This is a sortable List of compositions by Vagn Holmboe (1909–1996). The works are categorized by the M. number (for Meta) from Paul Rapoport's catalogue where known, and by the opus number assigned by the composer where applicable. Title, date of composition and genre are also provided.

This is an alphabetically ordered list of sub-titles, nicknames and non-numeric titles that have been applied to classical music compositions of types that are normally identified only by some combination of number, key and catalogue number. These types of compositions include: symphony, concerto, sonata, and standard chamber music combinations (strings trio, quartet, quintet, sextet, etc.; piano trio, quartet, quintet, sextet, etc.), among others. A sub-title is a subsidiary name given to a work by the composer, and considered part of its formal title, such as: The Age of Anxiety, the sub-title of Bernstein's Symphony No. 2 Pathétique, the sub-title of Tchaikovsky's Symphony No. 6 in B minor, Op. 74. A nickname is a name that is not part of the title given by the composer, but has come to be popularly associated with the work, such as: Emperor, the nickname of Beethoven's Piano Concerto No. 5 in E-flat major, Op. 73 Jupiter, the nickname of Mozart's Symphony No. 41 in C major, K. 551. A non-numeric title is a formal title that departs from the usual sequential numbering of works of the same type, such as: Symphonie fantastique by Berlioz and Warsaw Concerto by Addinsell.

This is a sortable List of compositions by Vagn Holmboe (1909–1996). The works are categorized by the M. number (for Meta) from Paul Rapoport's catalogue where known, and by the opus number assigned by the composer where applicable. Title, date of composition and genre are also provided.

Along with a concerted effort to commission new works for brass quintet since 1967 the bulk of any brass quintet's repertoire consists of arrangements of pre-existing music. Victor Ewald's four brass quintets are the first serious attempts at establishing a repertoire for the ensemble, though they do not stand up to typical string quartet repertoire of the same and preceding eras. The Chicago and New York Brass Quintets made sustained efforts to commission new works, and much of the original repertoire for brass quintet from the mid-20th century derives from their groundbreaking work. In the 1960s the mantle of creating a repertoire for brass quintet was taken up by the American Brass Quintet and the New York Brass Quintet, with both groups essentially establishing the brass quintet as a part of the chamber music field. Notably, only two brass quintets have ever been awarded the Walter W. Naumburg Chamber Music Award, considered by many to be the highest achievement in brass chamber music: The Empire Brass Quintet in 1976 and The Saturday Brass Quintet in 1990. But it was Canadian Brass that developed the pragmatic approach to repertoire allowed the ensemble to reach a wider audience. They developed a two prong approach to performance, developing a masterpiece approach to repertoire that popularized the brass quintet as an ensemble into what was essentially a "pops" ensemble. Meanwhile, the ensemble has been pursuing an aggressive 45-year commissioning schedule. Though this ensemble is seldom recognized for its achievement in the contemporary sphere, they have created well over 100 newly composed works for brass quintet, though few of the Canadian Brass commissions of original compositions have taken hold in the repertoire of other brass quintets. It is generally agreed amongst brass players that the tuba is the dominant choice for brass quintets, with the ability to play smaller instruments such as bass trombone or baritone for certain repertoire such as Renaissance. The American Brass Quintet has always used bass trombone instead of tuba, and their extensive commissioning has validated use of this instrumentation. It is not uncommon for composers to write interchangeable parts for tuba and bass trombone to enable both types of quintets to perform their work.

This is a sortable List of compositions by Vagn Holmboe (1909–1996). The works are categorized by the M. number (for Meta) from Paul Rapoport's catalogue where known, and by the opus number assigned by the composer where applicable. Title, date of composition and genre are also provided.

This is an alphabetically ordered list of sub-titles, nicknames and non-numeric titles that have been applied to classical music compositions of types that are normally identified only by some combination of number, key and catalogue number. These types of compositions include: symphony, concerto, sonata, and standard chamber music combinations (strings trio, quartet, quintet, sextet, etc.; piano trio, quartet, quintet, sextet, etc.), among others. A sub-title is a subsidiary name given to a work by the composer, and considered part of its formal title, such as: The Age of Anxiety, the sub-title of Bernstein's Symphony No. 2 Pathétique, the sub-title of Tchaikovsky's Symphony No. 6 in B minor, Op. 74. A nickname is a name that is not part of the title given by the composer, but has come to be popularly associated with the work, such as: Emperor, the nickname of Beethoven's Piano Concerto No. 5 in E-flat major, Op. 73 Jupiter, the nickname of Mozart's Symphony No. 41 in C major, K. 551. A non-numeric title is a formal title that departs from the usual sequential numbering of works of the same type, such as: Symphonie fantastique by Berlioz and Warsaw Concerto by Addinsell.

This is a sortable List of compositions by Vagn Holmboe (1909–1996). The works are categorized by the M. number (for Meta) from Paul Rapoport's catalogue where known, and by the opus number assigned by the composer where applicable. Title, date of composition and genre are also provided.

This is a list of composers who have written symphonies, listed in chronological order by year of birth, alphabetical within year. It includes only composers of significant fame, notability or importance who have Wikipedia articles. For lists of music composers by other classifications, see Lists of composers.

This article lists compositions written for the viola. The list includes works in which the viola is a featured instrument: viola solo, viola and piano, viola and orchestra, ensemble of violas, etc. Catalogue number, date of composition and publisher (for copyrighted works) are also included. Ordering is by composer surname. This pages lists composers whose surname falls into the F to H alphabetic range. For others, see respective pages: List of compositions for viola: A to B List of compositions for viola: C to E List of compositions for viola: I to K List of compositions for viola: L to N List of compositions for viola: O to R List of compositions for viola: S List of compositions for viola: T to Z

A clarinet–cello–piano trio is a clarinet trio made up of one clarinet, one cello, and one piano, or the name of a piece written for such a group. This formation is similar to the classical piano trio except that the violin is replaced by the clarinet. The heterogeneity of timbre between clarinet and cello prevents their use as a block against the piano, but it offers many other musical possibilities. Long-lived trios (such as the Trio Montecino) are very rare, but the literature is performed by subsets of Pierrot lunaire and Quartet for the End of Time ensembles, such as Tashi, as well as by ad hoc groups.

This is a sortable List of compositions by Vagn Holmboe (1909–1996). The works are categorized by the M. number (for Meta) from Paul Rapoport's catalogue where known, and by the opus number assigned by the composer where applicable. Title, date of composition and genre are also provided.

Vagn Gylding Holmboe (Danish pronunciation: [ˈvɑwˀn ˈhʌlmˌpoˀ]; 20 December 1909 – 1 September 1996) was a Danish composer and teacher.

This article lists the classical guitar music in the classical guitar repertoire. It includes baroque guitar and vihuela music, but not lute music. This music is most commonly performed by classical guitarists and requires the use of a variety of classical guitar techniques to play. During the Renaissance, the guitar was likely to have been used as it frequently is today in popular music, that is to provide strummed accompaniment for a singer or a small group. There also were several significant music collections published during the 16th century of contrapuntal compositions approaching the complexity, sophistication and breadth of lute music from the same period. Most Renaissance lute music has been transcribed for guitar (see List of composers for lute). The baroque guitar (c.1600–1750) was a string instrument with five courses of gut strings and moveable gut frets. The first (highest pitched) course was sometimes a single string. It replaced the Renaissance lute as the most common instrument found in the home. The romantic guitar, in use from approximately 1790 to 1830, was the guitar of the Classical and Romantic period of music, showing remarkable consistency in the instrument's construction during these decades. By this time guitars used six, sometimes more, single strings instead of courses. The romantic guitar eventually led to a different type of guitar in Spain: the fan-braced Spanish guitars of Torres, which may be seen as the immediate precursor of the modern classical guitar. In the 20th century, many non-guitarist composers wrote for the instrument, whereas previously only players of the instrument had done so.

This is a sortable List of compositions by Vagn Holmboe (1909–1996). The works are categorized by the M. number (for Meta) from Paul Rapoport's catalogue where known, and by the opus number assigned by the composer where applicable. Title, date of composition and genre are also provided.

Vagn Gylding Holmboe (Danish pronunciation: [ˈvɑwˀn ˈhʌlmˌpoˀ]; 20 December 1909 – 1 September 1996) was a Danish composer and teacher.

This is a sortable List of compositions by Vagn Holmboe (1909–1996). The works are categorized by the M. number (for Meta) from Paul Rapoport's catalogue where known, and by the opus number assigned by the composer where applicable. Title, date of composition and genre are also provided.

This is a sortable List of compositions by Vagn Holmboe (1909–1996). The works are categorized by the M. number (for Meta) from Paul Rapoport's catalogue where known, and by the opus number assigned by the composer where applicable. Title, date of composition and genre are also provided.

This is a sortable List of compositions by Vagn Holmboe (1909–1996). The works are categorized by the M. number (for Meta) from Paul Rapoport's catalogue where known, and by the opus number assigned by the composer where applicable. Title, date of composition and genre are also provided.

A string trio is a group of three string instruments or a piece written for such a group. From at least the 19th century on, the term "string trio" with otherwise unspecified instrumentation normally refers to the combination violin, viola and cello. The classical string trio emerged during the mid-18th century and later expanded into four subgenres: the grand trio, the concertant trio, the brilliant trio, and the Hausmusik trio.

This is a sortable List of compositions by Vagn Holmboe (1909–1996). The works are categorized by the M. number (for Meta) from Paul Rapoport's catalogue where known, and by the opus number assigned by the composer where applicable. Title, date of composition and genre are also provided.

This is a list of musical compositions for cello and orchestra ordered by their authors' surnames.

Along with a concerted effort to commission new works for brass quintet since 1967 the bulk of any brass quintet's repertoire consists of arrangements of pre-existing music. Victor Ewald's four brass quintets are the first serious attempts at establishing a repertoire for the ensemble, though they do not stand up to typical string quartet repertoire of the same and preceding eras. The Chicago and New York Brass Quintets made sustained efforts to commission new works, and much of the original repertoire for brass quintet from the mid-20th century derives from their groundbreaking work. In the 1960s the mantle of creating a repertoire for brass quintet was taken up by the American Brass Quintet and the New York Brass Quintet, with both groups essentially establishing the brass quintet as a part of the chamber music field. Notably, only two brass quintets have ever been awarded the Walter W. Naumburg Chamber Music Award, considered by many to be the highest achievement in brass chamber music: The Empire Brass Quintet in 1976 and The Saturday Brass Quintet in 1990. But it was Canadian Brass that developed the pragmatic approach to repertoire allowed the ensemble to reach a wider audience. They developed a two prong approach to performance, developing a masterpiece approach to repertoire that popularized the brass quintet as an ensemble into what was essentially a "pops" ensemble. Meanwhile, the ensemble has been pursuing an aggressive 45-year commissioning schedule. Though this ensemble is seldom recognized for its achievement in the contemporary sphere, they have created well over 100 newly composed works for brass quintet, though few of the Canadian Brass commissions of original compositions have taken hold in the repertoire of other brass quintets. It is generally agreed amongst brass players that the tuba is the dominant choice for brass quintets, with the ability to play smaller instruments such as bass trombone or baritone for certain repertoire such as Renaissance. The American Brass Quintet has always used bass trombone instead of tuba, and their extensive commissioning has validated use of this instrumentation. It is not uncommon for composers to write interchangeable parts for tuba and bass trombone to enable both types of quintets to perform their work.

This is a sortable List of compositions by Vagn Holmboe (1909–1996). The works are categorized by the M. number (for Meta) from Paul Rapoport's catalogue where known, and by the opus number assigned by the composer where applicable. Title, date of composition and genre are also provided.

Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. Johann Wolfgang von Goethe described chamber music (specifically, string quartet music) as "four rational people conversing". This conversational paradigm – which refers to the way one instrument introduces a melody or motif and then other instruments subsequently "respond" with a similar motif – has been a thread woven through the history of chamber music composition from the end of the 18th century to the present. The analogy to conversation recurs in descriptions and analyses of chamber music compositions.

This is an alphabetically ordered list of sub-titles, nicknames and non-numeric titles that have been applied to classical music compositions of types that are normally identified only by some combination of number, key and catalogue number. These types of compositions include: symphony, concerto, sonata, and standard chamber music combinations (strings trio, quartet, quintet, sextet, etc.; piano trio, quartet, quintet, sextet, etc.), among others. A sub-title is a subsidiary name given to a work by the composer, and considered part of its formal title, such as: The Age of Anxiety, the sub-title of Bernstein's Symphony No. 2 Pathétique, the sub-title of Tchaikovsky's Symphony No. 6 in B minor, Op. 74. A nickname is a name that is not part of the title given by the composer, but has come to be popularly associated with the work, such as: Emperor, the nickname of Beethoven's Piano Concerto No. 5 in E-flat major, Op. 73 Jupiter, the nickname of Mozart's Symphony No. 41 in C major, K. 551. A non-numeric title is a formal title that departs from the usual sequential numbering of works of the same type, such as: Symphonie fantastique by Berlioz and Warsaw Concerto by Addinsell.

A cello sonata is a piece written in sonata form, often with the instrumentation of a cello taking solo role with piano accompaniment. Some of the earliest cello sonatas were composed in the 18th century by Francesco Geminiani and Antonio Vivaldi; subsequent famous cello sonatas include those by Johannes Brahms, Ludwig van Beethoven, Felix Mendelssohn, Fryderyk Chopin, and Richard Strauss. The following list contains cello sonatas with or without accompanying instruments. See the See also list for more comprehensive lists divided up into solo and accompanied works.

Vagn Gylding Holmboe (Danish pronunciation: [ˈvɑwˀn ˈhʌlmˌpoˀ]; 20 December 1909 – 1 September 1996) was a Danish composer and teacher.

A violin sonata is a musical composition for violin, which is nearly always accompanied by a piano or other keyboard instrument, or by figured bass in the Baroque period.

A violin sonata is a musical composition for violin, which is nearly always accompanied by a piano or other keyboard instrument, or by figured bass in the Baroque period.

This is a sortable List of compositions by Vagn Holmboe (1909–1996). The works are categorized by the M. number (for Meta) from Paul Rapoport's catalogue where known, and by the opus number assigned by the composer where applicable. Title, date of composition and genre are also provided.

This is a sortable List of compositions by Vagn Holmboe (1909–1996). The works are categorized by the M. number (for Meta) from Paul Rapoport's catalogue where known, and by the opus number assigned by the composer where applicable. Title, date of composition and genre are also provided.

In music, Op. 46 stands for Opus number 46. Compositions that are assigned this number include: Arnold – Concerto for Harmonica and Orchestra Beethoven – Adelaide Bruch – Scottish Fantasy Chopin – Allegro de concert Diaghilev – The Prodigal Son Dvořák – Slavonic Dances Elgar – Concert Allegro Fauré – Clair de lune Granados – Allegro de concierto Hennessy – String Quartet No. 1 Hindemith – Kammermusik Holmboe – String Quartet No. 1 Kabalevsky – Piano Sonata No. 3 Milhaud – String Quartet No. 4 Onslow – 3 String Quartets Oswald – String Quartet No. 4 Rubinstein – Violin Concerto Schoenberg – A Survivor from Warsaw Schumann – Andante and variations for two pianos Sibelius – Pelléas et Mélisande, theatre score and suite (1905, arranged 1905) Szymanowski – King Roger Ullman – String Quartet No. 3

List of notable events in music that took place in the year 1969.

A string quintet is a musical composition for five string players. As an extension to the string quartet (two violins, a viola, and a cello), a string quintet includes a fifth string instrument, usually a second viola (a so-called "viola quintet") or a second cello (a "cello quintet"), or occasionally a double bass. Notable examples of classic "viola quintets", in four movement form include those of Wolfgang Amadeus Mozart. Other examples were written by composers including Johannes Brahms and Felix Mendelssohn. A famous "cello quintet" is Franz Schubert's Quintet in C major. Antonín Dvořák's Quintet Op. 77 uses a double bass, and Mozart's famous Eine kleine Nachtmusik may be performed with this instrumentation (the double bass being optional). Alternative additions to a string quartet include clarinet or piano (see clarinet quintet, piano quintet). A more unusual form of string quintet is the violin quintet composed of 3 violins, a viola and a cello (thus, a string quartet with an additional violin). Besides string quartets and quintets, other closely related chamber music genres include the string trio, and the string sextet. The term string quintet may also refer to a group of five players that specializes in performing such works. The ensemble was standard in 17th century Italy and can be seen as early as 1607 in Claudio Monteverdi's opera, L'Orfeo.

This is a sortable List of compositions by Vagn Holmboe (1909–1996). The works are categorized by the M. number (for Meta) from Paul Rapoport's catalogue where known, and by the opus number assigned by the composer where applicable. Title, date of composition and genre are also provided.

This is a sortable List of compositions by Vagn Holmboe (1909–1996). The works are categorized by the M. number (for Meta) from Paul Rapoport's catalogue where known, and by the opus number assigned by the composer where applicable. Title, date of composition and genre are also provided.

This is an alphabetically ordered list of sub-titles, nicknames and non-numeric titles that have been applied to classical music compositions of types that are normally identified only by some combination of number, key and catalogue number. These types of compositions include: symphony, concerto, sonata, and standard chamber music combinations (strings trio, quartet, quintet, sextet, etc.; piano trio, quartet, quintet, sextet, etc.), among others. A sub-title is a subsidiary name given to a work by the composer, and considered part of its formal title, such as: The Age of Anxiety, the sub-title of Bernstein's Symphony No. 2 Pathétique, the sub-title of Tchaikovsky's Symphony No. 6 in B minor, Op. 74. A nickname is a name that is not part of the title given by the composer, but has come to be popularly associated with the work, such as: Emperor, the nickname of Beethoven's Piano Concerto No. 5 in E-flat major, Op. 73 Jupiter, the nickname of Mozart's Symphony No. 41 in C major, K. 551. A non-numeric title is a formal title that departs from the usual sequential numbering of works of the same type, such as: Symphonie fantastique by Berlioz and Warsaw Concerto by Addinsell.

This is a sortable List of compositions by Vagn Holmboe (1909–1996). The works are categorized by the M. number (for Meta) from Paul Rapoport's catalogue where known, and by the opus number assigned by the composer where applicable. Title, date of composition and genre are also provided.

This is a list of string quartet composers, chronologically sorted by date of birth and then by surname. It includes only composers who have Wikipedia articles. This list is by no means complete. String quartets are written for four string instruments—usually two violins, viola and cello—unless stated otherwise.

This is a sortable List of compositions by Vagn Holmboe (1909–1996). The works are categorized by the M. number (for Meta) from Paul Rapoport's catalogue where known, and by the opus number assigned by the composer where applicable. Title, date of composition and genre are also provided.

This is a sortable List of compositions by Vagn Holmboe (1909–1996). The works are categorized by the M. number (for Meta) from Paul Rapoport's catalogue where known, and by the opus number assigned by the composer where applicable. Title, date of composition and genre are also provided.

This is a sortable List of compositions by Vagn Holmboe (1909–1996). The works are categorized by the M. number (for Meta) from Paul Rapoport's catalogue where known, and by the opus number assigned by the composer where applicable. Title, date of composition and genre are also provided.

This is a list of string quartet composers, chronologically sorted by date of birth and then by surname. It includes only composers who have Wikipedia articles. This list is by no means complete. String quartets are written for four string instruments—usually two violins, viola and cello—unless stated otherwise.

This is a sortable List of compositions by Vagn Holmboe (1909–1996). The works are categorized by the M. number (for Meta) from Paul Rapoport's catalogue where known, and by the opus number assigned by the composer where applicable. Title, date of composition and genre are also provided.

This is a sortable List of compositions by Vagn Holmboe (1909–1996). The works are categorized by the M. number (for Meta) from Paul Rapoport's catalogue where known, and by the opus number assigned by the composer where applicable. Title, date of composition and genre are also provided.

This is an alphabetically ordered list of sub-titles, nicknames and non-numeric titles that have been applied to classical music compositions of types that are normally identified only by some combination of number, key and catalogue number. These types of compositions include: symphony, concerto, sonata, and standard chamber music combinations (strings trio, quartet, quintet, sextet, etc.; piano trio, quartet, quintet, sextet, etc.), among others. A sub-title is a subsidiary name given to a work by the composer, and considered part of its formal title, such as: The Age of Anxiety, the sub-title of Bernstein's Symphony No. 2 Pathétique, the sub-title of Tchaikovsky's Symphony No. 6 in B minor, Op. 74. A nickname is a name that is not part of the title given by the composer, but has come to be popularly associated with the work, such as: Emperor, the nickname of Beethoven's Piano Concerto No. 5 in E-flat major, Op. 73 Jupiter, the nickname of Mozart's Symphony No. 41 in C major, K. 551. A non-numeric title is a formal title that departs from the usual sequential numbering of works of the same type, such as: Symphonie fantastique by Berlioz and Warsaw Concerto by Addinsell.

This is a list of notable events in music that took place in the year 1955.

This is an alphabetically ordered list of sub-titles, nicknames and non-numeric titles that have been applied to classical music compositions of types that are normally identified only by some combination of number, key and catalogue number. These types of compositions include: symphony, concerto, sonata, and standard chamber music combinations (strings trio, quartet, quintet, sextet, etc.; piano trio, quartet, quintet, sextet, etc.), among others. A sub-title is a subsidiary name given to a work by the composer, and considered part of its formal title, such as: The Age of Anxiety, the sub-title of Bernstein's Symphony No. 2 Pathétique, the sub-title of Tchaikovsky's Symphony No. 6 in B minor, Op. 74. A nickname is a name that is not part of the title given by the composer, but has come to be popularly associated with the work, such as: Emperor, the nickname of Beethoven's Piano Concerto No. 5 in E-flat major, Op. 73 Jupiter, the nickname of Mozart's Symphony No. 41 in C major, K. 551. A non-numeric title is a formal title that departs from the usual sequential numbering of works of the same type, such as: Symphonie fantastique by Berlioz and Warsaw Concerto by Addinsell.

A string quintet is a musical composition for five string players. As an extension to the string quartet (two violins, a viola, and a cello), a string quintet includes a fifth string instrument, usually a second viola (a so-called "viola quintet") or a second cello (a "cello quintet"), or occasionally a double bass. Notable examples of classic "viola quintets", in four movement form include those of Wolfgang Amadeus Mozart. Other examples were written by composers including Johannes Brahms and Felix Mendelssohn. A famous "cello quintet" is Franz Schubert's Quintet in C major. Antonín Dvořák's Quintet Op. 77 uses a double bass, and Mozart's famous Eine kleine Nachtmusik may be performed with this instrumentation (the double bass being optional). Alternative additions to a string quartet include clarinet or piano (see clarinet quintet, piano quintet). A more unusual form of string quintet is the violin quintet composed of 3 violins, a viola and a cello (thus, a string quartet with an additional violin). Besides string quartets and quintets, other closely related chamber music genres include the string trio, and the string sextet. The term string quintet may also refer to a group of five players that specializes in performing such works. The ensemble was standard in 17th century Italy and can be seen as early as 1607 in Claudio Monteverdi's opera, L'Orfeo.

A string quintet is a musical composition for five string players. As an extension to the string quartet (two violins, a viola, and a cello), a string quintet includes a fifth string instrument, usually a second viola (a so-called "viola quintet") or a second cello (a "cello quintet"), or occasionally a double bass. Notable examples of classic "viola quintets", in four movement form include those of Wolfgang Amadeus Mozart. Other examples were written by composers including Johannes Brahms and Felix Mendelssohn. A famous "cello quintet" is Franz Schubert's Quintet in C major. Antonín Dvořák's Quintet Op. 77 uses a double bass, and Mozart's famous Eine kleine Nachtmusik may be performed with this instrumentation (the double bass being optional). Alternative additions to a string quartet include clarinet or piano (see clarinet quintet, piano quintet). A more unusual form of string quintet is the violin quintet composed of 3 violins, a viola and a cello (thus, a string quartet with an additional violin). Besides string quartets and quintets, other closely related chamber music genres include the string trio, and the string sextet. The term string quintet may also refer to a group of five players that specializes in performing such works. The ensemble was standard in 17th century Italy and can be seen as early as 1607 in Claudio Monteverdi's opera, L'Orfeo.

This is an alphabetically ordered list of sub-titles, nicknames and non-numeric titles that have been applied to classical music compositions of types that are normally identified only by some combination of number, key and catalogue number. These types of compositions include: symphony, concerto, sonata, and standard chamber music combinations (strings trio, quartet, quintet, sextet, etc.; piano trio, quartet, quintet, sextet, etc.), among others. A sub-title is a subsidiary name given to a work by the composer, and considered part of its formal title, such as: The Age of Anxiety, the sub-title of Bernstein's Symphony No. 2 Pathétique, the sub-title of Tchaikovsky's Symphony No. 6 in B minor, Op. 74. A nickname is a name that is not part of the title given by the composer, but has come to be popularly associated with the work, such as: Emperor, the nickname of Beethoven's Piano Concerto No. 5 in E-flat major, Op. 73 Jupiter, the nickname of Mozart's Symphony No. 41 in C major, K. 551. A non-numeric title is a formal title that departs from the usual sequential numbering of works of the same type, such as: Symphonie fantastique by Berlioz and Warsaw Concerto by Addinsell.

This is a sortable List of compositions by Vagn Holmboe (1909–1996). The works are categorized by the M. number (for Meta) from Paul Rapoport's catalogue where known, and by the opus number assigned by the composer where applicable. Title, date of composition and genre are also provided.

This is a sortable List of compositions by Vagn Holmboe (1909–1996). The works are categorized by the M. number (for Meta) from Paul Rapoport's catalogue where known, and by the opus number assigned by the composer where applicable. Title, date of composition and genre are also provided.

This is a list of classical repertoire for two violins – either unaccompanied, with orchestra, or with piano.