Stephen Michael Reich ( RYSHE; born October 3, 1936) is an American composer best known as a pioneer of minimal music in the mid to late 1960s. Reich's work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich describes this concept in his essay "Music as a Gradual Process" by stating, "I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music." For example, his early works experiment with phase shifting, in which one or more repeated phrases plays slower or faster than the others, causing it to go "out of phase." This creates new musical patterns in a perceptible flow. His innovations include using tape loops to create phasing patterns, as on the early compositions It's Gonna Rain (1965) and Come Out (1966), and the use of simple, audible processes, as on Pendulum Music (1968) and Four Organs (1970). Works like Drumming (1971) and Music for 18 Musicians (1976), both considered landmarks of minimalism and important influences on experimental music, rock, and contemporary electronic music, would help entrench minimalism as a movement. Reich's work took on a darker character in the 1980s with the introduction of historical themes as well as themes from his Jewish heritage, notably Different Trains (1988). Reich's style of composition has influenced many contemporary composers and groups, especially in the United States and Great Britain. The critic Andrew Clements has suggested that Reich is one of "a handful of living composers who can legitimately claim to have altered the direction of musical history".

Stephen Michael Reich ( RYSHE; born October 3, 1936) is an American composer best known as a pioneer of minimal music in the mid to late 1960s. Reich's work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich describes this concept in his essay "Music as a Gradual Process" by stating, "I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music." For example, his early works experiment with phase shifting, in which one or more repeated phrases plays slower or faster than the others, causing it to go "out of phase." This creates new musical patterns in a perceptible flow. His innovations include using tape loops to create phasing patterns, as on the early compositions It's Gonna Rain (1965) and Come Out (1966), and the use of simple, audible processes, as on Pendulum Music (1968) and Four Organs (1970). Works like Drumming (1971) and Music for 18 Musicians (1976), both considered landmarks of minimalism and important influences on experimental music, rock, and contemporary electronic music, would help entrench minimalism as a movement. Reich's work took on a darker character in the 1980s with the introduction of historical themes as well as themes from his Jewish heritage, notably Different Trains (1988). Reich's style of composition has influenced many contemporary composers and groups, especially in the United States and Great Britain. The critic Andrew Clements has suggested that Reich is one of "a handful of living composers who can legitimately claim to have altered the direction of musical history".

Clapping is the percussive sound made by striking together two flat surfaces, as in the body parts of humans or animals. Humans clap with the palms of their hands, often quickly and repeatedly to express appreciation or approval (see applause), but also in rhythm as a form of body percussion to match the sounds in music, dance, chants, hand games, and clapping games. Some people slap the back of one hand into the palm of the other hand to signify urgency or enthusiasm. This act may be considered uncouth by others. Clapping is used in many forms of music. In American music, clapping is popular in funk, gospel, doo-wop and early pop. In flamenco and sevillanas, two Spanish musical genres, clapping is called palmas and often sets the rhythm and is an integral part of the songs. A sampled or synthesized clap is also a staple of electronic and pop music.

Stephen Michael Reich ( RYSHE; born October 3, 1936) is an American composer best known as a pioneer of minimal music in the mid to late 1960s. Reich's work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich describes this concept in his essay "Music as a Gradual Process" by stating, "I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music." For example, his early works experiment with phase shifting, in which one or more repeated phrases plays slower or faster than the others, causing it to go "out of phase." This creates new musical patterns in a perceptible flow. His innovations include using tape loops to create phasing patterns, as on the early compositions It's Gonna Rain (1965) and Come Out (1966), and the use of simple, audible processes, as on Pendulum Music (1968) and Four Organs (1970). Works like Drumming (1971) and Music for 18 Musicians (1976), both considered landmarks of minimalism and important influences on experimental music, rock, and contemporary electronic music, would help entrench minimalism as a movement. Reich's work took on a darker character in the 1980s with the introduction of historical themes as well as themes from his Jewish heritage, notably Different Trains (1988). Reich's style of composition has influenced many contemporary composers and groups, especially in the United States and Great Britain. The critic Andrew Clements has suggested that Reich is one of "a handful of living composers who can legitimately claim to have altered the direction of musical history".

Electric Counterpoint is a minimalist composition by the American composer Steve Reich. The piece consists of three movements, "Fast," "Slow", and "Fast". Reich has offered two versions of the piece: one for electric guitar and tape (the tape part featuring two electric bass guitars and up to ten electric guitars), the other for an ensemble of guitars. The work shares similarities with Reich's New York Counterpoint.

It's Gonna Rain is a tape composition written by American composer Steve Reich in 1965. It lasts about 18 minutes. It was Reich's first major work and is considered a landmark in minimalism and process music.

Stephen Michael Reich ( RYSHE; born October 3, 1936) is an American composer best known as a pioneer of minimal music in the mid to late 1960s. Reich's work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich describes this concept in his essay "Music as a Gradual Process" by stating, "I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music." For example, his early works experiment with phase shifting, in which one or more repeated phrases plays slower or faster than the others, causing it to go "out of phase." This creates new musical patterns in a perceptible flow. His innovations include using tape loops to create phasing patterns, as on the early compositions It's Gonna Rain (1965) and Come Out (1966), and the use of simple, audible processes, as on Pendulum Music (1968) and Four Organs (1970). Works like Drumming (1971) and Music for 18 Musicians (1976), both considered landmarks of minimalism and important influences on experimental music, rock, and contemporary electronic music, would help entrench minimalism as a movement. Reich's work took on a darker character in the 1980s with the introduction of historical themes as well as themes from his Jewish heritage, notably Different Trains (1988). Reich's style of composition has influenced many contemporary composers and groups, especially in the United States and Great Britain. The critic Andrew Clements has suggested that Reich is one of "a handful of living composers who can legitimately claim to have altered the direction of musical history".

Stephen Michael Reich ( RYSHE; born October 3, 1936) is an American composer best known as a pioneer of minimal music in the mid to late 1960s. Reich's work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich describes this concept in his essay "Music as a Gradual Process" by stating, "I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music." For example, his early works experiment with phase shifting, in which one or more repeated phrases plays slower or faster than the others, causing it to go "out of phase." This creates new musical patterns in a perceptible flow. His innovations include using tape loops to create phasing patterns, as on the early compositions It's Gonna Rain (1965) and Come Out (1966), and the use of simple, audible processes, as on Pendulum Music (1968) and Four Organs (1970). Works like Drumming (1971) and Music for 18 Musicians (1976), both considered landmarks of minimalism and important influences on experimental music, rock, and contemporary electronic music, would help entrench minimalism as a movement. Reich's work took on a darker character in the 1980s with the introduction of historical themes as well as themes from his Jewish heritage, notably Different Trains (1988). Reich's style of composition has influenced many contemporary composers and groups, especially in the United States and Great Britain. The critic Andrew Clements has suggested that Reich is one of "a handful of living composers who can legitimately claim to have altered the direction of musical history".

New York Counterpoint for amplified clarinet and tape, or 9 clarinets and 3 bass clarinets (one part doubles B♭ and bass), is a 1985 minimalist composition written by American composer Steve Reich. The piece, intended to capture the throbbing vibrancy of Manhattan, is notable for its ability to imitate electronic sounds through acoustic instrumentation.

Sextet is a composition by American composer Steve Reich. The piece was written and first performed in 1984, and slightly revised in 1985.

The Kronos Quartet is an American string quartet based in San Francisco. It has been in existence with a rotating membership of musicians for 50 years. The quartet covers a very broad range of musical genres, including contemporary classical music. More than 1,200 works have been written for it. The quartet has recorded over 75 albums and received a number of awards.

Variations for Winds, Strings and Keyboards is an orchestral piece composed in 1979 by Steve Reich. The piece is scored for oboes, flutes, full brass (three trumpets, three trombones, and tuba), strings, pianos, and electric organs. Variations was Reich's first orchestral piece.

Stephen Michael Reich ( RYSHE; born October 3, 1936) is an American composer best known as a pioneer of minimal music in the mid to late 1960s. Reich's work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich describes this concept in his essay "Music as a Gradual Process" by stating, "I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music." For example, his early works experiment with phase shifting, in which one or more repeated phrases plays slower or faster than the others, causing it to go "out of phase." This creates new musical patterns in a perceptible flow. His innovations include using tape loops to create phasing patterns, as on the early compositions It's Gonna Rain (1965) and Come Out (1966), and the use of simple, audible processes, as on Pendulum Music (1968) and Four Organs (1970). Works like Drumming (1971) and Music for 18 Musicians (1976), both considered landmarks of minimalism and important influences on experimental music, rock, and contemporary electronic music, would help entrench minimalism as a movement. Reich's work took on a darker character in the 1980s with the introduction of historical themes as well as themes from his Jewish heritage, notably Different Trains (1988). Reich's style of composition has influenced many contemporary composers and groups, especially in the United States and Great Britain. The critic Andrew Clements has suggested that Reich is one of "a handful of living composers who can legitimately claim to have altered the direction of musical history".

Violin Phase is a musical work written by minimalist composer Steve Reich in October 1967.