A chaconne ( shə-KON, French: [ʃakɔn]; Spanish: chacona [tʃaˈkona]; Italian: ciaccona [tʃakˈkoːna]; earlier English: chacony) is a type of musical composition often used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line (ground bass) which offers a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. It originates and was particularly popular in the Baroque era; a large number of Chaconnes exist from the 17th and 18th centuries. The ground bass, if there is one, may typically descend stepwise from the tonic to the dominant pitch of the scale; the harmonies given to the upper parts may emphasize the circle of fifths or a derivative pattern thereof.

In music, Op. 58 stands for Opus number 58. Compositions that are assigned this number include: Beethoven – Piano Concerto No. 4 Bliss – Piano Concerto Britten – Songs from the Chinese Bruch – Violin Concerto No. 3 Chopin – Piano Sonata No. 3 Dvořák – Stabat Mater Glazunov – Symphony No. 6 Madetoja – Okon Fuoko, ballet-pantomime for soloists, mixed choir, and orchestra (1927) Mendelssohn – Cello Sonata No. 2 Milhaud – Le bœuf sur le toit Nápravník – Dubrovsky Nielsen – Commotio Prokofiev – Cello Concerto Saint-Saëns – Violin Concerto No. 2 Schumann – Sketches for Organ or Pedal Piano (Skizzen für Orgel oder Pedalklavier) Strauss – Elektra Tchaikovsky – Manfred Symphony