Hanson: Vocal Works
View all works by Hanson in the main appExplore the complete catalog of Vocal compositions by Hanson. This curated list includes composition years, historical Wikipedia context, and interactive audio to add specific tracks directly to your listening queue.
| Title | Year | Actions |
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| Chorale and Alleluia, for chorus and orchestra |
Howard Harold Hanson (October 28, 1896 – February 26, 1981) was an American composer, conductor, educator and music theorist. As director for forty years of the Eastman School of Music, he raised its quality and provided opportunities for commissioning and performing American classical music. In 1944, he won a Pulitzer Prize for his Symphony No. 4, and received numerous other awards, including the George Foster Peabody Award for Outstanding Entertainment in Music in 1946. |
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| How Excellent Thy Name, for chorus and organ, op. 41 |
Howard Harold Hanson (October 28, 1896 – February 26, 1981) was an American composer, conductor, educator and music theorist. As director for forty years of the Eastman School of Music, he raised its quality and provided opportunities for commissioning and performing American classical music. In 1944, he won a Pulitzer Prize for his Symphony No. 4, and received numerous other awards, including the George Foster Peabody Award for Outstanding Entertainment in Music in 1946. |
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| Lament for Beowulf, for chorus and orchestra, op. 25 |
Beowulf is an Old English heroic epic poem of anonymous authorship. Its creation dates from between the 8th and the 11th century, the only surviving manuscript dating from circa 1010. At 3182 lines, it is notable for its length. Since the 18th century, when modern scholarship about the poem was established, Icelandic, Danish, Scandinavian, German, and English scholars have all suggested the poem as a national epic for their respective languages. Beowulf has been adapted many times in verse, in prose, on the stage, visual works, and in film. In 2003, the Arizona Center for Medieval and Renaissance Studies published Marijane Osborn's annotated list of over 300 translations and adaptations, withdrawn in 2019. By 2020, the Beowulf's Afterlives Bibliographic Database listed some 688 translations and other versions of the poem, from Thorkelin's 1787 transcription of the text, and in languages including Afrikaans, Albanian, Arabic, Basque, Belarusian, Catalan, Chinese, Czech, Danish, Dutch, English, Estonian, French, Ganda, German, Greek, Gujarati, Hungarian, Icelandic, Italian, Japanese, Korean, Latvian, Macedonian, Persian, Portuguese, Polish, Punjabi, Russian, Serbo-Croat, Slovenian, Somali, Spanish, Swedish, Tamil, Turkish, Uighur, and Urdu. The poet John Dryden's categories of translation have influenced how scholars discuss variation between translations and adaptations. In the Preface to Ovid's Epistles (1680) Dryden proposed three different types of translation: metaphrase [...] or turning an author word for word, and line by line, from one language into another; paraphrase [...] or translation with latitude, where the author is kept in view by the translator so as never to be lost, but his words are not so strictly followed as his sense, and that, too, is admitted to be amplified but not altered; and imitation [...] where the translator – if he has not lost that name – assumes the liberty not only to vary from the words and sense, but to forsake them both as he sees occasion; and taking only some general hints from the original, to run division on the ground-work, as he pleases. The works listed below are novels and other works that take more "latitude" than pure "translations". Those are listed at List of translations of Beowulf. |
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| Lumen in Christo, for chorus and orchestra |
Howard Harold Hanson (October 28, 1896 – February 26, 1981) was an American composer, conductor, educator and music theorist. As director for forty years of the Eastman School of Music, he raised its quality and provided opportunities for commissioning and performing American classical music. In 1944, he won a Pulitzer Prize for his Symphony No. 4, and received numerous other awards, including the George Foster Peabody Award for Outstanding Entertainment in Music in 1946. |
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| Song of Democracy, for chorus and orchestra, op. 44 |
Howard Harold Hanson (October 28, 1896 – February 26, 1981) was an American composer, conductor, educator and music theorist. As director for forty years of the Eastman School of Music, he raised its quality and provided opportunities for commissioning and performing American classical music. In 1944, he won a Pulitzer Prize for his Symphony No. 4, and received numerous other awards, including the George Foster Peabody Award for Outstanding Entertainment in Music in 1946. |
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| The Cherubic Hymn, for chorus, op. 37 |
Howard Harold Hanson (October 28, 1896 – February 26, 1981) was an American composer, conductor, educator and music theorist. As director for forty years of the Eastman School of Music, he raised its quality and provided opportunities for commissioning and performing American classical music. In 1944, he won a Pulitzer Prize for his Symphony No. 4, and received numerous other awards, including the George Foster Peabody Award for Outstanding Entertainment in Music in 1946. |