Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

"Abendempfindung an Laura", K. 523, is a song by Wolfgang Amadeus Mozart dated 24 June 1787 in Vienna, written at the time of the opera Don Giovanni and Eine kleine Nachtmusik.

Maria Aloysia Antonia Weber Lange (c. 1760 – 8 June 1839) was a German soprano, remembered primarily for her association with the composer Wolfgang Amadeus Mozart.

"Ah, lo previdi! ... Ah, t'invola ... Misera! ... Deh, non varcar", K. 272, is a concert aria by Wolfgang Amadeus Mozart for solo soprano and orchestra, one of Mozart's first large-scale operatic concert pieces.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

The Marriage of Figaro (Italian: Le nozze di Figaro, pronounced [le ˈnɔttse di ˈfiːɡaro] ), K. 492, is a commedia per musica (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Beaumarchais, La folle journée, ou le Mariage de Figaro ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. The Marriage of Figaro came in first out of the 20 operas featured, with the magazine describing it as being "one of the supreme masterpieces of operatic comedy, whose rich sense of humanity shines out of Mozart's miraculous score".

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

"Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte" ("As Luise Was Burning the Letters of Her Unfaithful Lover"), K. 520, is an art song for piano and voice (soprano) by Wolfgang Amadeus Mozart to a poem by Gabriele von Baumberg.

"An Chloe" (To Chloe), K. 524, is an art song for voice and piano by Wolfgang Amadeus Mozart to a poem by Johann Georg Jacobi. Mozart composed it on 24 June 1787 in Vienna.

The Kleine Freimaurer-Kantate, K. 623 (Little Masonic Cantata), also called "Laut verkünde unsre Freude" ("Proclaim our Joy Aloud") after its opening words, is a cantata by Wolfgang Amadeus Mozart. Finished in 1791 shortly before his death, the work is the final one completed by Mozart. A Mozart biographer claimed the Cantata may have been well-received in its premiere, making Mozart happy. However, the premiere may have contributed to the illness that led to Mozart's death. Despite not being the most popular of his works, multiple versions and recordings of the Cantata have been published. The Cantata has 6 movements, and they only contain male voices accompanied by an orchestra. It was inspired by Mozart's Freemasonry, compared to Mozart's opera The Magic Flute, and debated over who wrote the lyrics. The opera section describes optimism, both from its main characters and for the broader time period of Mozart. However, some analysts suggest that the world in the following centuries did not become as bright as Mozart had hoped.

Ave verum corpus ("Hail, True Body"), K. 618, is a motet in D major composed by Wolfgang Amadeus Mozart in 1791. It is a setting of the Latin hymn of the same name. Mozart wrote it for Anton Stoll, a friend who was the church musician of St. Stephan in Baden bei Wien. The motet was composed for the feast of Corpus Christi; the autograph is dated 17 June 1791. It is scored for SATB choir, string instruments and organ.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

"Beim Auszug in das Feld", K. 552, is a military-patriotic art song composed for tenor voice and piano accompaniment by Wolfgang Amadeus Mozart. The title may be translated "On going forth to the field" (i.e., of battle).

"Bella mia fiamma, addio", K. 528, is a concert aria by Wolfgang Amadeus Mozart for solo soprano and orchestra, composed in Prague in 1787. The text of this aria is taken from the 1772 opera Cerere placata, composed by Niccolò Jommelli with text by Michele Sarcone. The aria was published by Breitkopf & Härtel in 1881.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

The Köchel catalogue (German: Köchel-Verzeichnis) is a catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions. For example, according to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626. Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49 (47d) or K.6 47d refers to the work numbered 47d in the sixth edition. The catalog was originally chronological, though revisions made chronological ordering of Mozart's works difficult and as of 2024 a new organizational system is used for the ninth version.

"Ch'io mi scordi di te? ... Non temer, amato bene" (Will I forget you? ... Fear not, beloved), K. 505, is a concert aria by Wolfgang Amadeus Mozart for soprano, piano obbligato and orchestra, composed in December 1786 in Vienna.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

"Conservati fedele" (K. 23) is a concert aria for soprano and orchestra by Wolfgang Amadeus Mozart.

The Krönungsmesse (German for Coronation Mass) (Mass No. 15 in C major, K. 317; sometimes Mass No. 16), composed in 1779, is one of the most popular of Wolfgang Amadeus Mozart's 17 extant settings of the Ordinary of the Mass. While it is relatively short, Bruce C. Macintyre, writing in the Cambridge Mozart Encyclopedia, classifies it as a Missa Longa, on the basis of the festal character, size of the orchestra, which includes a substantial brass section, orchestral introductions for the movements and the setting of the intonations for the Gloria and Credo.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

The Köchel catalogue (German: Köchel-Verzeichnis) is a catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions. For example, according to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626. Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49 (47d) or K.6 47d refers to the work numbered 47d in the sixth edition. The catalog was originally chronological, though revisions made chronological ordering of Mozart's works difficult and as of 2024 a new organizational system is used for the ninth version.

The Köchel catalogue (German: Köchel-Verzeichnis) is a catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions. For example, according to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626. Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49 (47d) or K.6 47d refers to the work numbered 47d in the sixth edition. The catalog was originally chronological, though revisions made chronological ordering of Mozart's works difficult and as of 2024 a new organizational system is used for the ninth version.

"Das Traumbild" ("The Dream Song"), K. 530, is an art song, or Lied, for piano and voice by Wolfgang Amadeus Mozart to a poem by Ludwig Hölty.

"Das Traumbild" ("The Dream Song"), K. 530, is an art song, or Lied, for piano and voice by Wolfgang Amadeus Mozart to a poem by Ludwig Hölty.

"Das Veilchen" ("The Violet"), K. 476, is a song for voice and piano by Wolfgang Amadeus Mozart, written in Vienna on 8 June 1785, to a poem by Johann Wolfgang von Goethe.

Davide penitente, K. 469 (Italian: 'David the Penitent'; also spelled Davidde penitente), is a cantata by Wolfgang Amadeus Mozart, to texts by Saverio Mattei (1742–95). The cantata was commissioned by the Wiener Tonkünstler-Societät, and first performed on 13 March 1785 in the Vienna Burgtheater. Most of the music is derived from the unfinished Great Mass in C minor, K. 427 (1782–83), although two arias ("A te, fra tanti affanni" and "Fra l'oscure ombre funeste") and a cadenza for the last movement ("Chi in Dio sol spera") were newly composed for the work. It has a duration of approximately 45 minutes.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

G minor has been considered the key through which Wolfgang Amadeus Mozart best expressed sadness and tragedy, and many of his minor key works are in G minor. Though Mozart touched on various minor keys in his symphonies, G minor is the only minor key he used as a main key for his numbered symphonies. In the Classical period, symphonies in G minor almost always used four horns, two in G and two in B♭ alto. Another convention of G minor symphonies observed in Mozart's No. 25 and No. 40 was the choice of the subdominant of the relative key (B♭ major), E♭ major, for the slow movement; other non-Mozart examples of this practice include J. C. Bach Op. 6, No. 6, from 1769, Haydn's No. 39 (1768/69) and Johann Baptist Wanhal's G minor symphony sometime before 1771 (Bryan Gm1). Isolated sections in this key within Mozart's compositions may also evoke an atmosphere of grand tragedy, one example being the stormy G minor middle section to the otherwise serene B♭ major slow movement in the Piano Concerto No. 20.

Frederick of Anhalt-Dessau (27 December 1769 – 27 May 1814), was a German prince of the House of Ascania and heir to the principality (and from 1807 the duchy) of Anhalt-Dessau. He was born in Dessau, the only surviving child of Leopold III, Prince and later Duke of Anhalt-Dessau, by his wife Louise, daughter of Frederick Henry, Margrave of Brandenburg-Schwedt. His only sibling, a sister born on 11 February 1768, was either stillborn or died shortly after her birth.

"Die Alte" ("The Old Woman"), K. 517, is an art song for voice and piano by Wolfgang Amadeus Mozart to a poem by Friedrich von Hagedorn.

The Köchel catalogue (German: Köchel-Verzeichnis) is a catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions. For example, according to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626. Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49 (47d) or K.6 47d refers to the work numbered 47d in the sixth edition. The catalog was originally chronological, though revisions made chronological ordering of Mozart's works difficult and as of 2024 a new organizational system is used for the ninth version.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

The Köchel catalogue (German: Köchel-Verzeichnis) is a catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions. For example, according to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626. Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49 (47d) or K.6 47d refers to the work numbered 47d in the sixth edition. The catalog was originally chronological, though revisions made chronological ordering of Mozart's works difficult and as of 2024 a new organizational system is used for the ninth version.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Die Schuldigkeit des ersten Gebots (complete title in historical spelling: Die Schuldigkeit Des ersten und fürnehmsten Gebotes; The Obligation of the First and Foremost Commandment), K. 35, is a sacred musical play (geistliches Singspiel) composed by Wolfgang Amadeus Mozart in 1767 when he was 11 years old. It is Mozart's first opera or, more specifically, sacred drama, as is suggested by the name. The libretto is now attributed to Ignatz Anton von Weiser, although Johann Adam Wieland or Jakob Anton Marianus Wimmer had been suggested earlier. (The title page of the libretto ascribes it only to "J.A.W.".) Only the first part of the opera was composed by Mozart; the second and third parts were contributed by Michael Haydn and Anton Cajetan Adlgasser respectively. However, these other two parts have not survived. Part 1 of the opera was first performed on 12 March 1767, in the Knights' Hall of the Palace of the Archbishop, the Salzburg Residenz. Part 2 was performed on 19 March, and part 3 on 26 March.

The Köchel catalogue (German: Köchel-Verzeichnis) is a catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions. For example, according to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626. Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49 (47d) or K.6 47d refers to the work numbered 47d in the sixth edition. The catalog was originally chronological, though revisions made chronological ordering of Mozart's works difficult and as of 2024 a new organizational system is used for the ninth version.

The Köchel catalogue (German: Köchel-Verzeichnis) is a catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions. For example, according to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626. Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49 (47d) or K.6 47d refers to the work numbered 47d in the sixth edition. The catalog was originally chronological, though revisions made chronological ordering of Mozart's works difficult and as of 2024 a new organizational system is used for the ninth version.

The Köchel catalogue (German: Köchel-Verzeichnis) is a catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions. For example, according to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626. Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49 (47d) or K.6 47d refers to the work numbered 47d in the sixth edition. The catalog was originally chronological, though revisions made chronological ordering of Mozart's works difficult and as of 2024 a new organizational system is used for the ninth version.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

This is a list of the musical compositions of Michael Haydn sorted by genre, and then chronologically when year of composition is indicated, otherwise alphabetically. The numbering in parentheses starting with the capital letter P refers to Perger catalogue. The MH numbers refer to the Sherman & Thomas catalog of 1993.

This is a list of concert arias, songs and canons by Wolfgang Amadeus Mozart.

"La partenza" is a 1749 canzonetta by Pietro Metastasio (1698-1782). It is among his most famous canzonettas and after being set by the poet himself was set again by many composers including Farinelli, Caffarelli, Giovanni Paisiello, Mozart, Beethoven himself and Beethoven's pupil Archduke Rudolph. The first stanza goes: Ecco quel fiero istante: Nice, mia Nice, addio. Come vivrò ben mio, Così lontan da te?

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Exsultate, jubilate (Exult, rejoice), K. 165, is a 1773 motet by Wolfgang Amadeus Mozart.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Franz Schubert (31 January 1797 – 19 November 1828), a Viennese composer of the late Classical to early Romantic eras, left a very extensive body of work notwithstanding his short life. He wrote over 1,500 items, or, when collections, cycles and variants are grouped, some thousand compositions. The largest group are his over six hundred Lieder for solo voice and piano. He composed nearly as many piano pieces, and further some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works and published it in 1951 as Schubert: Thematic Catalogue of all his Works in Chronological Order. A revised edition appeared in German in 1978. Later editions of the catalogue contained minor updates. Publication of Schubert's compositions started during his lifetime, by opus number. After the composer's death, posthumous opus numbers continued to be assigned to new publications of his work until 1867 (Op. post. 173). Meanwhile, publications without opus number had also started. For instance, from shortly after the composer's death, the many songs in Diabelli's fifty Nachlaß-Lieferung (installment from the heritage) editions. There are two attempts to publish everything Schubert has composed in a single edition: From 1884 to 1897 Breitkopf & Härtel published twenty-two series of Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe, known as the Alte Gesamt-Ausgabe (AGA, the former complete edition). From 1965 Dover Publications started to reprint this edition, and later it was made available at the IMSLP website. The Neue Schubert-Ausgabe (NSA), also known as the New Schubert Edition (NSE), is published by Bärenreiter (Kassel). Plans for this edition began as early as 1963, with the foundation of the International Schubert Society, headquartered at the University of Tübingen, Germany. 81 of the edition's projected 101 volumes were published by early May 2015, and it is scheduled to conclude in 2027. Websites such as Schubert Online (schubert-online.at) provide facsimiles (scans) of Schubert's autographs and of other manuscripts and early editions of his work. Texts of Schubert's vocal music can be published without the music, for instance his Lieder (songs) at the LiederNet Archive website.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

God is our refuge, K. 20, is a motet for four voices in G minor composed in July 1765 by Wolfgang Amadeus Mozart when he was 9 years old. Based on Psalm 46, Mozart wrote it in London on the Mozart family grand tour as a gift for the British Museum along with one other supposed work: a set of variations in A major, K. 21a. Sir: I am ordered by the Standing Committee of the Trustees of the British Museum, to signify to You, that they have received the present of the musical performances of your very ingenious Son which you were pleased lately to make them, and to return You their Thanks for the same."

Grabmusik (Grave Music), K. 42/35a, is a 20-minute cantata by Wolfgang Amadeus Mozart. Translated variously into Cantata on Christ's Grave and Music for the Holy Sepulchre, it was composed in Salzburg during Holy Week in 1767. The circumstances of the work's composition are bizarre, as the eleven-year-old Mozart was closeted at the order of Sigismund von Schrattenbach, who doubted the authenticity of the previous works attributed to him, and subsequently required him to write the cantata in the course of a week. The author of the text is unknown, but there have been several assumptions among musicologists, reflecting the attribution of Mozart's previous sacred singspiel Die Schuldigkeit des ersten Gebots.

Great Mass in C minor (German: Große Messe in c-Moll), K. 427/417a, is the common name of the musical setting of the mass by Wolfgang Amadeus Mozart, which is considered one of his greatest works. He composed it in Vienna in 1782 and 1783, aged 26–27, after his marriage, when he moved to Vienna from Salzburg. The large-scale work, a missa solemnis, is scored for two soprano soloists, a tenor and a bass, double chorus and large orchestra. It remained unfinished, missing large portions of the Credo and the complete Agnus Dei.

The Köchel catalogue (German: Köchel-Verzeichnis) is a catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions. For example, according to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626. Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49 (47d) or K.6 47d refers to the work numbered 47d in the sixth edition. The catalog was originally chronological, though revisions made chronological ordering of Mozart's works difficult and as of 2024 a new organizational system is used for the ninth version.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

The Köchel catalogue (German: Köchel-Verzeichnis) is a catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions. For example, according to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626. Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49 (47d) or K.6 47d refers to the work numbered 47d in the sixth edition. The catalog was originally chronological, though revisions made chronological ordering of Mozart's works difficult and as of 2024 a new organizational system is used for the ninth version.

The Köchel catalogue (German: Köchel-Verzeichnis) is a catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions. For example, according to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626. Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49 (47d) or K.6 47d refers to the work numbered 47d in the sixth edition. The catalog was originally chronological, though revisions made chronological ordering of Mozart's works difficult and as of 2024 a new organizational system is used for the ninth version.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B♭, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major. The D natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D harmonic minor and melodic minor scales are:

The Requiem in D minor, K. 626, is a Requiem Mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version was delivered to Count Franz von Walsegg, who had commissioned the piece for a requiem service on 14 February 1792 to commemorate the first anniversary of the death of his wife Anna, who had died at the age of 20 on 14 February 1791. The autograph manuscript shows the finished and orchestrated movement of the Introit in Mozart's hand, and detailed drafts of the Kyrie, the Sequence (the latter including the first eight bars of the Lacrimosa), and the Offertorium. First Joseph Eybler and then Franz Xaver Süssmayr filled in the rest, composed additional movements, and made a clean copy of the completed parts of the score for delivery to Walsegg, imitating Mozart's musical handwriting but clumsily dating it "1792." It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Benedictus and the Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, as he is known to have done with other works. This plan was frustrated by a public benefit performance for Mozart's widow Constanze. She was responsible for a number of stories surrounding the composition of the work, including the claims that Mozart received the commission from a mysterious messenger who did not reveal the commissioner's identity, and that Mozart came to believe that he was writing the Requiem for his own funeral. In addition to the Süssmayr version, a number of alternative completions have been developed by composers and musicologists in the 20th and 21st centuries. At least 19 conjectural completions have been made, eleven of which date from after 2005.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

La Betulia liberata (The Liberation of Bethulia) is a libretto by Pietro Metastasio which was originally commissioned by Emperor Charles VI and set to music by Georg Reutter the Younger in 1734. It was subsequently set by as many as 30 composers, including Niccolò Jommelli (1743), Ignaz Holzbauer (1752), Florian Leopold Gassmann (1772), Joseph Schuster (1787), and most famously Wolfgang Amadeus Mozart (1771).

"Liebes Manndel, wo ist's Bandel?" ("Dearest husband, where's my hatband?"), otherwise known as "Das Bandel" is a terzet (song for three voices) with string accompaniment composed by Wolfgang Amadeus Mozart, K. 441, with lyrics in the Viennese dialect. The vocal parts are designated as Constanze (soprano), Mozart (tenor) and Jacquin (bass). The piece is humorous and light-hearted and owes its existence to an incident in which Constanze lost the ribbon for her hat. Gottfried von Jacquin, a friend, arrives and finds it. All three celebrate together. It was long believed to have been written in 1783, however Alan Tyson determined that the autograph is copied on a very rare type of paper that was used by Mozart only in the year 1786. Tyson noted that a number of small-scale pieces not included in Mozart's own catalog of compositions (begun in February 1784) were believed to have been written before it was started, whereas they may simply have been considered too inconsequential for Mozart to record. In a letter from Prague of 15 January 1787, Mozart mentioned a performance of the terzet with some of his friends at the palace in which he was staying. Naturally, it makes more sense to imagine it being performed in Prague as a piece recently composed rather than a piece that was nearly four years old.

The Köchel catalogue (German: Köchel-Verzeichnis) is a catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions. For example, according to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626. Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49 (47d) or K.6 47d refers to the work numbered 47d in the sixth edition. The catalog was originally chronological, though revisions made chronological ordering of Mozart's works difficult and as of 2024 a new organizational system is used for the ninth version.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart composed four litanies in his service as a church musician for the Salzburg Cathedral, two of which are settings of the Litaniae Lauretanae, the Litany of the Blessed Virgin Mary. The other two are settings of the Litaniae de venerabili altaris sacramento, venerating the Eucharist. Mozart composed the works for four soloists, choir, instruments, and continuo. The litanies appeared in Bärenreiter's Neue Mozart-Ausgabe (NMA) in 1969.

Wolfgang Amadeus Mozart composed four litanies in his service as a church musician for the Salzburg Cathedral, two of which are settings of the Litaniae Lauretanae, the Litany of the Blessed Virgin Mary. The other two are settings of the Litaniae de venerabili altaris sacramento, venerating the Eucharist. Mozart composed the works for four soloists, choir, instruments, and continuo. The litanies appeared in Bärenreiter's Neue Mozart-Ausgabe (NMA) in 1969.

The Kleine Freimaurer-Kantate, K. 623 (Little Masonic Cantata), also called "Laut verkünde unsre Freude" ("Proclaim our Joy Aloud") after its opening words, is a cantata by Wolfgang Amadeus Mozart. Finished in 1791 shortly before his death, the work is the final one completed by Mozart. A Mozart biographer claimed the Cantata may have been well-received in its premiere, making Mozart happy. However, the premiere may have contributed to the illness that led to Mozart's death. Despite not being the most popular of his works, multiple versions and recordings of the Cantata have been published. The Cantata has 6 movements, and they only contain male voices accompanied by an orchestra. It was inspired by Mozart's Freemasonry, compared to Mozart's opera The Magic Flute, and debated over who wrote the lyrics. The opera section describes optimism, both from its main characters and for the broader time period of Mozart. However, some analysts suggest that the world in the following centuries did not become as bright as Mozart had hoped.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

The Missa in honorem Sanctissimae Trinitatis in C major, K. 167, is a mass composed by Wolfgang Amadeus Mozart in June 1773. It is scored for SATB choir, violin I and II, 2 oboes, 2 clarini (high trumpets), 2 trumpets, timpani and basso continuo. A solemn mass, its name ("in honour of the Most Holy Trinity") and date indicate that it was likely to have been composed for Trinity Sunday, for use in the Holy Trinity Church, Salzburg. The mass is Mozart's only wholly choral mass setting, excluding all solo vocalists. Alfred Einstein contends that this may have been done in order to achieve brevity, following the directive of Archbishop Colloredo. The work consists of six movements. Performances take 25 to 30 minutes. Kyrie Allegro, C major, Gloria Allegro, C major, 34 Credo Allegro, C major, "Et incarnatus est" Adagio, C major, "Et resurrexit" Allegro, C major, "Et in Spiritum Sanctum" Allegro, G major, 34 "Et unam sanctam" Allegro, C major, "Et vitam venturi saeculi" Alla breve, C major, Sanctus Andante, C major, 34 "Hosanna in excelsis" Allegro, C major, Benedictus Allegro, F major, "Hosanna in excelsis" Allegro, C major, Agnus Dei Adagio, C major, 34 "Dona nobis pacem" Allegro moderato, C major,

The Credo Mass in C major, K. 257, is a mass composed by Wolfgang Amadeus Mozart in 1776. It is scored for SATB soloists, SATB choir, violin I and II, 2 oboes, 2 clarini (high trumpets), 3 trombones colla parte and basso continuo. The Credo Mass has been classified as either a missa solemnis, a missa brevis or a missa brevis et solemnis – its performance time of approximately 25 minutes makes it difficult to categorise in a definitive manner. Its name derives from the long setting of the Credo, in which the word "Credo" is repeatedly sung in a two-note motif. It thus joins a tradition of so-called "Credo Masses", including Mozart's own Kleine Credo Messe (K. 192) and Beethoven's later Missa solemnis. The first performance was in Salzburg in November 1776. This is one of three masses Mozart composed in November and December 1776, all set in C major, including the Piccolominimesse (K. 258) and the Organ Solo Mass (K. 259). The work consists of six movements. Kyrie Andante maestoso, C major, 34 "Kyrie eleison" Allegro, C major, Gloria Allegro assai, C major, Credo Molto allegro, C major, 34 "Et incarnatus est" Andante, C major, 68 "[Credo, credo] Et resurrexit..." Molto allegro, C major, 34 Sanctus Allegretto, C major, "Hosanna in excelsis" Molto allegro, C major, Benedictus Allegro, F major, "Hosanna in excelsis" Molto allegro, C major, Agnus Dei Andante maestoso, C major, 34 "Dona nobis pacem" Allegro vivace, C major,

The Missa longa in C major, K. 262/246a, is a mass composed by Wolfgang Amadeus Mozart in May 1776. Other sources claim it was composed in May 1775. It is scored for SATB soloists, SATB choir, violins I and II, 2 oboes, 2 horns in C, 2 clarini (high trumpets) in C, 3 trombones colla parte, timpani and basso continuo. The mass is classed as a missa longa due to its length. However, due to its lack of extended writing for the solo parts, it has also been categorised as a missa brevis. The occasion the mass was composed for remains debatable. It may have been composed at the Archbishop Colloredo's request for a special occasion at the Salzburg Cathedral, or at the directive of a different priest – Colloredo's preference for brief settings makes it unlikely that he would have approved of the missa longa. Alternatively, it may have been composed for performance at St Peter's Church. The mass is divided into six movements. Kyrie Allegro, C major, Gloria Allegro con spiritu, C major, "Qui tollis peccata mundi" Andante, G minor, 34 "Quoniam tu solus Sanctus" Allegro con spiritu, C major, Credo Allegro, C major, 34 "Et incarnatus est" Adagio ma non troppo, C major, "Et resurrexit" Molto allegro, C major, "Et in Spiritum Sanctum Dominum" Allegro, G major, 34 "Et unam sanctam" Allegro, C major, 34 "Et expecto resurrectionem" Adagio, C major, "Et vitam venturi saeculi" Allegro, C major, Sanctus Andantino, C major, 34 Benedictus Andantino, F major, 34 Agnus Dei Andante, C major, "Dona nobis pacem" Allegro, C major,

The Missa solemnis in C major by Wolfgang Amadeus Mozart, K. 337, was written in 1780 for Salzburg. It was Mozart's last complete mass. The mass is scored for soloists, choir, 2 oboes, 2 bassoons, 2 trumpets, 3 trombones, strings (without violas) and organ, the latter supplying figured bass for most of the duration.

The Missa solemnis in C major, K. 66, is a mass composed by Wolfgang Amadeus Mozart in 1769. It is scored for SATB soloists and choir, violins I and II, viola, 2 oboes, 2 horns, 2 clarini (high trumpets), 2 trumpets and basso continuo. Mozart composed the mass for the ordination of Cajetan Hagenauer, son of Lorenz Hagenauer, the Mozarts' landlord and family friend. Cajetan had entered St Peter's Abbey, a Benedictine monastery, whilst the Mozarts were on their grand tour. When he became a priest in 1769, he took the name Pater Dominicus and celebrated his first solemn high mass; this gives the work its nickname, Dominicusmesse. Leopold Mozart conducted the première on 15 October to a packed church in Salzburg; it is thought that the success of this performance led to Wolfgang's first Italian tour. Due to its length, the mass is classified as a missa solemnis. It is divided into six movements. Kyrie Adagio, C major, "Kyrie eleison" Allegro, C major, 34 Gloria Allegro moderato, C major, 34 "Laudamus te" Andante grazioso, F major, 24; soprano/alto duet "Gratias agimus tibi" Adagio, C major, "Propter magnam gloriam tuam" Allegro, C major, "Domine Deus" Un poco andante, G major, 34; tenor solo "Qui tollis peccata mundi" Un poco adagio, G minor, "Quoniam tu" Andante ma un poco allegro, F major, 34; soprano solo "Cum Sancto Spiritu" Alla breve, C major, Credo Molto allegro, C major, "Et incarnatus est" Adagio, F major, 34; soloists "Crucifixus" Adagio, C minor, "Et resurrexit" Molto allegro, C major, "Et in Spiritum Sanctum Dominum" Andante, G major, 34; soprano solo "Et in unam sanctam" Moderato, C major, "Et vitam venturi saeculi" Allegro, C major, 34 Sanctus Adagio, C major, "Pleni sunt coeli et terra" Allegro, C major, 34 "Hosanna in excelsis" Moderato, C major, Benedictus Allegro moderato, G major, ; soloists "Hosanna in excelsis" Moderato, C major, Agnus Dei Allegro moderato, C major, "Dona nobis pacem" Allegro, C major, 38

The Missa solemnis in C minor, K. 139/47a, is a mass composed by Wolfgang Amadeus Mozart in the summer of 1768 in Vienna. It is scored for SATB soloists, SATB choir, violin I and II, 2 violas, 2 oboes, 2 trumpets, 2 clarini (high trumpets), 3 trombones colla parte, timpani and basso continuo.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

The clarinet d'amore or clarinet d'amour is a musical instrument, a member of the clarinet family.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

This is a list of concert arias, songs and canons by Wolfgang Amadeus Mozart.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

The Missa brevis No. 9 in B-flat major by Wolfgang Amadeus Mozart, K. 275/272b, was probably written before September 1777 for Salzburg. The mass is scored for SATB soloists, SATB choir, violin I, violin II, 3 trombones, string bass, and organ. The setting is divided into six movements. Kyrie Allegro, B♭ major, 44 Gloria Allegro, B♭ major, 24 Credo Allegro, B♭ major, 44 "Et incarnatus est" Adagio "Et resurrexit" Allegro Sanctus Andante, B♭ major, 34 Benedictus Andante, E♭ major, 34 "Osanna in excelsis" Allegro, B♭ major Agnus Dei Andante, G minor, 44 "Dona nobis pacem" Allegro, B♭ major, 22 In the Gloria and the Credo, Mozart eschews the traditional concluding fugues. Despite being a missa brevis, the Agnus Dei is very long and there is "a prolonged setting for soloists and choir of 'Dona nobis pacem', ending piano." The Dona nobis is set as a gavotte, "like a vaudeville and has been compared with the specimen of this genre at the end of Die Entführung aus dem Serail." The first known performance took place on December 21, 1777, with castrato Francesco Ceccarelli among the soloists singled out for praise for his performance, but David Schildkret has argued that it was more likely composed as early as 1772. Elsewhere church musicians were offended, such as those at Wasserburg am Inn, who found Mozart's setting "an open mockery of the holy text."

The Sparrow Mass (German: Spatzenmesse) is a mass in C major K. 220/196b, Mass No. 9, Missa brevis No. 5, composed by Wolfgang Amadeus Mozart in 1775 or 1776 in Salzburg. The mass is sometimes termed a missa brevis et solemnis, because it is short in a simple structure as a missa brevis, but festively scored like a missa solemnis with brass and timpani in addition to four soloists, strings and organ. It was possibly first performed on 7 April 1776 in a mass for Easter at the Salzburg Cathedral. The nickname is derived from violin figures in the Hosanna which resemble bird chirping.

The Missa brevis No. 7 in C major, K. 258, is a mass composed by Wolfgang Amadeus Mozart in 1776. It is scored for SATB soloists, SATB choir, violin I and II, 2 oboes, 2 clarini (high trumpets), 3 trombones colla parte, timpani and basso continuo. Although classed as a missa brevis (brief mass), the inclusion of trumpets in the scoring makes it a missa brevis et solemnis. The autograph manuscript of the mass is preserved in the Berlin State Library.

The Missa brevis No. 8 in C major, K. 259, is a mass composed by Wolfgang Amadeus Mozart in 1776. It is scored for SATB soloists, SATB choir, violin I and II, 2 oboes, 2 clarini (high trumpets), 3 trombones colla parte, timpani and basso continuo. Although classed as a missa brevis (brief mass), the inclusion of trumpets in the scoring makes it a missa brevis et solemnis. The mass derives its nickname Orgelmesse or Orgelsolomesse (Organ Solo Mass) from the obbligato organ solo entry of the Benedictus. This is one of three masses Mozart composed in November and December 1776, all set in C major, including the Credo Mass (K. 257) and the Piccolomini Mass (K. 258). The autograph manuscript of the mass is preserved in the Berlin State Library. The work consists of six movements. Performances require approximately 10–15 minutes. Kyrie Andante, C major, Gloria Allegro, C major, 34 Credo Allegro, C major, Sanctus Adagio maestoso, C major, 34 "Pleni sunt coeli et terra" Allegro, C major, Benedictus Allegro vivace, G major, 34 "Hosanna in excelsis" Allegro, C major, 34 Agnus Dei Adagio, C major, "Dona nobis pacem" Allegro, C major, 34

The Missa brevis in D major, K. 194/186h, is a mass composed by Wolfgang Amadeus Mozart and completed on 8 August 1774. It is scored for SATB soloists, SATB choir, violin I and II, 3 trombones colla parte, and basso continuo. This missa brevis is thought to have been composed for ordinary liturgical use in the Salzburg Cathedral, under the directive of Archbishop Colloredo. Mozart tried to satisfy Colloredo's demands for brevity and concision in the composition of this mass – none of the movements have an orchestral prelude, the orchestra itself is highly reduced, there is very little fugal writing, and much of the setting is homophonic. In 1793, the Lotter house published the mass posthumously; it was the first of Mozart's works to appear in print. The mass consists of six movements. Performances require approximately 15 minutes. Kyrie Andante, D major, 44 Gloria Allegro moderato, D major, 44 Credo Allegro, D major, 34 "Et incarnatus est" Andante moderato, D major, 44 "Et resurrexit" Allegro, D major, 34 Sanctus Andante, D major, 44 "Pleni sunt coeli et terra" Allegro, D major, 34 Benedictus Andante ma non troppo, G major, 44 "Hosanna in excelsis" Allegro, D major, 34 Agnus Dei Andante, B minor → D major, 34 "Dona nobis pacem" Allegro, D major, 44

The Missa brevis in D minor, K. 65/61a, is a mass composed by Wolfgang Amadeus Mozart (12 years old at the time) and completed on 14 January 1769. It is scored for SATB soloists and choir, violin I and II, 3 trombones colla parte, and basso continuo. The long held belief, based on Sigismund Keller's assertion in 1873, that this mass was first performed on 5 February 1769, the pre-Lenten Sunday of Quinquagesima, in the University of Salzburg's Kollegienkirche to open a forty-hour vigil, has later been shown as untenable. As a Lenten mass, the Gloria could not have been performed. This is Mozart's shortest setting of the Order of Mass, and his only missa brevis set in a minor key. The mass is divided into six movements. Kyrie Adagio, D minor, common time "Kyrie eleison" – Allegro, D minor, 3/4 Gloria Allegro moderato, D minor, common time Credo Allegro moderato, D minor, 3/4 "Et incarnatus est" Adagio, D minor, cut common time "Et resurrexit" Allegro moderato, D minor, 3/4 "Et vitam venturi saeculi" Più mosso, D minor, cut common time Sanctus Adagio, D minor, cut common time "Pleni sunt coeli et terra" Allegro, D minor, common time "Hosanna in excelsis" Allegro, D minor, 3/4 Benedictus Andante, G minor, common time; soprano/alto duet "Hosanna in excelsis" Allegro, D minor, 3/4 Agnus Dei Andante, D minor, common time "Dona nobis pacem" Vivace, D minor, 3/8

Wolfgang Amadeus Mozart's Missa brevis in F major, K. 192 (186f), was completed in Salzburg, on 24 June 1774. It is scored for SATB soloists, SATB choir, 2 trumpets (which Mozart added later), 3 trombones, 2 violins, organ. AMA I/1 No. 6, NMA I:1/1/ii The Credo of this mass features the "Do-Re-Fa-Mi" motif from the hymn Lucis creator, which Mozart later used as the main theme to the final of his Jupiter Symphony. Due to its repetition of this theme, it is classed as a Credo Mass; it is often known as the Kleine (small) Credo Mass to distinguish it from the Great Credo Mass, K. 257.

Mozart's Mass in G major, K. 49/47d), is his first full mass. It is a missa brevis scored for SATB soloists and choir, violin I and II, viola, and basso continuo. Mozart wrote the Mass in G major at the age of 12. It was however neither his first setting of a part of the mass ordinary – two years earlier he had already composed a Kyrie (K. 33) —, nor was it his largest composition with a religious theme up to date: his sacred musical play Die Schuldigkeit des ersten Gebots had been premiered in the previous year.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

The Magic Flute (German: Die Zauberflöte, pronounced [diː ˈtsaʊbɐˌfløːtə] ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. It is a Singspiel, a popular form that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before Mozart's death. It was Mozart's last opera. It was an outstanding success from its first performances, and remains a staple of the opera repertory. In the opera, the Queen of the Night persuades Prince Tamino to rescue her daughter Pamina from captivity under the high priest Sarastro; instead, he learns the high ideals of Sarastro's community and seeks to join it. Separately, then together, Tamino and Pamina undergo severe trials of initiation, which end in triumph, with the Queen and her cohorts vanquished. The earthy Papageno, who accompanies Tamino on his quest, fails the trials completely but is rewarded anyway with the hand of his ideal female companion Papagena.

The Köchel catalogue (German: Köchel-Verzeichnis) is a catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions. For example, according to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626. Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49 (47d) or K.6 47d refers to the work numbered 47d in the sixth edition. The catalog was originally chronological, though revisions made chronological ordering of Mozart's works difficult and as of 2024 a new organizational system is used for the ninth version.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

"Or che il dover – Tali e cotanti sono", K. 36, is a concert aria in D major for tenor and orchestra by Wolfgang Amadeus Mozart.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

"Per questa bella mano", K. 612, is a concert aria by Wolfgang Amadeus Mozart for solo bass with an obbligato double bass. Composed in Vienna, it is dated 8 March 1791 in Mozart's own catalogue. It is well known by players of the double bass, with difficult scale work and double stops. It may have been composed as an interlude in a performance of an opera buffa, written by another composer. The aria remains a popular and often performed concert piece today.

Don Giovanni (Italian pronunciation: [ˈdɔn dʒoˈvanni]; K. 527; full title: Il dissoluto punito, ossia il Don Giovanni, literally 'The Rake Punished, or Don Giovanni') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine, Don Juan, as told by playwright Tirso de Molina in his 1630 play El burlador de Sevilla y convidado de piedra. It is a dramma giocoso blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as opera buffa). It was premiered by the Prague Italian opera at the National Theatre (of Bohemia), now called the Estates Theatre, on 29 October 1787. Don Giovanni is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte".

The Köchel catalogue (German: Köchel-Verzeichnis) is a catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions. For example, according to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626. Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49 (47d) or K.6 47d refers to the work numbered 47d in the sixth edition. The catalog was originally chronological, though revisions made chronological ordering of Mozart's works difficult and as of 2024 a new organizational system is used for the ninth version.

"Popoli di Tessaglia! – Io non chiedo, eterni Dei" (K. 316/300b) is a recitative and aria for soprano and orchestra that Wolfgang Amadeus Mozart wrote for Aloysia Weber. It is famous for including two occurrences of a G6, i.e. the G in altissimo above high C, or 1568 Hz by modern concert pitch – according to the Guinness Book of Records, the highest musical note ever scored for the human voice. (However, an A6 is scored in Ignaz Umlauf's Das Irrlicht, also sung by Aloysia Weber.)

The Accademia Filarmonica di Bologna ("philharmonic academy of Bologna"; sometimes known in English as the Bologna Academy of Music) is a music education institution in Bologna, Italy. The Accademia de' Filarmonici was founded as an association of musicians in Bologna in 1666 by Vincenzo Maria Carrati. Saint Anthony of Padua was chosen as the patron saint, and an organ with the motto Unitate melos as the emblem. Through the influence of Pietro Ottoboni, the statute of the academy was approved by Clement XI in 1716. In 1749 the Benedict XIV decreed that the Accademia could award the title of Maestro di cappella. Among the early members of the academy were Giovanni Paolo Colonna (one of the founders of 1666), Carlo Donato Cossoni, Arcangelo Corelli (1670), Giacomo Antonio Perti (1688), Giuseppe Maria Jacchini (1688), Giuseppe Maria Orlandini, Antonio Maria Bernacchi (1722), Giovanni Carestini (1726) and the celebrated castrato singer Carlo Farinelli (1730). The composer and teacher Giovanni Battista Martini taught at the Accademia from 1758; his pupils included André Ernest Modeste Grétry, Josef Mysliveček, Maksym Berezovsky, Stanislao Mattei (who succeeded Martini as teacher of composition), Johann Christian Bach, the noted cellist Giovanni Battista Cirri and, in 1770, Wolfgang Amadeus Mozart. In the 19th and 20th centuries the institution was interlaced with such names as Gioacchino Rossini, Giuseppe Verdi, Arrigo Boito, Richard Wagner, Jules Massenet, Camille Saint-Saëns, Giacomo Puccini, and also with John Field, Franz Liszt, Johannes Brahms, Anton Rubinstein, Ferruccio Busoni and Ottorino Respighi.

Regina coeli (Queen of Heaven), a Marian antiphon, was set by Wolfgang Amadeus Mozart three times during his time at the Salzburg Cathedral. The best-known composition of the Latin Regina caeli for Eastertide is K. 276, a setting for four soloists, choir and orchestra, probably written in 1779. He wrote two earlier settings, K. 108 and K 127, both for soprano, choir and orchestra.

Regina coeli (Queen of Heaven), a Marian antiphon, was set by Wolfgang Amadeus Mozart three times during his time at the Salzburg Cathedral. The best-known composition of the Latin Regina caeli for Eastertide is K. 276, a setting for four soloists, choir and orchestra, probably written in 1779. He wrote two earlier settings, K. 108 and K 127, both for soprano, choir and orchestra.

Regina coeli (Queen of Heaven), a Marian antiphon, was set by Wolfgang Amadeus Mozart three times during his time at the Salzburg Cathedral. The best-known composition of the Latin Regina caeli for Eastertide is K. 276, a setting for four soloists, choir and orchestra, probably written in 1779. He wrote two earlier settings, K. 108 and K 127, both for soprano, choir and orchestra.

The Requiem in D minor, K. 626, is a Requiem Mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version was delivered to Count Franz von Walsegg, who had commissioned the piece for a requiem service on 14 February 1792 to commemorate the first anniversary of the death of his wife Anna, who had died at the age of 20 on 14 February 1791. The autograph manuscript shows the finished and orchestrated movement of the Introit in Mozart's hand, and detailed drafts of the Kyrie, the Sequence (the latter including the first eight bars of the Lacrimosa), and the Offertorium. First Joseph Eybler and then Franz Xaver Süssmayr filled in the rest, composed additional movements, and made a clean copy of the completed parts of the score for delivery to Walsegg, imitating Mozart's musical handwriting but clumsily dating it "1792." It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Benedictus and the Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, as he is known to have done with other works. This plan was frustrated by a public benefit performance for Mozart's widow Constanze. She was responsible for a number of stories surrounding the composition of the work, including the claims that Mozart received the commission from a mysterious messenger who did not reveal the commissioner's identity, and that Mozart came to believe that he was writing the Requiem for his own funeral. In addition to the Süssmayr version, a number of alternative completions have been developed by composers and musicologists in the 20th and 21st centuries. At least 19 conjectural completions have been made, eleven of which date from after 2005.

"Rivolgete a lui lo sguardo", K. 584, is a concert aria by Wolfgang Amadeus Mozart for solo bass and orchestra conceived for the role of Guglielmo the opera Così fan tutte but replaced by "Non siate ritrosi". It is considered one of the outstanding opera buffa arias for the bass voice. The text of this aria is by Lorenzo Da Ponte.

Sancta Maria, mater Dei (Holy Mary, mother of God), K. 273, is an act of Consecration to Blessed Virgin Mary in F major, written by Wolfgang Amadeus Mozart for SATB choir, first and second violins, violas and basso continuo of violoncello, double bass and organ. Mozart entered the work into his catalogue on 9 September 1777 in Salzburg.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

The Köchel catalogue (German: Köchel-Verzeichnis) is a catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions. For example, according to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626. Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49 (47d) or K.6 47d refers to the work numbered 47d in the sixth edition. The catalog was originally chronological, though revisions made chronological ordering of Mozart's works difficult and as of 2024 a new organizational system is used for the ninth version.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

The following is a list of the complete secular vocal output composed by Franz Schubert (31 January 1797 – 19 November 1828). It is divided into eleven sections, and attempts to reflect the most current information with regard to Schubert's catalogue. The works contained in this list refer to those found primarily in the following two series of the New Schubert Edition (NSE) edition: Series III: Partsongs, Choruses and Cantatas (Mehrstimmige Gesänge) Series IV: Songs for solo voice (Lieder) Note however that some of Schubert's song cycles contain both Lieder and part songs. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSE authorities Genre – the musical genre to which the piece belongs Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

The Köchel catalogue (German: Köchel-Verzeichnis) is a catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions. For example, according to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626. Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49 (47d) or K.6 47d refers to the work numbered 47d in the sixth edition. The catalog was originally chronological, though revisions made chronological ordering of Mozart's works difficult and as of 2024 a new organizational system is used for the ninth version.

The Köchel catalogue (German: Köchel-Verzeichnis) is a catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions. For example, according to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626. Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49 (47d) or K.6 47d refers to the work numbered 47d in the sixth edition. The catalog was originally chronological, though revisions made chronological ordering of Mozart's works difficult and as of 2024 a new organizational system is used for the ninth version.

Edward Holmes (1797 – 28 August 1859) was an English musicologist, music critic, pianist, composer and arranger and music educator. Born just outside London, Holmes was a pupil of Vincent Novello. He spent his early career earning a living as a piano teacher. In 1828 he visited Germany, in Salzburg delivering a collection of funds from English music lovers to Constanze, widow of Wolfgang Amadeus Mozart, and upon returning to England published his first book, A Ramble among the Musicians of Germany (1828; 3rd ed., 1838). Impressed with his skills as a writer on music, the owner of The Atlas, Robert Bell hired him as a music critic where he remained for many years. Upon the 1836 shooting death of his brother-in-law, noted illustrator Robert Seymour, following a dispute between Seymour and Charles Dickens over The Pickwick Papers, Holmes took in Seymour's widow Jane and their two children. Also a noted church organist, Holmes composed and published several popular songs including "My Jenny". In 1849 he immigrated alone to the United States where he spent the last ten years of his life working as an editor and music critic. His widow Louisa, who only married him in 1857, was the sister of his late friend, English musicologist Egerton Webbe. Holmes also regularly contributed articles to several music journals during his career, including The Musical Times. His other published works include an arrangement of Mozart's Te Deum, K. 141 in 1844, the biography The Life of Mozart (Chapman and Hall, London, 1845), based on notes and letters of Mozart provided to him by the composer's widow, Life of Purcell for Novello's Sacred Music, and Analytical and Thematic Index of Mozart's Piano-works (1852).

Wolfgang Amadeus Mozart completed his Symphony No. 41 in C major, K. 551, on 10 August 1788. The longest and last symphony that he composed, it is regarded by many critics as among the greatest symphonies in classical music. The work is nicknamed the Jupiter Symphony, probably coined by the impresario Johann Peter Salomon. The autograph manuscript of the symphony is preserved in the Berlin State Library.

The Köchel catalogue (German: Köchel-Verzeichnis) is a catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions. For example, according to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626. Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49 (47d) or K.6 47d refers to the work numbered 47d in the sixth edition. The catalog was originally chronological, though revisions made chronological ordering of Mozart's works difficult and as of 2024 a new organizational system is used for the ninth version.

"Va, dal furor portata", K. 21 / K6 19c, is an early concert aria in C major for tenor and orchestra by Wolfgang Amadeus Mozart. It was written 1765 in London during the Mozart family grand tour around Europe when Mozart was nine years old. The words are from Metastasio's Ezio, act 2, scene 4, by the character Massimo.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment.

The Köchel catalogue (German: Köchel-Verzeichnis) is a catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions. For example, according to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626. Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49 (47d) or K.6 47d refers to the work numbered 47d in the sixth edition. The catalog was originally chronological, though revisions made chronological ordering of Mozart's works difficult and as of 2024 a new organizational system is used for the ninth version.

Vesperae solennes de confessore (Solemn Vespers for a Confessor), K. 339, is a sacred choral composition written by Wolfgang Amadeus Mozart in 1780. It is scored for SATB choir and soloists, violin I, violin II, 2 trumpets, 3 trombones colla parte, 2 timpani, and basso continuo (violoncello, double bass, and organ, with optional bassoon obbligato). The composition was written for liturgical use in the Salzburg Cathedral. The title "de confessore" was not Mozart's own, having been added to his manuscript later. It suggests the work was intended for vespers held on a specific day on the liturgical calendar of saints ("confessors"); however, the saint in question has not been conclusively established, and may not have existed. This was Mozart's final choral work composed for the cathedral. Structurally, it is very similar to K. 321 Vesperae solennes de Dominica, composed in 1779. The composition is divided into 6 movements; as in Dominica, a setting of the Minor Doxology (Gloria Patri) concludes all movements, each recapitulating the opening themes. The first three psalms are scored in a bold, exuberant manner, contrasting with the strict, stile antico counterpoint of the a cappella fourth psalm, and the tranquility of the fifth movement. The Magnificat sees a return to the style of the opening settings. Dixit Dominus (Psalm 110) Allegro vivace, C major, 3/4 Confitebor tibi Domine (Psalm 111) Allegro, E-flat major, common time Beatus vir qui timet Dominum (Psalm 112) Allegro vivace, G major, 3/4 Laudate pueri Dominum (Psalm 113) Allegro, D minor, cut common time Laudate Dominum omnes gentes (Psalm 117) Andante, F major, 6/8 Mozart departs from the structure of K. 321 in this movement. The earlier setting of Laudate Dominum is a highly melismatic soprano solo, with no choral interlude. In K. 339, the soprano solo is much simpler; the choir quietly enters at the conclusion of the psalm with the Gloria Patri, and the soloist rejoins them at the Amen. This movement is well known outside the context of the larger work and is often performed in isolation. Magnificat (Canticle for Vespers) Andante, C major, common time —"Et exultavit..." Allegro, C major, common time

Vesperae solennes de confessore (Solemn Vespers for a Confessor), K. 339, is a sacred choral composition written by Wolfgang Amadeus Mozart in 1780. It is scored for SATB choir and soloists, violin I, violin II, 2 trumpets, 3 trombones colla parte, 2 timpani, and basso continuo (violoncello, double bass, and organ, with optional bassoon obbligato). The composition was written for liturgical use in the Salzburg Cathedral. The title "de confessore" was not Mozart's own, having been added to his manuscript later. It suggests the work was intended for vespers held on a specific day on the liturgical calendar of saints ("confessors"); however, the saint in question has not been conclusively established, and may not have existed. This was Mozart's final choral work composed for the cathedral. Structurally, it is very similar to K. 321 Vesperae solennes de Dominica, composed in 1779. The composition is divided into 6 movements; as in Dominica, a setting of the Minor Doxology (Gloria Patri) concludes all movements, each recapitulating the opening themes. The first three psalms are scored in a bold, exuberant manner, contrasting with the strict, stile antico counterpoint of the a cappella fourth psalm, and the tranquility of the fifth movement. The Magnificat sees a return to the style of the opening settings. Dixit Dominus (Psalm 110) Allegro vivace, C major, 3/4 Confitebor tibi Domine (Psalm 111) Allegro, E-flat major, common time Beatus vir qui timet Dominum (Psalm 112) Allegro vivace, G major, 3/4 Laudate pueri Dominum (Psalm 113) Allegro, D minor, cut common time Laudate Dominum omnes gentes (Psalm 117) Andante, F major, 6/8 Mozart departs from the structure of K. 321 in this movement. The earlier setting of Laudate Dominum is a highly melismatic soprano solo, with no choral interlude. In K. 339, the soprano solo is much simpler; the choir quietly enters at the conclusion of the psalm with the Gloria Patri, and the soloist rejoins them at the Amen. This movement is well known outside the context of the larger work and is often performed in isolation. Magnificat (Canticle for Vespers) Andante, C major, common time —"Et exultavit..." Allegro, C major, common time

"Voi avete un cor fedele", K. 217, is a concert aria by Wolfgang Amadeus Mozart for solo soprano and orchestra, composed in Salzburg, dated 26 October 1775. Written around the time of the composition of Mozart's five violin concertos. In this aria, the character Dorina contemplates a new romantic partner. A travelling Italian opera company visited Salzburg, and asked Mozart to write an insertion aria for an opera buffa being performed based on a play by the dramatist Carlo Goldoni titled Le Nozze di Dorina. The scholar Stanley Sadie noted that it is not clear whether the opera in question was Le nozze  (1755) by the Italian composer Baldassare Galuppi to a libretto by Carlo Goldoni or Gioacchino Cocchi's Le Nozze di Dorina (1762) to the same libretto. The aria "is substantial, with ironic overtones, set in alternating slow and fast sections, shows a remarkable advance in comic aptitude in its gestures and its timing as compared with anything in La finta giardiniera", which Mozart had completed few months earlier. Julian Rushton, however, disagrees with Sadie's glowing assessment, wondering where the aria's "giddy coloratura" fits into the comic scheme of the opera. The aria was published by Breitkopf & Härtel in 1882. It remains a popular concert piece, often performed and recorded.

"Vorrei spiegarvi, oh Dio!" (K. 418) is a soprano aria by Wolfgang Amadeus Mozart.

The Köchel catalogue (German: Köchel-Verzeichnis) is a catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions. For example, according to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626. Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49 (47d) or K.6 47d refers to the work numbered 47d in the sixth edition. The catalog was originally chronological, though revisions made chronological ordering of Mozart's works difficult and as of 2024 a new organizational system is used for the ninth version.

This is a list of concert arias, songs and canons by Wolfgang Amadeus Mozart.

For the last seven years of his life Wolfgang Amadeus Mozart was a Mason. The Masonic order played an important role in his life and work.