This article lists the classical guitar music in the classical guitar repertoire. It includes baroque guitar and vihuela music, but not lute music. This music is most commonly performed by classical guitarists and requires the use of a variety of classical guitar techniques to play. During the Renaissance, the guitar was likely to have been used as it frequently is today in popular music, that is to provide strummed accompaniment for a singer or a small group. There also were several significant music collections published during the 16th century of contrapuntal compositions approaching the complexity, sophistication and breadth of lute music from the same period. Most Renaissance lute music has been transcribed for guitar (see List of composers for lute). The baroque guitar (c.1600–1750) was a string instrument with five courses of gut strings and moveable gut frets. The first (highest pitched) course was sometimes a single string. It replaced the Renaissance lute as the most common instrument found in the home. The romantic guitar, in use from approximately 1790 to 1830, was the guitar of the Classical and Romantic period of music, showing remarkable consistency in the instrument's construction during these decades. By this time guitars used six, sometimes more, single strings instead of courses. The romantic guitar eventually led to a different type of guitar in Spain: the fan-braced Spanish guitars of Torres, which may be seen as the immediate precursor of the modern classical guitar. In the 20th century, many non-guitarist composers wrote for the instrument, whereas previously only players of the instrument had done so.

Among the fairly large repertoire for the standard piano trio (violin, cello, and piano) are the following works: Ordering is by surname of composer.

The Sonata for Solo Cello is an unaccompanied cello sonata written by György Ligeti between 1948 and 1953. The piece was initially received poorly by the Soviet-run Composer's Union and was not allowed to be published or performed. However, in the 1980s and 90s, after over a quarter century in repose, the piece reemerged and has since become a well-known part of the standard cello repertoire.

René Leibowitz (; French: [ʁəne lɛbɔwits]; 17 February 1913 – 29 August 1972) was a Polish and French composer, conductor, music theorist and teacher. He was historically significant in promoting the music of the Second Viennese School in Paris after the Second World War, and teaching a new generation of serialist composers. Leibowitz remained firmly committed to the musical aesthetic of Arnold Schoenberg, and was to some extent sidelined among the French avant-garde in the 1950s, when, under the influence of Leibowitz's former student, Pierre Boulez and others, the music of Schoenberg's pupil Anton Webern was adopted as the orthodox model by younger composers. Although his compositional ideas remained strictly serialist, as a conductor Leibowitz had broad sympathies, performing works by composers as diverse as Gluck, Beethoven, Brahms, Offenbach and Ravel, and his repertory extended to include pieces by Gershwin, Puccini, Sullivan and Johann Strauss.

This is a list of works by German composer Hans Werner Henze (1926–2012). Many of them are published by Schott Music. Source:

This is a list of works by German composer Hans Werner Henze (1926–2012). Many of them are published by Schott Music. Source:

Bernhard Klee (19 April 1936 – 10 October 2025) was a German conductor and pianist. His leadership posts included terms as Generalmusikdirektor (GMD) at the Theater Lübeck from 1966 to 1973, chief conductor of the Radiophilharmonie Hannover in Hanover from 1976 to 1979, GMD in Düsseldorf from 1977 to 1987, chief conductor of the NDR Radiophilharmonie from 1991 to 1995 and of the Staatsphilharmonie Rheinland-Pfalz from 1992 to 1997, Beginning in the 1970s, he was closely associated with the BBC as a regular guest conductor of several London orchestras. He performed in Munich, Vienna, at the Salzburg Festival and in the United States, among others, and recorded extensively. As a pianist, he often accompanied his first wife, soprano Edith Mathis, in Lieder repertoire. Klee was regarded as a renowned interpreter of Mozart, discovering rarely played works such as Zaide and recognized in awards for recordings of his music such as Deutscher Schallplattenpreis and Wiener Flötenuhr. He made significant contributions to the performance of contemporary music, conducting world premieres of works by Hans-Jürgen von Bose, Wolfgang Fortner, Sofia Gubaidulina, Hans Werner Henze, Volker David Kirchner, Detlev Müller-Siemens, Dieter Schnebel and Manfred Trojahn.

This is a list of works by German composer Hans Werner Henze (1926–2012). Many of them are published by Schott Music. Source:

A wind quintet, also known as a woodwind quintet, is a group of five wind players (most commonly flute, oboe, clarinet, French horn and bassoon). Unlike the string quartet (of 4 string instruments) with its homogeneous blend of sound color, the instruments in a wind quintet differ from each other considerably in technique, idiom, and timbre. The modern wind quintet sprang from the octet ensemble favored in the court of Joseph II in late 18th century Vienna: two oboes, two clarinets, two (natural) horns, and two bassoons. The influence of Haydn's chamber writing suggested similar possibilities for winds, and advances in the building of these instruments in that period made them more useful in small ensemble settings, leading composers to attempt smaller combinations. It was Anton Reicha's twenty-four quintets, begun in 1811, and the nine quintets of Franz Danzi that established the genre, and their pieces are still standards of the repertoire. Though the form fell out of favor in the latter half of the 19th century, there has been renewed interest in the form by leading composers in the 20th century, and today the wind quintet is a standard chamber ensemble, valued for its versatility and variety of tone color.

Royal Winter Music is the name given to two solo works for classical guitar by the German composer Hans Werner Henze. Both works are inspired by characters from Shakespeare. The first work (described as a sonata) was completed in 1976, and is in six movements. The first part, Richard of Gloucester gives the overall work its name (from Richard's opening monologue Now is the winter of our discontent). It was premiered by Julian Bream (at whose request Henze had written it) in Berlin on 20 September 1976. The second sonata, written in 1979, continues the Shakespearean theme in three parts. It was premiered by Reinbert Evers in the Goethe-Institut, Brussels on 25 November 1980. Both works are dedicated to Julian Bream. Henze has stated that Royal Winter Music as whole is complete with two sonatas.

Royal Winter Music is the name given to two solo works for classical guitar by the German composer Hans Werner Henze. Both works are inspired by characters from Shakespeare. The first work (described as a sonata) was completed in 1976, and is in six movements. The first part, Richard of Gloucester gives the overall work its name (from Richard's opening monologue Now is the winter of our discontent). It was premiered by Julian Bream (at whose request Henze had written it) in Berlin on 20 September 1976. The second sonata, written in 1979, continues the Shakespearean theme in three parts. It was premiered by Reinbert Evers in the Goethe-Institut, Brussels on 25 November 1980. Both works are dedicated to Julian Bream. Henze has stated that Royal Winter Music as whole is complete with two sonatas.

This is a list of works by German composer Hans Werner Henze (1926–2012). Many of them are published by Schott Music. Source:

This is a list of notable solo cello pieces. It includes arrangements and transcriptions.

This is a non exhaustive compilation of pieces for solo violin. See also the entries on violin and the List of compositions for violin and orchestra and list of compositions for violin and piano. Ordering is by surname of composer.

The trumpet repertoire consists of solo literature and orchestral or, more commonly, band parts written for the trumpet. Tracings its origins to 1500 BC, the trumpet is a musical instrument with the highest register in the brass family. Among the repertoire for the trumpet are the following works:

A violin sonata is a musical composition for violin, which is nearly always accompanied by a piano or other keyboard instrument, or by figured bass in the Baroque period.