Karl Goldmark (born Károly Goldmark, Keszthely, 18 May 1830 – Vienna, 2 January 1915) was a Hungarian-born Viennese composer.

Karl Goldmark (born Károly Goldmark, Keszthely, 18 May 1830 – Vienna, 2 January 1915) was a Hungarian-born Viennese composer.

Karl Goldmark (born Károly Goldmark, Keszthely, 18 May 1830 – Vienna, 2 January 1915) was a Hungarian-born Viennese composer.

Karl Goldmark (born Károly Goldmark, Keszthely, 18 May 1830 – Vienna, 2 January 1915) was a Hungarian-born Viennese composer.

Rustic Wedding Symphony, Op. 26 (Ländliche Hochzeit) is a symphony in E-flat major by Karl Goldmark, written in 1875, a year before his renowned Violin Concerto No. 1. The symphony was premiered in Vienna on 5 March 1876, conducted by Hans Richter. Johannes Brahms, who was a frequent walking companion of Goldmark's, and whose own Symphony No. 1 was not premiered until November 1876, told him "That is the best thing you have done; clear-cut and faultless, it sprang into being a finished thing, like Minerva from the head of Jupiter". Its first American performance was at a New York Philharmonic Society concert, conducted by Theodore Thomas on 13 January 1877.

Karl Goldmark (born Károly Goldmark, Keszthely, 18 May 1830 – Vienna, 2 January 1915) was a Hungarian-born Viennese composer.

A violin concerto is a concerto for solo violin (occasionally, two or more violins) and instrumental ensemble (customarily orchestra). Such works have been written since the Baroque period, when the solo concerto form was first developed, up through the present day. Many major composers have contributed to the violin concerto repertoire. Traditionally a three-movement work, the violin concerto has been structured in four movements by a number of modern composers, including Dmitri Shostakovich, Igor Stravinsky, and Alban Berg. In some violin concertos, especially from the Baroque and modern eras, the violin (or group of violins) is accompanied by a chamber ensemble rather than an orchestra—for instance, in Vivaldi's L'estro armonico, originally scored for four violins, two violas, cello, and continuo, and in Allan Pettersson's first concerto, for violin and string quartet.