Nielsen: Chamber Works
View all works by Nielsen in the main appExplore the complete catalog of Chamber compositions by Nielsen. This curated list includes composition years, historical Wikipedia context, and interactive audio to add specific tracks directly to your listening queue.
| Title | Year | Actions |
|---|---|---|
| 5 Movements, for string quartet, FS3c | ||
| Allegretto, for 2 recorders in F major, FS157 | ||
| Canto serioso, for horn and piano, FS132 | ||
| Duet for 2 violins in A major, FS3e | ||
| Fantasy Piece, for clarinet and piano in G minor, FS3h | ||
| Piano Trio in G major, FS3i | ||
| Praeludium og Tema med Variationer, for violin, FS104, op. 48 | ||
| Preludio e presto, for violin solo, FS128, op. 52 | ||
| Serenata in vano, for clarinet, bassoon, horn, cello, and double bass, FS68 | ||
| String Quartet in D minor, FS3d | ||
| String Quartet in E flat major, FS23, op. 14 | ||
| String Quartet in F major, FS3k | ||
| String Quartet in F minor, FS11, op. 5 | ||
| String Quartet in F, FS36, op. 44, "Piacevolezza" | ||
| String Quartet in G minor, FS4, op. 13 | ||
| String Quintet in G major, FS5 | ||
| Tågen Letter, for flute and harp |
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. Johann Wolfgang von Goethe described chamber music (specifically, string quartet music) as "four rational people conversing". This conversational paradigm – which refers to the way one instrument introduces a melody or motif and then other instruments subsequently "respond" with a similar motif – has been a thread woven through the history of chamber music composition from the end of the 18th century to the present. The analogy to conversation recurs in descriptions and analyses of chamber music compositions. |
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| Ved en ung kunstners baare, for string quartet and double bass, FS58 | ||
| Violin Sonata in A major, FS20, op. 9 | ||
| Violin Sonata no. 1 in G major, FS3b | ||
| Violin Sonata no. 2 in G minor, FS64, op. 35 | ||
| Wind Quintet, FS100, op. 43 |