme Chapel (1400–1425) and some in the transepts (20th century), whilst some damaged 13th-century windows were restored from the 15th century onwards. The destruction of Reims Cathedral and its stained glass in 1914 caused shock across France and led to all Chartres' windows being taken out and stored throughout both world wars. Conservation and removal of pollution has been ongoing since 1972. Preliminary studies were carried out by the Laboratoire de recherche des monuments historiques.

How Now

Glass is an amorphous (non-crystalline) solid. Because it is often transparent and chemically inert, glass has found widespread practical, technological, and decorative use in window panes, tableware, and optics. Some common objects made of glass are named after the material, e.g., a "glass" for drinking, "glasses" for vision correction, and a "magnifying glass". Glass is most often formed by rapid cooling (quenching) of the molten form. Some glasses such as volcanic glass are naturally occurring, and obsidian has been used to make arrowheads and knives since the Stone Age. Archaeological evidence suggests glassmaking dates back to at least 3600 BC in Mesopotamia, Egypt, or Syria. The earliest known glass objects were beads, perhaps created accidentally during metalworking or the production of faience, which is a form of pottery using lead glazes. Due to its ease of formability into any shape, glass has been traditionally used for vessels, such as bowls, vases, bottles, jars and drinking glasses. Soda–lime glass, containing around 70% silica, accounts for around 90% of modern manufactured glass. Glass can be coloured by adding metal salts or painted and printed with vitreous enamels, leading to its use in stained glass windows and other glass art objects. The refractive, reflective and transmissive properties of glass make glass suitable for manufacturing optical lenses, prisms, and optoelectronics materials. Extruded glass fibres have applications as optical fibres in communications networks, thermal insulating material when matted as glass wool to trap air, or in glass-fibre reinforced plastic (fibreglass).

Mad Rush

Solo Piano (1989) is an album of piano music composed and performed by Philip Glass. It was produced by Kurt Munkacsi. The title of five of the seven tracks, "Metamorphosis", refers to and was inspired by the 1915 novella The Metamorphosis by Franz Kafka. While all pieces were written in 1988, some were written for a staging of Metamorphosis, while others were for the 1988 documentary film The Thin Blue Line directed by Errol Morris. "Mad Rush" was written in 1979 and is based on an earlier organ piece; it has been used by choreographers Lucinda Childs and Benjamin Millepied. The title of the last composition is a reference to Allen Ginsberg's 1966 poem "Wichita Vortex Sutra", and was composed, in collaboration with Ginsberg, for both a reading and recording of the poem. "Metamorphosis One" is played in an episode of Battlestar Galactica by Kara "Starbuck" Thrace. Within the narrative, her father composed and performed the piece. It is also played in the series finale of Person of Interest, Return 0. "Metamorphosis Two" formed the basis of one of the main musical themes in the film The Hours. It is also the song that the American rock band Pearl Jam uses as their introduction music to concerts. Many pianists have recorded this music subsequently, notably Bruce Brubaker, Sally Whitwell, Lisa Moore, and Valentina Lisitsa.

Metamorphosis

Solo Piano (1989) is an album of piano music composed and performed by Philip Glass. It was produced by Kurt Munkacsi. The title of five of the seven tracks, "Metamorphosis", refers to and was inspired by the 1915 novella The Metamorphosis by Franz Kafka. While all pieces were written in 1988, some were written for a staging of Metamorphosis, while others were for the 1988 documentary film The Thin Blue Line directed by Errol Morris. "Mad Rush" was written in 1979 and is based on an earlier organ piece; it has been used by choreographers Lucinda Childs and Benjamin Millepied. The title of the last composition is a reference to Allen Ginsberg's 1966 poem "Wichita Vortex Sutra", and was composed, in collaboration with Ginsberg, for both a reading and recording of the poem. "Metamorphosis One" is played in an episode of Battlestar Galactica by Kara "Starbuck" Thrace. Within the narrative, her father composed and performed the piece. It is also played in the series finale of Person of Interest, Return 0. "Metamorphosis Two" formed the basis of one of the main musical themes in the film The Hours. It is also the song that the American rock band Pearl Jam uses as their introduction music to concerts. Many pianists have recorded this music subsequently, notably Bruce Brubaker, Sally Whitwell, Lisa Moore, and Valentina Lisitsa.

Modern Love Waltz

The following is a list of compositions by Philip Glass.

Music in Contrary Motion

Philip Morris Glass (born January 31, 1937) is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass' work has been associated with minimalism, being built up from repetitive phrases and shifting layers. He described himself as a composer of "music with repetitive structures", which he has helped to evolve stylistically. Glass founded the Philip Glass Ensemble in 1968. He has written 15 operas, numerous chamber operas and musical theatre works, 15 symphonies, 12 concertos, nine string quartets, various other chamber music pieces, and many film scores. He has received nominations for four Grammy Awards, including two for Best Contemporary Classical Composition for Satyagraha (1987) and String Quartet No. 2 (1988). He has received three Academy Award for Best Original Score nominations for Martin Scorsese's Kundun (1997), Stephen Daldry's The Hours (2002), and Richard Eyre's Notes on a Scandal (2006). He also composed the scores for Koyaanisqatsi (1982), Mishima: A Life in Four Chapters (1985), Hamburger Hill (1987), The Thin Blue Line (1988), Candyman (1992), The Truman Show (1998), and The Illusionist (2006). Glass is known for composing the operas Einstein on the Beach (1976), Satyagraha (1980), Akhnaten (1983), The Voyage (1992), and The Perfect American (2013). He also wrote the scores for Broadway productions such as the revivals of The Elephant Man (2002), The Crucible (2016), and King Lear (2019). For the latter he won the Drama Desk Award for Outstanding Music in a Play. Glass has received many accolades, including a BAFTA Award, a Drama Desk Award, and a Golden Globe Award, as well as nominations for three Academy Awards, four Grammy Awards, and a Primetime Emmy Award. He has also received the Ordre des Arts et des Lettres in 1995, the National Medal of Arts in 2010, the Kennedy Center Honors in 2018, and the Grammy Trustees Award in 2020. In 2025, he received a Lifetime Achievement from the World Soundtrack Academy.

Night on the Balcony, for harpsichord

The following is a list of compositions by Philip Glass.

Orphée Suite

Orphée is a chamber opera in two acts and 18 scenes, for ensemble and soloists, composed in 1991 by Philip Glass, to a libretto (in French) by the composer, based on the scenario of the eponymous film (1950) by Jean Cocteau. Commissioned by the American Repertory Theater in Cambridge, Massachusetts, and the Brooklyn Academy of Music in New York, this is the first part of a trilogy in honour of the French poet. The world premiere of the work took place on 14 May 1993 under the direction of Martin Goldray and the European premiere in London on 27 May 2005 in the Royal Opera House's Linbury Studio Theatre. Orphée was later performed at the Linz State Theatre, on 21 January 2007, at the Alice Busch Opera Theater of Cooperstown as part of the Glimmerglass Festival for ten days from 21 July 2007 at the Portland Opera (Keller Auditorium) for five days from 6 November 2009 Anne Manson conducting, at the Herbst Theatre of San Francisco, 26 February 2011 Nicole Paiement conducting, at the George Mason University (Center for the Arts) of Fairfax for two days from 10 February 2012. In 2000, Paul Barnes produced a piano transcription entitled The Orphée Suite for Piano and first performed on 19 April 2001 at the Greenwich House Music School of New York. A new production by the English National Opera was premiered at the London Coliseum on 15 November 2019.

Two pages

Glass is an amorphous (non-crystalline) solid. Because it is often transparent and chemically inert, glass has found widespread practical, technological, and decorative use in window panes, tableware, and optics. Some common objects made of glass are named after the material, e.g., a "glass" for drinking, "glasses" for vision correction, and a "magnifying glass". Glass is most often formed by rapid cooling (quenching) of the molten form. Some glasses such as volcanic glass are naturally occurring, and obsidian has been used to make arrowheads and knives since the Stone Age. Archaeological evidence suggests glassmaking dates back to at least 3600 BC in Mesopotamia, Egypt, or Syria. The earliest known glass objects were beads, perhaps created accidentally during metalworking or the production of faience, which is a form of pottery using lead glazes. Due to its ease of formability into any shape, glass has been traditionally used for vessels, such as bowls, vases, bottles, jars and drinking glasses. Soda–lime glass, containing around 70% silica, accounts for around 90% of modern manufactured glass. Glass can be coloured by adding metal salts or painted and printed with vitreous enamels, leading to its use in stained glass windows and other glass art objects. The refractive, reflective and transmissive properties of glass make glass suitable for manufacturing optical lenses, prisms, and optoelectronics materials. Extruded glass fibres have applications as optical fibres in communications networks, thermal insulating material when matted as glass wool to trap air, or in glass-fibre reinforced plastic (fibreglass).

Wichita Vortex Sutra

"Wichita Vortex Sutra" is an anti-war poem by Allen Ginsberg, written in 1966. It appears in his collection Planet News and has also been published in Collected Poems 1947-1995 and Collected Poems 1947-1980. The poem presents Ginsberg as speaker, focusing on his condemnation of the Vietnam War. It features imagery of the war and America's Heartland interspersed with news reports and cultural references. It is also written in Ginsberg's distinctive Whitman-like long-prose style.