Salieri: Vocal Works
View all works by Salieri in the main appExplore the complete catalog of Vocal compositions by Salieri. This curated list includes composition years, historical Wikipedia context, and interactive audio to add specific tracks directly to your listening queue.
| Title | Year | Actions |
|---|---|---|
| De profundis clamavi, for chorus, organ and strings |
Psalm 130 is the 130th psalm of the Book of Psalms, one of the penitential psalms and one of 15 psalms that begin with the words "A song of ascents" (Shir Hama'alot). The first verse is a call to God in deep sorrow, from "out of the depths" or "out of the deep", as it is translated in the King James Version of the Bible and the Coverdale translation (used in the Book of Common Prayer), respectively. In Latin, it is known as De profundis. In the slightly different numbering system used in the Greek Septuagint version of the Bible, and in the Latin Vulgate, this psalm is Psalm 129. The New American Bible Revised Edition (2010) divides the psalm into two parts: verses 1-4 are a cry for mercy; verses 5-8 are a model expression of trust in God. The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. It is paraphrased in hymns such as Martin Luther's "Aus tiefer Not schrei ich zu dir" in German. The psalm has often been set to music, by composers such as Orlando di Lasso and Heinrich Schütz. John Rutter set it in English as a movement of his Requiem. |
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| Gesù al limbo, oratorio for soloist, chorus and orchestra | ||
| La Passione di Gesù Cristo, oratorio for chorus and orchestra |
La passione di Gesù Cristo is a libretto by Pietro Metastasio which was repeatedly set as an azione sacra or oratorio by many composers of the late baroque, Rococo and early classical period. |
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| Le jugement dernier, cantata for chorus, tenor voice and orchestra | ||
| Requiem, for soloists, chorus, orchestra and organ in C minor |
The Requiem in D minor, K. 626, is a Requiem Mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version was delivered to Count Franz von Walsegg, who had commissioned the piece for a requiem service on 14 February 1792 to commemorate the first anniversary of the death of his wife Anna, who had died at the age of 20 on 14 February 1791. The autograph manuscript shows the finished and orchestrated movement of the Introit in Mozart's hand, and detailed drafts of the Kyrie, the Sequence (the latter including the first eight bars of the Lacrimosa), and the Offertorium. First Joseph Eybler and then Franz Xaver Süssmayr filled in the rest, composed additional movements, and made a clean copy of the completed parts of the score for delivery to Walsegg, imitating Mozart's musical handwriting but clumsily dating it "1792." It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Benedictus and the Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, as he is known to have done with other works. This plan was frustrated by a public benefit performance for Mozart's widow Constanze. She was responsible for a number of stories surrounding the composition of the work, including the claims that Mozart received the commission from a mysterious messenger who did not reveal the commissioner's identity, and that Mozart came to believe that he was writing the Requiem for his own funeral. In addition to the Süssmayr version, a number of alternative completions have been developed by composers and musicologists in the 20th and 21st centuries. At least 19 conjectural completions have been made, eleven of which date from after 2005. |
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| Te Deum in C major, for chorus |
The Cecilia Chorus of New York, formerly known as the St. Cecilia Chorus, is an avocational chorus and nonprofit organization based in New York City. With a membership of approximately 180 singers, the chorus performs twice annually at Carnegie Hall with a professional orchestra and soloists, as well as at other New York–area venues. |
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| Veni sancte spiritus, for chorus and orchestra |
Wolfgang Amadeus Mozart (1756–1791) was a prolific and influential composer of the Classical period who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets. Mozart also wrote many violin sonatas; other forms of chamber music; violin concertos, and other concertos for one or more solo instruments; masses, and other religious music; organ music; masonic music; and numerous dances, marches, divertimenti, serenades, and other forms of light entertainment. |