Witold Roman Lutosławski (Polish: [ˈvitɔlt lutɔˈswafskʲi] ; 25 January 1913 – 7 February 1994) was a Polish composer and conductor. Among the major composers of 20th-century classical music, he is "generally regarded as the most significant Polish composer since Szymanowski, and possibly the greatest Polish composer since Chopin". His compositions—of which he was a notable conductor—include representatives of most traditional genres, aside from opera: symphonies, concertos, orchestral song cycles, other orchestral works, and chamber works. Among his best known works are his four symphonies, the Variations on a Theme by Paganini (1941), the Concerto for Orchestra (1954), and his cello concerto (1970). During his youth, Lutosławski studied piano and composition in Warsaw. His early works were influenced by Polish folk music and demonstrated a wide range of rich atmospheric textures. His folk-inspired music includes the Concerto for Orchestra (1954)—which first brought him international renown—and Dance Preludes (1955), which he described as a "farewell to folklore". From the late 1950s he began developing new, characteristic composition techniques. He introduced limited aleatoric elements, while retaining tight control of his music's material, architecture, and performance. He also evolved his practice of building harmonies from small groups of musical intervals. During World War II, after narrowly escaping German capture, Lutosławski made a living playing the piano in Warsaw bars. After the war, Stalinist authorities banned his First Symphony for being "formalist": accessible only to an elite. Rejecting anti-formalism as an unjustified retrograde step, Lutosławski resolutely strove to maintain his artistic integrity, providing artistic support to the Solidarity movement throughout the 1980s. He received numerous awards and honours, including the Grawemeyer Award and a Royal Philharmonic Society Gold Medal. In 1994, Lutosławski was awarded Poland's highest honour, the Order of the White Eagle.

This is a list of compositions by Polish composer Witold Lutosławski. A complete list of Lutosławski's compositions in chronological order can be found at The Polish Music Center.

Witold Roman Lutosławski (Polish: [ˈvitɔlt lutɔˈswafskʲi] ; 25 January 1913 – 7 February 1994) was a Polish composer and conductor. Among the major composers of 20th-century classical music, he is "generally regarded as the most significant Polish composer since Szymanowski, and possibly the greatest Polish composer since Chopin". His compositions—of which he was a notable conductor—include representatives of most traditional genres, aside from opera: symphonies, concertos, orchestral song cycles, other orchestral works, and chamber works. Among his best known works are his four symphonies, the Variations on a Theme by Paganini (1941), the Concerto for Orchestra (1954), and his cello concerto (1970). During his youth, Lutosławski studied piano and composition in Warsaw. His early works were influenced by Polish folk music and demonstrated a wide range of rich atmospheric textures. His folk-inspired music includes the Concerto for Orchestra (1954)—which first brought him international renown—and Dance Preludes (1955), which he described as a "farewell to folklore". From the late 1950s he began developing new, characteristic composition techniques. He introduced limited aleatoric elements, while retaining tight control of his music's material, architecture, and performance. He also evolved his practice of building harmonies from small groups of musical intervals. During World War II, after narrowly escaping German capture, Lutosławski made a living playing the piano in Warsaw bars. After the war, Stalinist authorities banned his First Symphony for being "formalist": accessible only to an elite. Rejecting anti-formalism as an unjustified retrograde step, Lutosławski resolutely strove to maintain his artistic integrity, providing artistic support to the Solidarity movement throughout the 1980s. He received numerous awards and honours, including the Grawemeyer Award and a Royal Philharmonic Society Gold Medal. In 1994, Lutosławski was awarded Poland's highest honour, the Order of the White Eagle.

This is a list of compositions by Polish composer Witold Lutosławski. A complete list of Lutosławski's compositions in chronological order can be found at The Polish Music Center.

Music is the arrangement of sound to create some combination of form, harmony, melody, rhythm, or otherwise expressive content. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of composition, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box, barrel organ, or digital audio workstation software on a computer. Music often plays a key role in social events and religious ceremonies. The techniques of making music are often transmitted as part of a cultural tradition. Music is played in public and private contexts, highlighted at events such as festivals and concerts for various different types of ensembles. Music is used in the production of other media, such as in soundtracks to films, TV shows, operas, and video games. Listening to music is a common means of entertainment. The culture surrounding music extends into areas of academic study, journalism, philosophy, psychology, and therapy. The music industry includes songwriters, performers, sound engineers, producers, tour organizers, distributors of instruments, accessories, and publishers of sheet music and recordings. Technology facilitating the recording and reproduction of music has historically included sheet music, microphones, phonographs, and tape machines, with playback of digital music being a common use for MP3 players, CD players, and smartphones.

Chantefleurs et Chantefables is a song cycle for soprano and orchestra set to the poems of Robert Desnos by the Polish composer Witold Lutosławski. The work was composed from 1989 to 1991 and was first performed at The Proms by the soprano Solveig Kringlebotn and the BBC Symphony Orchestra under the direction of the composer on August 8, 1991. The piece is Lutosławski's second composition set to the poetry of Robert Desnos, following 1975's Les Espaces du sommeil.

Les Espaces du sommeil is a work for baritone and orchestra set to a poem of Robert Desnos by the Polish composer Witold Lutosławski. It is in one movement, with a three-section scheme but lacking clearly marked caesuras, about which Lutosławski stated: "Les Espaces is neither a song nor a set of songs, but a symphonic poem with a baritone solo." Composed in 1975, it was first performed on 12 April 1978 in Berlin by the baritone Dietrich Fischer-Dieskau and the Berlin Philharmonic Orchestra under the direction of the composer. The piece is Lutosławski's first composition set to the poetry of Robert Desnos, to which the composer returned in 1990's Chantefleurs et Chantefables.

Witold Roman Lutosławski (Polish: [ˈvitɔlt lutɔˈswafskʲi] ; 25 January 1913 – 7 February 1994) was a Polish composer and conductor. Among the major composers of 20th-century classical music, he is "generally regarded as the most significant Polish composer since Szymanowski, and possibly the greatest Polish composer since Chopin". His compositions—of which he was a notable conductor—include representatives of most traditional genres, aside from opera: symphonies, concertos, orchestral song cycles, other orchestral works, and chamber works. Among his best known works are his four symphonies, the Variations on a Theme by Paganini (1941), the Concerto for Orchestra (1954), and his cello concerto (1970). During his youth, Lutosławski studied piano and composition in Warsaw. His early works were influenced by Polish folk music and demonstrated a wide range of rich atmospheric textures. His folk-inspired music includes the Concerto for Orchestra (1954)—which first brought him international renown—and Dance Preludes (1955), which he described as a "farewell to folklore". From the late 1950s he began developing new, characteristic composition techniques. He introduced limited aleatoric elements, while retaining tight control of his music's material, architecture, and performance. He also evolved his practice of building harmonies from small groups of musical intervals. During World War II, after narrowly escaping German capture, Lutosławski made a living playing the piano in Warsaw bars. After the war, Stalinist authorities banned his First Symphony for being "formalist": accessible only to an elite. Rejecting anti-formalism as an unjustified retrograde step, Lutosławski resolutely strove to maintain his artistic integrity, providing artistic support to the Solidarity movement throughout the 1980s. He received numerous awards and honours, including the Grawemeyer Award and a Royal Philharmonic Society Gold Medal. In 1994, Lutosławski was awarded Poland's highest honour, the Order of the White Eagle.

Witold Roman Lutosławski (Polish: [ˈvitɔlt lutɔˈswafskʲi] ; 25 January 1913 – 7 February 1994) was a Polish composer and conductor. Among the major composers of 20th-century classical music, he is "generally regarded as the most significant Polish composer since Szymanowski, and possibly the greatest Polish composer since Chopin". His compositions—of which he was a notable conductor—include representatives of most traditional genres, aside from opera: symphonies, concertos, orchestral song cycles, other orchestral works, and chamber works. Among his best known works are his four symphonies, the Variations on a Theme by Paganini (1941), the Concerto for Orchestra (1954), and his cello concerto (1970). During his youth, Lutosławski studied piano and composition in Warsaw. His early works were influenced by Polish folk music and demonstrated a wide range of rich atmospheric textures. His folk-inspired music includes the Concerto for Orchestra (1954)—which first brought him international renown—and Dance Preludes (1955), which he described as a "farewell to folklore". From the late 1950s he began developing new, characteristic composition techniques. He introduced limited aleatoric elements, while retaining tight control of his music's material, architecture, and performance. He also evolved his practice of building harmonies from small groups of musical intervals. During World War II, after narrowly escaping German capture, Lutosławski made a living playing the piano in Warsaw bars. After the war, Stalinist authorities banned his First Symphony for being "formalist": accessible only to an elite. Rejecting anti-formalism as an unjustified retrograde step, Lutosławski resolutely strove to maintain his artistic integrity, providing artistic support to the Solidarity movement throughout the 1980s. He received numerous awards and honours, including the Grawemeyer Award and a Royal Philharmonic Society Gold Medal. In 1994, Lutosławski was awarded Poland's highest honour, the Order of the White Eagle.

This is a list of compositions by Polish composer Witold Lutosławski. A complete list of Lutosławski's compositions in chronological order can be found at The Polish Music Center.