Organ compositions by Johann Sebastian Bach refers to the compositions in the seventh chapter of the Bach-Werke-Verzeichnis (BWV, catalogue of Bach's compositions), or, in the New Bach Edition, the compositions in Series IV.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Organ compositions by Johann Sebastian Bach refers to the compositions in the seventh chapter of the Bach-Werke-Verzeichnis (BWV, catalogue of Bach's compositions), or, in the New Bach Edition, the compositions in Series IV.

The following is a non-exhaustive list of notable compositions for the harp.

Organ compositions by Johann Sebastian Bach refers to the compositions in the seventh chapter of the Bach-Werke-Verzeichnis (BWV, catalogue of Bach's compositions), or, in the New Bach Edition, the compositions in Series IV.

Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, although examples became more common in the nineteenth century. There are far fewer major/minor compositions than minor/major ones (the latter category of which includes, but is not limited to, all minor-key works that end with a Picardy third, as well as many Classical- and Romantic-period symphonies, concertos, sonatas and chamber works, and individual movements thereof.) The major/minor compositions in the following lists do not necessarily end with a minor chord; a final passage in minor ending with a sonority that fails to re-establish the major mode (for example, an open octave or fifth) is sufficient. Works falling into the following categories are excluded: Compositions that would be major/minor but for a final Picardy third stipulated by the composer, such as Bach's Darzu ist erschienen der Sohn Gottes, BWV 40, Francis Poulenc's Vinea mea electa from Quatre motets pour un temps de pénitence (FP 97), or Felix Mendelssohn's Piano Sextet, Op. 110; Compositions that would be major/minor, but end inconclusively on the major dominant of the final minor key, e.g. Nos. 2 and 9 of Robert Schumann's Kerner cycle, Op. 35, or Schumann's Die Nonne, Op. 49 No. 3; Compositions in which the beginning only hints at a possible reading of a major key without really establishing it, such as the Brahms Clarinet Quintet, Haydn's two string quartets, Op. 33 No. 1 and Op. 64 No. 2, C. P. E. Bach's Piano Sonata, Wq. 55/3, or the first movement of Alkan's Grande sonate 'Les quatre âges' (all of which are in B minor, but start with the possibility of D major); Compositions in which the opening major chord merely serves a function (e.g. dominant or Neapolitan) in the ensuing minor key, without being tonicized in its own right, such as Saint-Saëns' Danse macabre or Chopin's first Ballade; Compositions that are only incidentally major/minor due to being unfinished, without any indication that the composer intended them to be major/minor, such as Schubert's Piano Sonata in C, D. 840 or Haydn's String Quartet in D minor, Op. 103; Frequently performed portions of a larger work consisting of what is technically two separate movements, if the first of these finishes clearly on the tonic (and thus doesn't require continuation), such as the opening pair of movements in Beethoven's Piano Sonata Op. 109 (connected by an attacca); Entire extended works as song cycles, ballets, operas and oratorios that finish in a different tonic than the starting one, unless the two keys carry clear extramusical or programmatic connotions within the work (an explanation of which must accompany any such listings below).

Organ compositions by Johann Sebastian Bach refers to the compositions in the seventh chapter of the Bach-Werke-Verzeichnis (BWV, catalogue of Bach's compositions), or, in the New Bach Edition, the compositions in Series IV.

This is an alphabetically ordered list of sub-titles, nicknames and non-numeric titles that have been applied to classical music compositions of types that are normally identified only by some combination of number, key and catalogue number. These types of compositions include: symphony, concerto, sonata, and standard chamber music combinations (strings trio, quartet, quintet, sextet, etc.; piano trio, quartet, quintet, sextet, etc.), among others. A sub-title is a subsidiary name given to a work by the composer, and considered part of its formal title, such as: The Age of Anxiety, the sub-title of Bernstein's Symphony No. 2 Pathétique, the sub-title of Tchaikovsky's Symphony No. 6 in B minor, Op. 74. A nickname is a name that is not part of the title given by the composer, but has come to be popularly associated with the work, such as: Emperor, the nickname of Beethoven's Piano Concerto No. 5 in E-flat major, Op. 73 Jupiter, the nickname of Mozart's Symphony No. 41 in C major, K. 551. A non-numeric title is a formal title that departs from the usual sequential numbering of works of the same type, such as: Symphonie fantastique by Berlioz and Warsaw Concerto by Addinsell.

This is an alphabetically ordered list of sub-titles, nicknames and non-numeric titles that have been applied to classical music compositions of types that are normally identified only by some combination of number, key and catalogue number. These types of compositions include: symphony, concerto, sonata, and standard chamber music combinations (strings trio, quartet, quintet, sextet, etc.; piano trio, quartet, quintet, sextet, etc.), among others. A sub-title is a subsidiary name given to a work by the composer, and considered part of its formal title, such as: The Age of Anxiety, the sub-title of Bernstein's Symphony No. 2 Pathétique, the sub-title of Tchaikovsky's Symphony No. 6 in B minor, Op. 74. A nickname is a name that is not part of the title given by the composer, but has come to be popularly associated with the work, such as: Emperor, the nickname of Beethoven's Piano Concerto No. 5 in E-flat major, Op. 73 Jupiter, the nickname of Mozart's Symphony No. 41 in C major, K. 551. A non-numeric title is a formal title that departs from the usual sequential numbering of works of the same type, such as: Symphonie fantastique by Berlioz and Warsaw Concerto by Addinsell.

This is a Nonesuch Records discography, organized by catalog number.

This is an alphabetically ordered list of sub-titles, nicknames and non-numeric titles that have been applied to classical music compositions of types that are normally identified only by some combination of number, key and catalogue number. These types of compositions include: symphony, concerto, sonata, and standard chamber music combinations (strings trio, quartet, quintet, sextet, etc.; piano trio, quartet, quintet, sextet, etc.), among others. A sub-title is a subsidiary name given to a work by the composer, and considered part of its formal title, such as: The Age of Anxiety, the sub-title of Bernstein's Symphony No. 2 Pathétique, the sub-title of Tchaikovsky's Symphony No. 6 in B minor, Op. 74. A nickname is a name that is not part of the title given by the composer, but has come to be popularly associated with the work, such as: Emperor, the nickname of Beethoven's Piano Concerto No. 5 in E-flat major, Op. 73 Jupiter, the nickname of Mozart's Symphony No. 41 in C major, K. 551. A non-numeric title is a formal title that departs from the usual sequential numbering of works of the same type, such as: Symphonie fantastique by Berlioz and Warsaw Concerto by Addinsell.

The following is an incomplete list of musical pieces that belong to the category, Sonata.

Organ compositions by Johann Sebastian Bach refers to the compositions in the seventh chapter of the Bach-Werke-Verzeichnis (BWV, catalogue of Bach's compositions), or, in the New Bach Edition, the compositions in Series IV.

Italian inventions and discoveries are objects, processes or techniques invented, innovated or discovered, partially or entirely, by Italians. Italian people – living in the Italic peninsula or abroad – have been throughout history the source of important inventions and innovations in the fields of writing, calendar, mechanical and civil engineering, musical notation, celestial observation, perspective, warfare, long distance communication, storage and production of energy, modern medicine, polymerization and information technology. Italians also contributed in theorizing civil law, scientific method (particularly in the fields of physics and astronomy), double-entry bookkeeping, mathematical algebra and analysis, classical and celestial mechanics. Often, things discovered for the first time are also called inventions and in many cases, there is no clear line between the two. The following is a list of inventions, innovations or discoveries known or generally recognized to be Italian.

Baroque music (UK: or US: ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition (the galant style). Baroque music forms a major portion of the "classical music" canon, and continues to be widely studied, performed, and listened to. Key composers of the Baroque era include Jacopo Peri, who wrote the first operas; Alessandro Stradella, who originated the concerto grosso style; and Arcangelo Corelli, who was one of the first composers to publish widely and have his music performed across Europe. The Baroque period saw the formalization of common-practice tonality, an approach to writing music in which a song or piece is written in a particular key; this type of harmony has continued to be used extensively in Western classical and popular music. Baroque composers experimented with finding a fuller sound for each instrumental part, leading to the creation of the modern orchestra; modernised musical notation, including developing figured bass; and developed new instrumental playing techniques. Baroque music expanded the size, range, and complexity of instrumental performance, and also established the mixed vocal/instrumental forms of opera, cantata and oratorio and the instrumental forms of the solo concerto and sonata as musical genres. Dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously. During the Baroque era professional musicians were expected to be accomplished improvisers of both solo melodic lines and accompaniment parts. Baroque concerts were typically accompanied by a basso continuo group, in which bass instruments such as viol, cello, or double bass played the bassline. A characteristic Baroque form was the dance suite.

This is a list of musical compositions for keyboard instruments such as the piano, organ or harpsichord and orchestra. See entries for concerto, piano concerto, organ concerto and harpsichord concerto for a description of related musical forms.

The following is an incomplete list of musical pieces that belong to the category, Sonata.

This is a non exhaustive compilation of pieces for solo violin. See also the entries on violin and the List of compositions for violin and orchestra and list of compositions for violin and piano. Ordering is by surname of composer.

Organ compositions by Johann Sebastian Bach refers to the compositions in the seventh chapter of the Bach-Werke-Verzeichnis (BWV, catalogue of Bach's compositions), or, in the New Bach Edition, the compositions in Series IV.

The Twelve Grand Concertos, Op. 6, HWV 319–330, by George Frideric Handel are concerti grossi for a concertino violin duet and a ripieno four-part string orchestra with harpsichord continuo. First published by subscription in London by John Walsh in 1739, they became Handel's Opus 6 in a second edition two years later. Taking the older concerto da chiesa and concerto da camera of Arcangelo Corelli as models, rather than the later three-movement Venetian concerto of Antonio Vivaldi favoured by Johann Sebastian Bach, the concerti were written to be played during performances of Handel's oratorios and odes. Despite the conventional model, Handel incorporated in the movements the full range of his compositional styles, including trio sonatas, operatic arias, French overtures, Italian sinfonias, airs, fugues, themes and variations and a variety of dances. The concerti were largely composed of new material; they are amongst the finest examples in the genre of baroque concerti grossi. The Musette, or rather chaconne, in this Concerto, was always in favour with the composer himself, as well as the public; for I well remember that HANDEL frequently introduced it between the parts of his Oratorios, both before and after publication. Indeed no instrumental composition that I have ever heard during the long favour of this, seemed to me more grateful and pleasing, particularly, in subject.

Italian inventions and discoveries are objects, processes or techniques invented, innovated or discovered, partially or entirely, by Italians. Italian people – living in the Italic peninsula or abroad – have been throughout history the source of important inventions and innovations in the fields of writing, calendar, mechanical and civil engineering, musical notation, celestial observation, perspective, warfare, long distance communication, storage and production of energy, modern medicine, polymerization and information technology. Italians also contributed in theorizing civil law, scientific method (particularly in the fields of physics and astronomy), double-entry bookkeeping, mathematical algebra and analysis, classical and celestial mechanics. Often, things discovered for the first time are also called inventions and in many cases, there is no clear line between the two. The following is a list of inventions, innovations or discoveries known or generally recognized to be Italian.

Organ compositions by Johann Sebastian Bach refers to the compositions in the seventh chapter of the Bach-Werke-Verzeichnis (BWV, catalogue of Bach's compositions), or, in the New Bach Edition, the compositions in Series IV.

This is an alphabetically ordered list of sub-titles, nicknames and non-numeric titles that have been applied to classical music compositions of types that are normally identified only by some combination of number, key and catalogue number. These types of compositions include: symphony, concerto, sonata, and standard chamber music combinations (strings trio, quartet, quintet, sextet, etc.; piano trio, quartet, quintet, sextet, etc.), among others. A sub-title is a subsidiary name given to a work by the composer, and considered part of its formal title, such as: The Age of Anxiety, the sub-title of Bernstein's Symphony No. 2 Pathétique, the sub-title of Tchaikovsky's Symphony No. 6 in B minor, Op. 74. A nickname is a name that is not part of the title given by the composer, but has come to be popularly associated with the work, such as: Emperor, the nickname of Beethoven's Piano Concerto No. 5 in E-flat major, Op. 73 Jupiter, the nickname of Mozart's Symphony No. 41 in C major, K. 551. A non-numeric title is a formal title that departs from the usual sequential numbering of works of the same type, such as: Symphonie fantastique by Berlioz and Warsaw Concerto by Addinsell.

Among the fairly large repertoire for the standard piano trio (violin, cello, and piano) are the following works: Ordering is by surname of composer.

Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, although examples became more common in the nineteenth century. There are far fewer major/minor compositions than minor/major ones (the latter category of which includes, but is not limited to, all minor-key works that end with a Picardy third, as well as many Classical- and Romantic-period symphonies, concertos, sonatas and chamber works, and individual movements thereof.) The major/minor compositions in the following lists do not necessarily end with a minor chord; a final passage in minor ending with a sonority that fails to re-establish the major mode (for example, an open octave or fifth) is sufficient. Works falling into the following categories are excluded: Compositions that would be major/minor but for a final Picardy third stipulated by the composer, such as Bach's Darzu ist erschienen der Sohn Gottes, BWV 40, Francis Poulenc's Vinea mea electa from Quatre motets pour un temps de pénitence (FP 97), or Felix Mendelssohn's Piano Sextet, Op. 110; Compositions that would be major/minor, but end inconclusively on the major dominant of the final minor key, e.g. Nos. 2 and 9 of Robert Schumann's Kerner cycle, Op. 35, or Schumann's Die Nonne, Op. 49 No. 3; Compositions in which the beginning only hints at a possible reading of a major key without really establishing it, such as the Brahms Clarinet Quintet, Haydn's two string quartets, Op. 33 No. 1 and Op. 64 No. 2, C. P. E. Bach's Piano Sonata, Wq. 55/3, or the first movement of Alkan's Grande sonate 'Les quatre âges' (all of which are in B minor, but start with the possibility of D major); Compositions in which the opening major chord merely serves a function (e.g. dominant or Neapolitan) in the ensuing minor key, without being tonicized in its own right, such as Saint-Saëns' Danse macabre or Chopin's first Ballade; Compositions that are only incidentally major/minor due to being unfinished, without any indication that the composer intended them to be major/minor, such as Schubert's Piano Sonata in C, D. 840 or Haydn's String Quartet in D minor, Op. 103; Frequently performed portions of a larger work consisting of what is technically two separate movements, if the first of these finishes clearly on the tonic (and thus doesn't require continuation), such as the opening pair of movements in Beethoven's Piano Sonata Op. 109 (connected by an attacca); Entire extended works as song cycles, ballets, operas and oratorios that finish in a different tonic than the starting one, unless the two keys carry clear extramusical or programmatic connotions within the work (an explanation of which must accompany any such listings below).

This is an alphabetically ordered list of sub-titles, nicknames and non-numeric titles that have been applied to classical music compositions of types that are normally identified only by some combination of number, key and catalogue number. These types of compositions include: symphony, concerto, sonata, and standard chamber music combinations (strings trio, quartet, quintet, sextet, etc.; piano trio, quartet, quintet, sextet, etc.), among others. A sub-title is a subsidiary name given to a work by the composer, and considered part of its formal title, such as: The Age of Anxiety, the sub-title of Bernstein's Symphony No. 2 Pathétique, the sub-title of Tchaikovsky's Symphony No. 6 in B minor, Op. 74. A nickname is a name that is not part of the title given by the composer, but has come to be popularly associated with the work, such as: Emperor, the nickname of Beethoven's Piano Concerto No. 5 in E-flat major, Op. 73 Jupiter, the nickname of Mozart's Symphony No. 41 in C major, K. 551. A non-numeric title is a formal title that departs from the usual sequential numbering of works of the same type, such as: Symphonie fantastique by Berlioz and Warsaw Concerto by Addinsell.

Organ compositions by Johann Sebastian Bach refers to the compositions in the seventh chapter of the Bach-Werke-Verzeichnis (BWV, catalogue of Bach's compositions), or, in the New Bach Edition, the compositions in Series IV.

This is an alphabetically ordered list of sub-titles, nicknames and non-numeric titles that have been applied to classical music compositions of types that are normally identified only by some combination of number, key and catalogue number. These types of compositions include: symphony, concerto, sonata, and standard chamber music combinations (strings trio, quartet, quintet, sextet, etc.; piano trio, quartet, quintet, sextet, etc.), among others. A sub-title is a subsidiary name given to a work by the composer, and considered part of its formal title, such as: The Age of Anxiety, the sub-title of Bernstein's Symphony No. 2 Pathétique, the sub-title of Tchaikovsky's Symphony No. 6 in B minor, Op. 74. A nickname is a name that is not part of the title given by the composer, but has come to be popularly associated with the work, such as: Emperor, the nickname of Beethoven's Piano Concerto No. 5 in E-flat major, Op. 73 Jupiter, the nickname of Mozart's Symphony No. 41 in C major, K. 551. A non-numeric title is a formal title that departs from the usual sequential numbering of works of the same type, such as: Symphonie fantastique by Berlioz and Warsaw Concerto by Addinsell.

Among the fairly large repertoire for the standard piano trio (violin, cello, and piano) are the following works: Ordering is by surname of composer.

Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, although examples became more common in the nineteenth century. There are far fewer major/minor compositions than minor/major ones (the latter category of which includes, but is not limited to, all minor-key works that end with a Picardy third, as well as many Classical- and Romantic-period symphonies, concertos, sonatas and chamber works, and individual movements thereof.) The major/minor compositions in the following lists do not necessarily end with a minor chord; a final passage in minor ending with a sonority that fails to re-establish the major mode (for example, an open octave or fifth) is sufficient. Works falling into the following categories are excluded: Compositions that would be major/minor but for a final Picardy third stipulated by the composer, such as Bach's Darzu ist erschienen der Sohn Gottes, BWV 40, Francis Poulenc's Vinea mea electa from Quatre motets pour un temps de pénitence (FP 97), or Felix Mendelssohn's Piano Sextet, Op. 110; Compositions that would be major/minor, but end inconclusively on the major dominant of the final minor key, e.g. Nos. 2 and 9 of Robert Schumann's Kerner cycle, Op. 35, or Schumann's Die Nonne, Op. 49 No. 3; Compositions in which the beginning only hints at a possible reading of a major key without really establishing it, such as the Brahms Clarinet Quintet, Haydn's two string quartets, Op. 33 No. 1 and Op. 64 No. 2, C. P. E. Bach's Piano Sonata, Wq. 55/3, or the first movement of Alkan's Grande sonate 'Les quatre âges' (all of which are in B minor, but start with the possibility of D major); Compositions in which the opening major chord merely serves a function (e.g. dominant or Neapolitan) in the ensuing minor key, without being tonicized in its own right, such as Saint-Saëns' Danse macabre or Chopin's first Ballade; Compositions that are only incidentally major/minor due to being unfinished, without any indication that the composer intended them to be major/minor, such as Schubert's Piano Sonata in C, D. 840 or Haydn's String Quartet in D minor, Op. 103; Frequently performed portions of a larger work consisting of what is technically two separate movements, if the first of these finishes clearly on the tonic (and thus doesn't require continuation), such as the opening pair of movements in Beethoven's Piano Sonata Op. 109 (connected by an attacca); Entire extended works as song cycles, ballets, operas and oratorios that finish in a different tonic than the starting one, unless the two keys carry clear extramusical or programmatic connotions within the work (an explanation of which must accompany any such listings below).

In the 18th century, the appreciation of Johann Sebastian Bach's music was mostly limited to distinguished connoisseurs. The 19th century started with publication of the first biography of the composer and ended with the completion of the publication of all of Bach's known works by the Bach Gesellschaft. The "Bach Revival" started with Felix Mendelssohn's performance of the St Matthew Passion in 1829. Soon after that performance, Bach started to become regarded as one of the greatest composers of all time, if not the greatest, a reputation he has retained ever since. A new extensive Bach biography was published in the second half of the 19th century. In the 20th century, Bach's music was widely performed and recorded, while the Neue Bachgesellschaft, among others, published research on the composer. Modern adaptations of Bach's music contributed greatly to his popularisation in the second half of the 20th century. Among these were the Swingle Singers' versions of Bach pieces (for instance, the Air from Orchestral Suite No. 3, or the Wachet auf... chorale prelude) and Wendy Carlos' 1968 Switched-On Bach, which used the Moog electronic synthesiser. By the end of the 20th century, more classical performers were gradually moving away from the performance style and instrumentation that were established in the romantic era: they started to perform Bach's music on period instruments of the baroque era, studied and practised playing techniques and tempi as established in his time, and reduced the size of instrumental ensembles and choirs to what he would have employed. The BACH motif, used by the composer in his own compositions, was used in dozens of tributes to the composer from the 19th century to the 21st. In the 21st century, the complete extant output of the composer became available online, with several websites exclusively dedicated to him.

This is a list of compositions for piano and orchestra. For a description of related musical forms, see Concerto and Piano concerto.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Giuseppe Domenico Scarlatti (26 October 1685 – 23 July 1757) was an Italian composer. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style. Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known mainly for his 555 keyboard sonatas. He spent much of his life in the service of the Portuguese and Spanish royal families.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

The Keyboard Sonata in D minor, K. 141, is a solo keyboard sonata written for harpsichord by the Italian composer Domenico Scarlatti. The sonata is characterised by fast repeated notes throughout, which makes it generally difficult to play. Because of its virtuosity, the piece is also described as a toccata. The piece contains many idioms characteristic of Scarlatti, such as hand crossing, a technique most closely associated with the composer. The piece is in D minor, which is Scarlatti's most used minor key. Scarlatti's sonata shows a Spanish influence, especially of Spanish dance music with guitar technique and syncopated rhythms.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

The following is an incomplete list of musical pieces that belong to the category, Sonata.

Organ compositions by Johann Sebastian Bach refers to the compositions in the seventh chapter of the Bach-Werke-Verzeichnis (BWV, catalogue of Bach's compositions), or, in the New Bach Edition, the compositions in Series IV.

Among the fairly large repertoire for the standard piano trio (violin, cello, and piano) are the following works: Ordering is by surname of composer.

Organ compositions by Johann Sebastian Bach refers to the compositions in the seventh chapter of the Bach-Werke-Verzeichnis (BWV, catalogue of Bach's compositions), or, in the New Bach Edition, the compositions in Series IV.

This is an alphabetically ordered list of sub-titles, nicknames and non-numeric titles that have been applied to classical music compositions of types that are normally identified only by some combination of number, key and catalogue number. These types of compositions include: symphony, concerto, sonata, and standard chamber music combinations (strings trio, quartet, quintet, sextet, etc.; piano trio, quartet, quintet, sextet, etc.), among others. A sub-title is a subsidiary name given to a work by the composer, and considered part of its formal title, such as: The Age of Anxiety, the sub-title of Bernstein's Symphony No. 2 Pathétique, the sub-title of Tchaikovsky's Symphony No. 6 in B minor, Op. 74. A nickname is a name that is not part of the title given by the composer, but has come to be popularly associated with the work, such as: Emperor, the nickname of Beethoven's Piano Concerto No. 5 in E-flat major, Op. 73 Jupiter, the nickname of Mozart's Symphony No. 41 in C major, K. 551. A non-numeric title is a formal title that departs from the usual sequential numbering of works of the same type, such as: Symphonie fantastique by Berlioz and Warsaw Concerto by Addinsell.

This is a list of musical compositions for keyboard instruments such as the piano, organ or harpsichord and orchestra. See entries for concerto, piano concerto, organ concerto and harpsichord concerto for a description of related musical forms.

This is a list of musical compositions for keyboard instruments such as the piano, organ or harpsichord and orchestra. See entries for concerto, piano concerto, organ concerto and harpsichord concerto for a description of related musical forms.

Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, although examples became more common in the nineteenth century. There are far fewer major/minor compositions than minor/major ones (the latter category of which includes, but is not limited to, all minor-key works that end with a Picardy third, as well as many Classical- and Romantic-period symphonies, concertos, sonatas and chamber works, and individual movements thereof.) The major/minor compositions in the following lists do not necessarily end with a minor chord; a final passage in minor ending with a sonority that fails to re-establish the major mode (for example, an open octave or fifth) is sufficient. Works falling into the following categories are excluded: Compositions that would be major/minor but for a final Picardy third stipulated by the composer, such as Bach's Darzu ist erschienen der Sohn Gottes, BWV 40, Francis Poulenc's Vinea mea electa from Quatre motets pour un temps de pénitence (FP 97), or Felix Mendelssohn's Piano Sextet, Op. 110; Compositions that would be major/minor, but end inconclusively on the major dominant of the final minor key, e.g. Nos. 2 and 9 of Robert Schumann's Kerner cycle, Op. 35, or Schumann's Die Nonne, Op. 49 No. 3; Compositions in which the beginning only hints at a possible reading of a major key without really establishing it, such as the Brahms Clarinet Quintet, Haydn's two string quartets, Op. 33 No. 1 and Op. 64 No. 2, C. P. E. Bach's Piano Sonata, Wq. 55/3, or the first movement of Alkan's Grande sonate 'Les quatre âges' (all of which are in B minor, but start with the possibility of D major); Compositions in which the opening major chord merely serves a function (e.g. dominant or Neapolitan) in the ensuing minor key, without being tonicized in its own right, such as Saint-Saëns' Danse macabre or Chopin's first Ballade; Compositions that are only incidentally major/minor due to being unfinished, without any indication that the composer intended them to be major/minor, such as Schubert's Piano Sonata in C, D. 840 or Haydn's String Quartet in D minor, Op. 103; Frequently performed portions of a larger work consisting of what is technically two separate movements, if the first of these finishes clearly on the tonic (and thus doesn't require continuation), such as the opening pair of movements in Beethoven's Piano Sonata Op. 109 (connected by an attacca); Entire extended works as song cycles, ballets, operas and oratorios that finish in a different tonic than the starting one, unless the two keys carry clear extramusical or programmatic connotions within the work (an explanation of which must accompany any such listings below).

The Original Jacket Collection is a classical music boxed set reissue series undertaken by Sony Classical.

This is a non exhaustive compilation of pieces for solo violin. See also the entries on violin and the List of compositions for violin and orchestra and list of compositions for violin and piano. Ordering is by surname of composer.

Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, although examples became more common in the nineteenth century. There are far fewer major/minor compositions than minor/major ones (the latter category of which includes, but is not limited to, all minor-key works that end with a Picardy third, as well as many Classical- and Romantic-period symphonies, concertos, sonatas and chamber works, and individual movements thereof.) The major/minor compositions in the following lists do not necessarily end with a minor chord; a final passage in minor ending with a sonority that fails to re-establish the major mode (for example, an open octave or fifth) is sufficient. Works falling into the following categories are excluded: Compositions that would be major/minor but for a final Picardy third stipulated by the composer, such as Bach's Darzu ist erschienen der Sohn Gottes, BWV 40, Francis Poulenc's Vinea mea electa from Quatre motets pour un temps de pénitence (FP 97), or Felix Mendelssohn's Piano Sextet, Op. 110; Compositions that would be major/minor, but end inconclusively on the major dominant of the final minor key, e.g. Nos. 2 and 9 of Robert Schumann's Kerner cycle, Op. 35, or Schumann's Die Nonne, Op. 49 No. 3; Compositions in which the beginning only hints at a possible reading of a major key without really establishing it, such as the Brahms Clarinet Quintet, Haydn's two string quartets, Op. 33 No. 1 and Op. 64 No. 2, C. P. E. Bach's Piano Sonata, Wq. 55/3, or the first movement of Alkan's Grande sonate 'Les quatre âges' (all of which are in B minor, but start with the possibility of D major); Compositions in which the opening major chord merely serves a function (e.g. dominant or Neapolitan) in the ensuing minor key, without being tonicized in its own right, such as Saint-Saëns' Danse macabre or Chopin's first Ballade; Compositions that are only incidentally major/minor due to being unfinished, without any indication that the composer intended them to be major/minor, such as Schubert's Piano Sonata in C, D. 840 or Haydn's String Quartet in D minor, Op. 103; Frequently performed portions of a larger work consisting of what is technically two separate movements, if the first of these finishes clearly on the tonic (and thus doesn't require continuation), such as the opening pair of movements in Beethoven's Piano Sonata Op. 109 (connected by an attacca); Entire extended works as song cycles, ballets, operas and oratorios that finish in a different tonic than the starting one, unless the two keys carry clear extramusical or programmatic connotions within the work (an explanation of which must accompany any such listings below).

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Yuja Wang (born February 10, 1987) is a Chinese classical pianist who records on the Deutsche Grammophon label. She has released six CDs on with Deutsche Grammophon: Sonatas & Etudes in 2009; Transformation in 2010; Rachmaninov in 2011; and Fantasia, in March 2012. She has also performed on the soundtrack to the film Summer in February. A fifth Deutsche Grammophon album, released internationally in February, 2014, featured the Piano Concerto no. 2 of Sergei Prokofiev and Piano Concerto no. 3 of Sergei Rachmaninov, with Gustavo Dudamel conducting the Simón Bolívar Symphony Orchestra; and in another 2014 release for DGG, she partnered the violinist Leonidas Kavakos in the violin sonatas of Johannes Brahms. Although there are reports that Wang released a debut CD in 1995, there is little information available about it. In addition to her audio recordings, EuroArts has released a DVD on which Wang performs Sergei Prokofiev's Piano Concerto No. 3 in C major, with Abbado conducting.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Giuseppe Domenico Scarlatti (26 October 1685 – 23 July 1757) was an Italian composer. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style. Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known mainly for his 555 keyboard sonatas. He spent much of his life in the service of the Portuguese and Spanish royal families.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Giuseppe Domenico Scarlatti (26 October 1685 – 23 July 1757) was an Italian composer. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style. Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known mainly for his 555 keyboard sonatas. He spent much of his life in the service of the Portuguese and Spanish royal families.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Giuseppe Domenico Scarlatti (26 October 1685 – 23 July 1757) was an Italian composer. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style. Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known mainly for his 555 keyboard sonatas. He spent much of his life in the service of the Portuguese and Spanish royal families.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

This is an alphabetically ordered list of sub-titles, nicknames and non-numeric titles that have been applied to classical music compositions of types that are normally identified only by some combination of number, key and catalogue number. These types of compositions include: symphony, concerto, sonata, and standard chamber music combinations (strings trio, quartet, quintet, sextet, etc.; piano trio, quartet, quintet, sextet, etc.), among others. A sub-title is a subsidiary name given to a work by the composer, and considered part of its formal title, such as: The Age of Anxiety, the sub-title of Bernstein's Symphony No. 2 Pathétique, the sub-title of Tchaikovsky's Symphony No. 6 in B minor, Op. 74. A nickname is a name that is not part of the title given by the composer, but has come to be popularly associated with the work, such as: Emperor, the nickname of Beethoven's Piano Concerto No. 5 in E-flat major, Op. 73 Jupiter, the nickname of Mozart's Symphony No. 41 in C major, K. 551. A non-numeric title is a formal title that departs from the usual sequential numbering of works of the same type, such as: Symphonie fantastique by Berlioz and Warsaw Concerto by Addinsell.

Schenkerian analysis is a method of analyzing tonal music based on the theories of Heinrich Schenker (1868–1935). The goal is to demonstrate the organic coherence of the work by showing how the "foreground" (all notes in the score) relates to an abstracted deep structure, the Ursatz. This primal structure is roughly the same for any tonal work, but a Schenkerian analysis shows how, in each individual case, that structure develops into a unique work at the foreground. A key theoretical concept is "tonal space". The intervals between the notes of the tonic triad in the background form a tonal space that is filled with passing and neighbour tones, producing new triads and new tonal spaces that are open for further elaborations until the "surface" of the work (the score) is reached. The analysis uses a specialized symbolic form of musical notation. Although Schenker himself usually presents his analyses in the generative direction, starting from the Ursatz to reach the score and showing how the work is somehow generated from the Ursatz, the practice of Schenkerian analysis more often is reductive, starting from the score and showing how it can be reduced to its fundamental structure. The graph of the Ursatz is arrhythmic, as is a strict-counterpoint cantus firmus exercise. Even at intermediate levels of reduction, rhythmic signs (open and closed noteheads, beams and flags) display not rhythm but the hierarchical relationships between the pitch-events. Schenkerian analysis is an abstract, complex, and difficult method, not always clearly expressed by Schenker himself and not always clearly understood. It mainly aims to reveal the internal coherence of the work – a coherence that ultimately resides in its being tonal. In some respects, a Schenkerian analysis can reflect the perceptions and intuitions of the analyst.

The following is a chronological list of the major-label studio recordings made by the Canadian classical pianist Glenn Gould. In his lifetime, the vast majority of Gould's albums were published by Columbia Masterworks (later CBS Masterworks). In 1988, Sony purchased CBS Records Group, and Sony Classical Records reissued dozens of albums over at least a decade as the "Glenn Gould Edition", which included previously unreleased material. After the Glenn Gould Edition, Sony has released many other albums of the same recordings in various guises. In 2015, Sony Classical released an 81-CD remastered boxed set, The Complete Columbia Album Collection. Some live recordings or radio broadcasts have been released by small labels or the Canadian Broadcasting Corporation, with very little live performance ever published by Columbia or Sony. (Gould, of course, gave up concert performance early, in 1964.) Gould also has an extensive bibliography of television and radio performance, documentary, and music discussion.

This is a non exhaustive compilation of pieces for solo violin. See also the entries on violin and the List of compositions for violin and orchestra and list of compositions for violin and piano. Ordering is by surname of composer.

The sonata form (also sonata-allegro form or first movement form) is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical period). While it is typically used in the first movement of multi-movement pieces, it is sometimes used in subsequent movements as well—particularly the final movement. The teaching of sonata form in music theory rests on a standard definition and a series of hypotheses about the underlying reasons for the durability and variety of the form—a definition that arose in the second quarter of the 19th century. There is little disagreement that on the largest level, the form consists of three main sections: an exposition, a development, and a recapitulation; however, beneath this general structure, sonata form is difficult to pin down to a single model. The standard definition focuses on the thematic and harmonic organization of tonal materials that are presented in an exposition, elaborated and contrasted in a development and then resolved harmonically and thematically in a recapitulation. In addition, the standard definition recognizes that an introduction and a coda may be present. Each of the sections is often further divided or characterized by the particular means by which it accomplishes its function in the form. After its establishment, the sonata form became the most common form in the first movement of works entitled "sonata", as well as other long works of classical music, including the symphony, concerto, string quartet, and so on. Accordingly, there is a large body of theory on what unifies and distinguishes practice in the sonata form, both within and between eras. Even works that do not adhere to the standard description of a sonata form often present analogous structures or can be analyzed as elaborations or expansions of the standard description of sonata form.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Giuseppe Domenico Scarlatti (26 October 1685 – 23 July 1757) was an Italian composer. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style. Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known mainly for his 555 keyboard sonatas. He spent much of his life in the service of the Portuguese and Spanish royal families.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.

Italian composer Domenico Scarlatti (1685–1757) wrote 555 solo keyboard sonatas throughout his career. Circulated irregularly in his lifetime, these are now recognized as a significant contribution which pushed the musical and technical standards of keyboard music. The works were probably most often performed in Scarlatti's time on the harpsichord, yet the Spanish royal court at which Scarlatti wrote them also possessed early versions of the piano (see fortepiano), which had been invented by Cristofori during Scarlatti's own lifetime. Modern performers may choose between the harpsichord, the fortepiano, or indeed the modern piano. For discussion of the musical form and characteristics of the sonatas, see Domenico Scarlatti.