Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828), a Viennese composer of the late Classical to early Romantic eras, left a very extensive body of work notwithstanding his short life. He wrote over 1,500 items, or, when collections, cycles and variants are grouped, some thousand compositions. The largest group are his over six hundred Lieder for solo voice and piano. He composed nearly as many piano pieces, and further some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works and published it in 1951 as Schubert: Thematic Catalogue of all his Works in Chronological Order. A revised edition appeared in German in 1978. Later editions of the catalogue contained minor updates. Publication of Schubert's compositions started during his lifetime, by opus number. After the composer's death, posthumous opus numbers continued to be assigned to new publications of his work until 1867 (Op. post. 173). Meanwhile, publications without opus number had also started. For instance, from shortly after the composer's death, the many songs in Diabelli's fifty Nachlaß-Lieferung (installment from the heritage) editions. There are two attempts to publish everything Schubert has composed in a single edition: From 1884 to 1897 Breitkopf & Härtel published twenty-two series of Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe, known as the Alte Gesamt-Ausgabe (AGA, the former complete edition). From 1965 Dover Publications started to reprint this edition, and later it was made available at the IMSLP website. The Neue Schubert-Ausgabe (NSA), also known as the New Schubert Edition (NSE), is published by Bärenreiter (Kassel). Plans for this edition began as early as 1963, with the foundation of the International Schubert Society, headquartered at the University of Tübingen, Germany. 81 of the edition's projected 101 volumes were published by early May 2015, and it is scheduled to conclude in 2027. Websites such as Schubert Online (schubert-online.at) provide facsimiles (scans) of Schubert's autographs and of other manuscripts and early editions of his work. Texts of Schubert's vocal music can be published without the music, for instance his Lieder (songs) at the LiederNet Archive website.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert wrote about a hundred waltzes for piano solo. Particularly well known among these are two named collections, the 34 Valses Sentimentales (Op. 50, D. 779) and the 12 Valses Nobles (Op. 77, D. 969).

Franz Schubert (31 January 1797 – 19 November 1828), a Viennese composer of the late Classical to early Romantic eras, left a very extensive body of work notwithstanding his short life. He wrote over 1,500 items, or, when collections, cycles and variants are grouped, some thousand compositions. The largest group are his over six hundred Lieder for solo voice and piano. He composed nearly as many piano pieces, and further some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works and published it in 1951 as Schubert: Thematic Catalogue of all his Works in Chronological Order. A revised edition appeared in German in 1978. Later editions of the catalogue contained minor updates. Publication of Schubert's compositions started during his lifetime, by opus number. After the composer's death, posthumous opus numbers continued to be assigned to new publications of his work until 1867 (Op. post. 173). Meanwhile, publications without opus number had also started. For instance, from shortly after the composer's death, the many songs in Diabelli's fifty Nachlaß-Lieferung (installment from the heritage) editions. There are two attempts to publish everything Schubert has composed in a single edition: From 1884 to 1897 Breitkopf & Härtel published twenty-two series of Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe, known as the Alte Gesamt-Ausgabe (AGA, the former complete edition). From 1965 Dover Publications started to reprint this edition, and later it was made available at the IMSLP website. The Neue Schubert-Ausgabe (NSA), also known as the New Schubert Edition (NSE), is published by Bärenreiter (Kassel). Plans for this edition began as early as 1963, with the foundation of the International Schubert Society, headquartered at the University of Tübingen, Germany. 81 of the edition's projected 101 volumes were published by early May 2015, and it is scheduled to conclude in 2027. Websites such as Schubert Online (schubert-online.at) provide facsimiles (scans) of Schubert's autographs and of other manuscripts and early editions of his work. Texts of Schubert's vocal music can be published without the music, for instance his Lieder (songs) at the LiederNet Archive website.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

The following is a list of the complete output of solo piano works composed by Franz Schubert.

Many classical and later composers have written compositions in the form of variations on a theme by another composer. This is an incomplete list of such works, sorted by the name of the original composer. The list does not include variations written on composers' own or original themes, or on folk, traditional or anonymous melodies. Many of these works are called simply "Variations on a Theme of/by ...". Other works, which often involve substantial development or transformation of the base material, may have more fanciful titles such as Caprice, Fantasy, Paraphrase, Reminiscences, Rhapsody, etc. These other types of treatments are not listed here unless there is evidence that they include variations on a theme.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828), a Viennese composer of the late Classical to early Romantic eras, left a very extensive body of work notwithstanding his short life. He wrote over 1,500 items, or, when collections, cycles and variants are grouped, some thousand compositions. The largest group are his over six hundred Lieder for solo voice and piano. He composed nearly as many piano pieces, and further some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works and published it in 1951 as Schubert: Thematic Catalogue of all his Works in Chronological Order. A revised edition appeared in German in 1978. Later editions of the catalogue contained minor updates. Publication of Schubert's compositions started during his lifetime, by opus number. After the composer's death, posthumous opus numbers continued to be assigned to new publications of his work until 1867 (Op. post. 173). Meanwhile, publications without opus number had also started. For instance, from shortly after the composer's death, the many songs in Diabelli's fifty Nachlaß-Lieferung (installment from the heritage) editions. There are two attempts to publish everything Schubert has composed in a single edition: From 1884 to 1897 Breitkopf & Härtel published twenty-two series of Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe, known as the Alte Gesamt-Ausgabe (AGA, the former complete edition). From 1965 Dover Publications started to reprint this edition, and later it was made available at the IMSLP website. The Neue Schubert-Ausgabe (NSA), also known as the New Schubert Edition (NSE), is published by Bärenreiter (Kassel). Plans for this edition began as early as 1963, with the foundation of the International Schubert Society, headquartered at the University of Tübingen, Germany. 81 of the edition's projected 101 volumes were published by early May 2015, and it is scheduled to conclude in 2027. Websites such as Schubert Online (schubert-online.at) provide facsimiles (scans) of Schubert's autographs and of other manuscripts and early editions of his work. Texts of Schubert's vocal music can be published without the music, for instance his Lieder (songs) at the LiederNet Archive website.

Franz Schubert (31 January 1797 – 19 November 1828), a Viennese composer of the late Classical to early Romantic eras, left a very extensive body of work notwithstanding his short life. He wrote over 1,500 items, or, when collections, cycles and variants are grouped, some thousand compositions. The largest group are his over six hundred Lieder for solo voice and piano. He composed nearly as many piano pieces, and further some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works and published it in 1951 as Schubert: Thematic Catalogue of all his Works in Chronological Order. A revised edition appeared in German in 1978. Later editions of the catalogue contained minor updates. Publication of Schubert's compositions started during his lifetime, by opus number. After the composer's death, posthumous opus numbers continued to be assigned to new publications of his work until 1867 (Op. post. 173). Meanwhile, publications without opus number had also started. For instance, from shortly after the composer's death, the many songs in Diabelli's fifty Nachlaß-Lieferung (installment from the heritage) editions. There are two attempts to publish everything Schubert has composed in a single edition: From 1884 to 1897 Breitkopf & Härtel published twenty-two series of Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe, known as the Alte Gesamt-Ausgabe (AGA, the former complete edition). From 1965 Dover Publications started to reprint this edition, and later it was made available at the IMSLP website. The Neue Schubert-Ausgabe (NSA), also known as the New Schubert Edition (NSE), is published by Bärenreiter (Kassel). Plans for this edition began as early as 1963, with the foundation of the International Schubert Society, headquartered at the University of Tübingen, Germany. 81 of the edition's projected 101 volumes were published by early May 2015, and it is scheduled to conclude in 2027. Websites such as Schubert Online (schubert-online.at) provide facsimiles (scans) of Schubert's autographs and of other manuscripts and early editions of his work. Texts of Schubert's vocal music can be published without the music, for instance his Lieder (songs) at the LiederNet Archive website.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828), a Viennese composer of the late Classical to early Romantic eras, left a very extensive body of work notwithstanding his short life. He wrote over 1,500 items, or, when collections, cycles and variants are grouped, some thousand compositions. The largest group are his over six hundred Lieder for solo voice and piano. He composed nearly as many piano pieces, and further some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works and published it in 1951 as Schubert: Thematic Catalogue of all his Works in Chronological Order. A revised edition appeared in German in 1978. Later editions of the catalogue contained minor updates. Publication of Schubert's compositions started during his lifetime, by opus number. After the composer's death, posthumous opus numbers continued to be assigned to new publications of his work until 1867 (Op. post. 173). Meanwhile, publications without opus number had also started. For instance, from shortly after the composer's death, the many songs in Diabelli's fifty Nachlaß-Lieferung (installment from the heritage) editions. There are two attempts to publish everything Schubert has composed in a single edition: From 1884 to 1897 Breitkopf & Härtel published twenty-two series of Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe, known as the Alte Gesamt-Ausgabe (AGA, the former complete edition). From 1965 Dover Publications started to reprint this edition, and later it was made available at the IMSLP website. The Neue Schubert-Ausgabe (NSA), also known as the New Schubert Edition (NSE), is published by Bärenreiter (Kassel). Plans for this edition began as early as 1963, with the foundation of the International Schubert Society, headquartered at the University of Tübingen, Germany. 81 of the edition's projected 101 volumes were published by early May 2015, and it is scheduled to conclude in 2027. Websites such as Schubert Online (schubert-online.at) provide facsimiles (scans) of Schubert's autographs and of other manuscripts and early editions of his work. Texts of Schubert's vocal music can be published without the music, for instance his Lieder (songs) at the LiederNet Archive website.

Franz Schubert (31 January 1797 – 19 November 1828), a Viennese composer of the late Classical to early Romantic eras, left a very extensive body of work notwithstanding his short life. He wrote over 1,500 items, or, when collections, cycles and variants are grouped, some thousand compositions. The largest group are his over six hundred Lieder for solo voice and piano. He composed nearly as many piano pieces, and further some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works and published it in 1951 as Schubert: Thematic Catalogue of all his Works in Chronological Order. A revised edition appeared in German in 1978. Later editions of the catalogue contained minor updates. Publication of Schubert's compositions started during his lifetime, by opus number. After the composer's death, posthumous opus numbers continued to be assigned to new publications of his work until 1867 (Op. post. 173). Meanwhile, publications without opus number had also started. For instance, from shortly after the composer's death, the many songs in Diabelli's fifty Nachlaß-Lieferung (installment from the heritage) editions. There are two attempts to publish everything Schubert has composed in a single edition: From 1884 to 1897 Breitkopf & Härtel published twenty-two series of Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe, known as the Alte Gesamt-Ausgabe (AGA, the former complete edition). From 1965 Dover Publications started to reprint this edition, and later it was made available at the IMSLP website. The Neue Schubert-Ausgabe (NSA), also known as the New Schubert Edition (NSE), is published by Bärenreiter (Kassel). Plans for this edition began as early as 1963, with the foundation of the International Schubert Society, headquartered at the University of Tübingen, Germany. 81 of the edition's projected 101 volumes were published by early May 2015, and it is scheduled to conclude in 2027. Websites such as Schubert Online (schubert-online.at) provide facsimiles (scans) of Schubert's autographs and of other manuscripts and early editions of his work. Texts of Schubert's vocal music can be published without the music, for instance his Lieder (songs) at the LiederNet Archive website.

Franz Schubert wrote two Scherzos, D 593, for solo piano: B♭ major D♭ major The autograph has been lost, but a manuscript copy made in the 1840s suggests that the pieces were composed in November 1817. The second scherzo has been suggested as being a possible third movement to Schubert's Piano Sonata in D♭ major, D 567, and its trio is identical to the trio of the minuet of the Piano Sonata in E♭ major (itself being a transposed and revised version of the D 567 sonata).

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828), a Viennese composer of the late Classical to early Romantic eras, left a very extensive body of work notwithstanding his short life. He wrote over 1,500 items, or, when collections, cycles and variants are grouped, some thousand compositions. The largest group are his over six hundred Lieder for solo voice and piano. He composed nearly as many piano pieces, and further some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works and published it in 1951 as Schubert: Thematic Catalogue of all his Works in Chronological Order. A revised edition appeared in German in 1978. Later editions of the catalogue contained minor updates. Publication of Schubert's compositions started during his lifetime, by opus number. After the composer's death, posthumous opus numbers continued to be assigned to new publications of his work until 1867 (Op. post. 173). Meanwhile, publications without opus number had also started. For instance, from shortly after the composer's death, the many songs in Diabelli's fifty Nachlaß-Lieferung (installment from the heritage) editions. There are two attempts to publish everything Schubert has composed in a single edition: From 1884 to 1897 Breitkopf & Härtel published twenty-two series of Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe, known as the Alte Gesamt-Ausgabe (AGA, the former complete edition). From 1965 Dover Publications started to reprint this edition, and later it was made available at the IMSLP website. The Neue Schubert-Ausgabe (NSA), also known as the New Schubert Edition (NSE), is published by Bärenreiter (Kassel). Plans for this edition began as early as 1963, with the foundation of the International Schubert Society, headquartered at the University of Tübingen, Germany. 81 of the edition's projected 101 volumes were published by early May 2015, and it is scheduled to conclude in 2027. Websites such as Schubert Online (schubert-online.at) provide facsimiles (scans) of Schubert's autographs and of other manuscripts and early editions of his work. Texts of Schubert's vocal music can be published without the music, for instance his Lieder (songs) at the LiederNet Archive website.

Franz Schubert (31 January 1797 – 19 November 1828), a Viennese composer of the late Classical to early Romantic eras, left a very extensive body of work notwithstanding his short life. He wrote over 1,500 items, or, when collections, cycles and variants are grouped, some thousand compositions. The largest group are his over six hundred Lieder for solo voice and piano. He composed nearly as many piano pieces, and further some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works and published it in 1951 as Schubert: Thematic Catalogue of all his Works in Chronological Order. A revised edition appeared in German in 1978. Later editions of the catalogue contained minor updates. Publication of Schubert's compositions started during his lifetime, by opus number. After the composer's death, posthumous opus numbers continued to be assigned to new publications of his work until 1867 (Op. post. 173). Meanwhile, publications without opus number had also started. For instance, from shortly after the composer's death, the many songs in Diabelli's fifty Nachlaß-Lieferung (installment from the heritage) editions. There are two attempts to publish everything Schubert has composed in a single edition: From 1884 to 1897 Breitkopf & Härtel published twenty-two series of Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe, known as the Alte Gesamt-Ausgabe (AGA, the former complete edition). From 1965 Dover Publications started to reprint this edition, and later it was made available at the IMSLP website. The Neue Schubert-Ausgabe (NSA), also known as the New Schubert Edition (NSE), is published by Bärenreiter (Kassel). Plans for this edition began as early as 1963, with the foundation of the International Schubert Society, headquartered at the University of Tübingen, Germany. 81 of the edition's projected 101 volumes were published by early May 2015, and it is scheduled to conclude in 2027. Websites such as Schubert Online (schubert-online.at) provide facsimiles (scans) of Schubert's autographs and of other manuscripts and early editions of his work. Texts of Schubert's vocal music can be published without the music, for instance his Lieder (songs) at the LiederNet Archive website.

Franz Schubert (31 January 1797 – 19 November 1828), a Viennese composer of the late Classical to early Romantic eras, left a very extensive body of work notwithstanding his short life. He wrote over 1,500 items, or, when collections, cycles and variants are grouped, some thousand compositions. The largest group are his over six hundred Lieder for solo voice and piano. He composed nearly as many piano pieces, and further some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works and published it in 1951 as Schubert: Thematic Catalogue of all his Works in Chronological Order. A revised edition appeared in German in 1978. Later editions of the catalogue contained minor updates. Publication of Schubert's compositions started during his lifetime, by opus number. After the composer's death, posthumous opus numbers continued to be assigned to new publications of his work until 1867 (Op. post. 173). Meanwhile, publications without opus number had also started. For instance, from shortly after the composer's death, the many songs in Diabelli's fifty Nachlaß-Lieferung (installment from the heritage) editions. There are two attempts to publish everything Schubert has composed in a single edition: From 1884 to 1897 Breitkopf & Härtel published twenty-two series of Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe, known as the Alte Gesamt-Ausgabe (AGA, the former complete edition). From 1965 Dover Publications started to reprint this edition, and later it was made available at the IMSLP website. The Neue Schubert-Ausgabe (NSA), also known as the New Schubert Edition (NSE), is published by Bärenreiter (Kassel). Plans for this edition began as early as 1963, with the foundation of the International Schubert Society, headquartered at the University of Tübingen, Germany. 81 of the edition's projected 101 volumes were published by early May 2015, and it is scheduled to conclude in 2027. Websites such as Schubert Online (schubert-online.at) provide facsimiles (scans) of Schubert's autographs and of other manuscripts and early editions of his work. Texts of Schubert's vocal music can be published without the music, for instance his Lieder (songs) at the LiederNet Archive website.

Franz Schubert (31 January 1797 – 19 November 1828), a Viennese composer of the late Classical to early Romantic eras, left a very extensive body of work notwithstanding his short life. He wrote over 1,500 items, or, when collections, cycles and variants are grouped, some thousand compositions. The largest group are his over six hundred Lieder for solo voice and piano. He composed nearly as many piano pieces, and further some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works and published it in 1951 as Schubert: Thematic Catalogue of all his Works in Chronological Order. A revised edition appeared in German in 1978. Later editions of the catalogue contained minor updates. Publication of Schubert's compositions started during his lifetime, by opus number. After the composer's death, posthumous opus numbers continued to be assigned to new publications of his work until 1867 (Op. post. 173). Meanwhile, publications without opus number had also started. For instance, from shortly after the composer's death, the many songs in Diabelli's fifty Nachlaß-Lieferung (installment from the heritage) editions. There are two attempts to publish everything Schubert has composed in a single edition: From 1884 to 1897 Breitkopf & Härtel published twenty-two series of Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe, known as the Alte Gesamt-Ausgabe (AGA, the former complete edition). From 1965 Dover Publications started to reprint this edition, and later it was made available at the IMSLP website. The Neue Schubert-Ausgabe (NSA), also known as the New Schubert Edition (NSE), is published by Bärenreiter (Kassel). Plans for this edition began as early as 1963, with the foundation of the International Schubert Society, headquartered at the University of Tübingen, Germany. 81 of the edition's projected 101 volumes were published by early May 2015, and it is scheduled to conclude in 2027. Websites such as Schubert Online (schubert-online.at) provide facsimiles (scans) of Schubert's autographs and of other manuscripts and early editions of his work. Texts of Schubert's vocal music can be published without the music, for instance his Lieder (songs) at the LiederNet Archive website.

Franz Schubert (31 January 1797 – 19 November 1828), a Viennese composer of the late Classical to early Romantic eras, left a very extensive body of work notwithstanding his short life. He wrote over 1,500 items, or, when collections, cycles and variants are grouped, some thousand compositions. The largest group are his over six hundred Lieder for solo voice and piano. He composed nearly as many piano pieces, and further some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works and published it in 1951 as Schubert: Thematic Catalogue of all his Works in Chronological Order. A revised edition appeared in German in 1978. Later editions of the catalogue contained minor updates. Publication of Schubert's compositions started during his lifetime, by opus number. After the composer's death, posthumous opus numbers continued to be assigned to new publications of his work until 1867 (Op. post. 173). Meanwhile, publications without opus number had also started. For instance, from shortly after the composer's death, the many songs in Diabelli's fifty Nachlaß-Lieferung (installment from the heritage) editions. There are two attempts to publish everything Schubert has composed in a single edition: From 1884 to 1897 Breitkopf & Härtel published twenty-two series of Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe, known as the Alte Gesamt-Ausgabe (AGA, the former complete edition). From 1965 Dover Publications started to reprint this edition, and later it was made available at the IMSLP website. The Neue Schubert-Ausgabe (NSA), also known as the New Schubert Edition (NSE), is published by Bärenreiter (Kassel). Plans for this edition began as early as 1963, with the foundation of the International Schubert Society, headquartered at the University of Tübingen, Germany. 81 of the edition's projected 101 volumes were published by early May 2015, and it is scheduled to conclude in 2027. Websites such as Schubert Online (schubert-online.at) provide facsimiles (scans) of Schubert's autographs and of other manuscripts and early editions of his work. Texts of Schubert's vocal music can be published without the music, for instance his Lieder (songs) at the LiederNet Archive website.

Franz Schubert's Impromptus are a series of eight pieces for solo piano composed in 1827. They were published in two sets of four impromptus each: the first two pieces in the first set were published in the composer's lifetime as Op. 90; the second set was published posthumously as Op. 142 in 1839 (with a dedication added by the publisher to Franz Liszt). The third and fourth pieces in the first set were published in 1857 (although the third piece was printed by the publisher in G major, instead of G♭ as Schubert had written it, and remained available only in this key for many years). The two sets are now catalogued as D. 899 and D. 935 respectively. They are considered to be among the most important examples of this popular early 19th-century genre. Three other unnamed piano compositions (D. 946), written in May 1828, six months before the composer's death, are known as both "Impromptus" and Klavierstücke ("piano pieces"). The Impromptus are often considered companion pieces to the Six moments musicaux, and they are often recorded and published together. It has been said that Schubert was deeply influenced in writing these pieces by the Impromptus, Op. 7 (1822) of Jan Václav Voříšek and by the music of Voříšek's teacher Václav Tomášek.

The Three Marches Militaires, Op. 51, D. 733, are pieces in march form written for piano four-hands by Franz Schubert. The first of the three is far more famous than the others. It is one of Schubert's most famous compositions, and it is often simply referred to as "Schubert's Marche militaire".

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert wrote about a hundred waltzes for piano solo. Particularly well known among these are two named collections, the 34 Valses Sentimentales (Op. 50, D. 779) and the 12 Valses Nobles (Op. 77, D. 969).

This article lists the various treatments given by Franz Liszt to the works of almost 100 other composers. These treatments included transcriptions for other instruments (predominantly solo piano), arrangements, orchestrations, fantaisies, reminiscences, paraphrases, illustrations, variations, and editions. Liszt also extensively treated his own works in a similar manner, but these are not tallied here—neither are his treatments of national (or "folk") melodies whose composers are unknown, nor other anonymous works. In most cases, Liszt arranged only one or two pieces by a composer, but he delved more deeply into the works of Bach, Beethoven, Bellini, Berlioz, Chopin, Donizetti, Gounod, Mendelssohn, Meyerbeer, Mozart, Rossini, Schubert, Schumann, Verdi, Wagner, and Weber. The earliest-born composer whose works Liszt dealt with was Orlande de Lassus (born c. 1532). Jacques Arcadelt was born earlier (c. 1507), but Liszt's treatment was not of Arcadelt's original work, rather of a setting by Pierre-Louis Dietsch loosely based on Arcadelt. The last composer to die whose works Liszt dealt with was Géza Zichy (1849–1924).

The Impromptus, Op. 90, D. 899, are a set of four impromptus for solo piano composed by Franz Schubert in 1827. They were written in the same year as the Impromptus, Op. 142, though only the first two pieces were published during Schubert's lifetime. Together with the latter set, they have become a cornerstone of the piano repertoire. The first Impromptu in C minor blends elements of sonata, variation, and through-composed structures. The second Impromptu in E♭ major is a swift moto perpetuo with a ternary design. The third Impromptu is a flowing and meditative piece in G♭ major, characterized by long melodic lines and unbroken triadic accompaniment. The fourth and final Impromptu, in A♭ major, starts in A♭ minor and is characterized by cascading arpeggios and a chordal response.

The Impromptus, Op. posth. 142, D. 935, are a set of four impromptus for solo piano composed by Franz Schubert in 1827. They were written in the same year as the Impromptus, Op. 90, but were not published until 1839, more than a decade after his death. Together with the preceding set, they have become a cornerstone of the piano repertoire. The first Impromptu in F minor follows the form of a sonata exposition. The second Impromptu in A♭ major is written in the standard minuet form. The third Impromptu in B♭ major is a theme with variations. Finally, the fourth Impromptu in F minor is highly virtuosic and the most technically demanding of the set. Due to their structural and thematic links, some envisioned the four Impromptus as parts of a multi-movement sonata, a conjecture which is subject of debate among musicologists and scholars.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert's Écossaises, D 421, are six short dances for solo piano: A♭ major F minor (ends in A ♭ major) E♭ major A♭ major B major D major (ends in B minor) The pieces do not have tempo indications, and recordings have ranged from under 2 minutes to over 4 minutes in length for all six pieces. Schubert wrote these Écossaises in May 1816 during a visit to Josef von Spaun's new home in the Landstraße suburb south-east of Vienna. During the visit, Schubert was locked into his room for a prank, which was that he was to finish a composition before being released. He produced these six Écossaises, and the following words were inscribed on the (now lost) title page: "Composed while confined to my room at Erdberg, May 1816."

Franz Schubert (31 January 1797 – 19 November 1828), a Viennese composer of the late Classical to early Romantic eras, left a very extensive body of work notwithstanding his short life. He wrote over 1,500 items, or, when collections, cycles and variants are grouped, some thousand compositions. The largest group are his over six hundred Lieder for solo voice and piano. He composed nearly as many piano pieces, and further some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works and published it in 1951 as Schubert: Thematic Catalogue of all his Works in Chronological Order. A revised edition appeared in German in 1978. Later editions of the catalogue contained minor updates. Publication of Schubert's compositions started during his lifetime, by opus number. After the composer's death, posthumous opus numbers continued to be assigned to new publications of his work until 1867 (Op. post. 173). Meanwhile, publications without opus number had also started. For instance, from shortly after the composer's death, the many songs in Diabelli's fifty Nachlaß-Lieferung (installment from the heritage) editions. There are two attempts to publish everything Schubert has composed in a single edition: From 1884 to 1897 Breitkopf & Härtel published twenty-two series of Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe, known as the Alte Gesamt-Ausgabe (AGA, the former complete edition). From 1965 Dover Publications started to reprint this edition, and later it was made available at the IMSLP website. The Neue Schubert-Ausgabe (NSA), also known as the New Schubert Edition (NSE), is published by Bärenreiter (Kassel). Plans for this edition began as early as 1963, with the foundation of the International Schubert Society, headquartered at the University of Tübingen, Germany. 81 of the edition's projected 101 volumes were published by early May 2015, and it is scheduled to conclude in 2027. Websites such as Schubert Online (schubert-online.at) provide facsimiles (scans) of Schubert's autographs and of other manuscripts and early editions of his work. Texts of Schubert's vocal music can be published without the music, for instance his Lieder (songs) at the LiederNet Archive website.

Franz Schubert (31 January 1797 – 19 November 1828), a Viennese composer of the late Classical to early Romantic eras, left a very extensive body of work notwithstanding his short life. He wrote over 1,500 items, or, when collections, cycles and variants are grouped, some thousand compositions. The largest group are his over six hundred Lieder for solo voice and piano. He composed nearly as many piano pieces, and further some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works and published it in 1951 as Schubert: Thematic Catalogue of all his Works in Chronological Order. A revised edition appeared in German in 1978. Later editions of the catalogue contained minor updates. Publication of Schubert's compositions started during his lifetime, by opus number. After the composer's death, posthumous opus numbers continued to be assigned to new publications of his work until 1867 (Op. post. 173). Meanwhile, publications without opus number had also started. For instance, from shortly after the composer's death, the many songs in Diabelli's fifty Nachlaß-Lieferung (installment from the heritage) editions. There are two attempts to publish everything Schubert has composed in a single edition: From 1884 to 1897 Breitkopf & Härtel published twenty-two series of Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe, known as the Alte Gesamt-Ausgabe (AGA, the former complete edition). From 1965 Dover Publications started to reprint this edition, and later it was made available at the IMSLP website. The Neue Schubert-Ausgabe (NSA), also known as the New Schubert Edition (NSE), is published by Bärenreiter (Kassel). Plans for this edition began as early as 1963, with the foundation of the International Schubert Society, headquartered at the University of Tübingen, Germany. 81 of the edition's projected 101 volumes were published by early May 2015, and it is scheduled to conclude in 2027. Websites such as Schubert Online (schubert-online.at) provide facsimiles (scans) of Schubert's autographs and of other manuscripts and early editions of his work. Texts of Schubert's vocal music can be published without the music, for instance his Lieder (songs) at the LiederNet Archive website.

Franz Schubert's compositions of 1824 are mostly in the Deutsch catalogue (D) range D 799–822, and include: Instrumental works: Octet, D 803 String Quartet No. 13, D 804 (Rosamunde) String Quartet No. 14, D 810 (Death and the Maiden) Arpeggione Sonata, D 821 Sonata in C major for piano four-hands, D 812 (Grand Duo) Vocal music: "Gebet", D 815

The following is a list of the complete output of solo piano works composed by Franz Schubert.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

This article lists compositions written for piano duo. The list includes works for piano four-hands and works for two pianos. Catalogue number and date of composition are also included. Ordering is by composer surname. A list of notable performers who played and recorded these works is at List of classical piano duos (performers).

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

The Piano Sonata in C major D 613 is an unfinished piano sonata written by Franz Schubert in April 1818.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Allegretto in C minor D 915 is a short piano piece written on 26 April 1827 by Franz Schubert (1797-1828). It is approximately 5 minutes in length.

The Piano Sonata in F♯ minor D 571, was composed by Franz Schubert in July 1817. The sonata was first published long after the composer's death in 1888 by Breitkopf & Härtel. The sonata is incomplete, consisting of only a single movement, and even that was abandoned by the composer before completion. Other hands, such as Paul Badura-Skoda, Malcolm Bilson, Howard Ferguson, Noël Lee, and Martino Tirimo, have attempted to realise Schubert's assumed intentions. These hypothetical completions of the sonata have been drawn from such separately published pieces as the piece (usually assumed to be an Andante) in A major, D. 604, and the Allegro vivace in D major and Allegro in F♯ minor, D. 570.

Sonatas, duos and fantasies by Franz Schubert include all works for solo piano by Franz Schubert, except separate dances. They also include a number of works for two players: piano four hands, or piano and a string instrument (violin, arpeggione).

Sonatas, duos and fantasies by Franz Schubert include all works for solo piano by Franz Schubert, except separate dances. They also include a number of works for two players: piano four hands, or piano and a string instrument (violin, arpeggione).

The Piano Sonata in F♯ minor D 571, was composed by Franz Schubert in July 1817. The sonata was first published long after the composer's death in 1888 by Breitkopf & Härtel. The sonata is incomplete, consisting of only a single movement, and even that was abandoned by the composer before completion. Other hands, such as Paul Badura-Skoda, Malcolm Bilson, Howard Ferguson, Noël Lee, and Martino Tirimo, have attempted to realise Schubert's assumed intentions. These hypothetical completions of the sonata have been drawn from such separately published pieces as the piece (usually assumed to be an Andante) in A major, D. 604, and the Allegro vivace in D major and Allegro in F♯ minor, D. 570.

Franz Schubert's last three piano sonatas, D 958, 959 and 960, are his last major compositions for solo piano. They were written during the last months of his life, between the spring and autumn of 1828, but were not published until about ten years after his death, in 1838–39. Like the rest of Schubert's piano sonatas, they were mostly neglected in the 19th century. By the late 20th century, however, public and critical opinion had changed, and these sonatas are now considered among the most important of the composer's mature masterpieces. They are part of the core piano repertoire, appearing regularly on concert programs and recordings. One of the reasons for the long period of neglect of Schubert's piano sonatas seems to be their dismissal as structurally and dramatically inferior to the sonatas of Beethoven. In fact, the last sonatas contain distinct allusions and similarities to works by Beethoven, a composer Schubert venerated. Nevertheless, musicological analysis has shown that they maintain a mature, individual style. The last sonatas are now praised for that mature style, manifested in unique features such as a cyclical formal and tonal design, chamber music textures, and a rare depth of emotional expression. Each one of the three sonatas is cyclically intraconnected by diverse structural, harmonic and melodic elements tying together all movements, as well as interconnecting all three sonatas together. Consequently, they are often regarded as a trilogy. They also contain specific allusions and similarities to other Schubert compositions, such as his Winterreise song cycle; these connections point to turbulent emotions expressed in the sonatas, often understood as highly personal and autobiographical. Indeed, some researchers have suggested specific psychological narratives for the sonatas, based on historical evidence concerning the composer's life.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Peter Schubert (; German: [fʁants ˈpeːtɐ ˈʃuːbɐt]; 31 January 1797 – 19 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short life, Schubert left behind a vast oeuvre of more than 1,000 compositions, including more than 600 Lieder (art songs in German) and other vocal works, seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. Among these are the songs "Gretchen am Spinnrade", "Erlkönig" and "Ave Maria"; the Trout Quintet; the Symphony No. 8 in B minor (Unfinished); the Symphony No. 9 in C major (The Great); the String Quartet No. 14 in D minor (Death and the Maiden); the String Quintet in C major; the Impromptus for solo piano; the last three piano sonatas; the Fantasia in F minor for piano four hands; the incidental music to the play Rosamunde; the song cycles Die schöne Müllerin and Winterreise; and the song collection Schwanengesang. Born in the Himmelpfortgrund suburb of Vienna, Schubert showed uncommon gifts for music from an early age. His father gave him his first violin lessons and his elder brother gave him piano lessons, but Schubert soon exceeded their abilities. In 1808, at the age of eleven, he became a pupil at the Stadtkonvikt school, where he became acquainted with the orchestral music of Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven. He left the Stadtkonvikt at the end of 1813 and returned home to live with his father, where he began studying to become a schoolteacher. Despite this, he continued his studies in composition with Antonio Salieri and still composed prolifically. In 1821, Schubert was admitted to the Gesellschaft der Musikfreunde as a performing member, which helped establish his name among the Viennese citizenry. He gave a concert of his works to critical acclaim in March 1828, the only time he did so in his career. He died eight months later at the age of 31, the cause officially attributed to typhoid fever, but believed by some historians to be syphilis. Appreciation of Schubert's music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased greatly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is considered one of the greatest composers in the history of Western classical music and his music continues to be widely performed.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Sonatas, duos and fantasies by Franz Schubert include all works for solo piano by Franz Schubert, except separate dances. They also include a number of works for two players: piano four hands, or piano and a string instrument (violin, arpeggione).

The Fantasia in F minor by Franz Schubert, D.940 (Op. posth. 103), for piano four hands (two players at one piano), is one of Schubert's most important works for more than one pianist and one of his most important piano works altogether. He composed it in 1828, the last year of his life. A dedication to his former pupil Caroline Esterházy can only be found in the posthumous first edition, not in Schubert's autograph. Musicologist Christopher Gibbs has described the work as "among not only his greatest but his most original" compositions for piano duet.

The Fantasia in F minor by Franz Schubert, D.940 (Op. posth. 103), for piano four hands (two players at one piano), is one of Schubert's most important works for more than one pianist and one of his most important piano works altogether. He composed it in 1828, the last year of his life. A dedication to his former pupil Caroline Esterházy can only be found in the posthumous first edition, not in Schubert's autograph. Musicologist Christopher Gibbs has described the work as "among not only his greatest but his most original" compositions for piano duet.

Sonatas, duos and fantasies by Franz Schubert include all works for solo piano by Franz Schubert, except separate dances. They also include a number of works for two players: piano four hands, or piano and a string instrument (violin, arpeggione).

The Fantasie in C major, Op. 15 (D. 760), popularly known as the Wanderer Fantasy, is a four-movement fantasy for solo piano composed by Franz Schubert in 1822. It is widely considered Schubert's most technically demanding composition for the piano. Schubert himself said "let the devil himself play the stuff," in reference to his own inability to do so properly.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert's last three piano sonatas, D 958, 959 and 960, are his last major compositions for solo piano. They were written during the last months of his life, between the spring and autumn of 1828, but were not published until about ten years after his death, in 1838–39. Like the rest of Schubert's piano sonatas, they were mostly neglected in the 19th century. By the late 20th century, however, public and critical opinion had changed, and these sonatas are now considered among the most important of the composer's mature masterpieces. They are part of the core piano repertoire, appearing regularly on concert programs and recordings. One of the reasons for the long period of neglect of Schubert's piano sonatas seems to be their dismissal as structurally and dramatically inferior to the sonatas of Beethoven. In fact, the last sonatas contain distinct allusions and similarities to works by Beethoven, a composer Schubert venerated. Nevertheless, musicological analysis has shown that they maintain a mature, individual style. The last sonatas are now praised for that mature style, manifested in unique features such as a cyclical formal and tonal design, chamber music textures, and a rare depth of emotional expression. Each one of the three sonatas is cyclically intraconnected by diverse structural, harmonic and melodic elements tying together all movements, as well as interconnecting all three sonatas together. Consequently, they are often regarded as a trilogy. They also contain specific allusions and similarities to other Schubert compositions, such as his Winterreise song cycle; these connections point to turbulent emotions expressed in the sonatas, often understood as highly personal and autobiographical. Indeed, some researchers have suggested specific psychological narratives for the sonatas, based on historical evidence concerning the composer's life.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

The Three Marches Militaires, Op. 51, D. 733, are pieces in march form written for piano four-hands by Franz Schubert. The first of the three is far more famous than the others. It is one of Schubert's most famous compositions, and it is often simply referred to as "Schubert's Marche militaire".

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert's last three piano sonatas, D 958, 959 and 960, are his last major compositions for solo piano. They were written during the last months of his life, between the spring and autumn of 1828, but were not published until about ten years after his death, in 1838–39. Like the rest of Schubert's piano sonatas, they were mostly neglected in the 19th century. By the late 20th century, however, public and critical opinion had changed, and these sonatas are now considered among the most important of the composer's mature masterpieces. They are part of the core piano repertoire, appearing regularly on concert programs and recordings. One of the reasons for the long period of neglect of Schubert's piano sonatas seems to be their dismissal as structurally and dramatically inferior to the sonatas of Beethoven. In fact, the last sonatas contain distinct allusions and similarities to works by Beethoven, a composer Schubert venerated. Nevertheless, musicological analysis has shown that they maintain a mature, individual style. The last sonatas are now praised for that mature style, manifested in unique features such as a cyclical formal and tonal design, chamber music textures, and a rare depth of emotional expression. Each one of the three sonatas is cyclically intraconnected by diverse structural, harmonic and melodic elements tying together all movements, as well as interconnecting all three sonatas together. Consequently, they are often regarded as a trilogy. They also contain specific allusions and similarities to other Schubert compositions, such as his Winterreise song cycle; these connections point to turbulent emotions expressed in the sonatas, often understood as highly personal and autobiographical. Indeed, some researchers have suggested specific psychological narratives for the sonatas, based on historical evidence concerning the composer's life.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Sonatas, duos and fantasies by Franz Schubert include all works for solo piano by Franz Schubert, except separate dances. They also include a number of works for two players: piano four hands, or piano and a string instrument (violin, arpeggione).

Sonatas, duos and fantasies by Franz Schubert include all works for solo piano by Franz Schubert, except separate dances. They also include a number of works for two players: piano four hands, or piano and a string instrument (violin, arpeggione).

Franz Peter Schubert (; German: [fʁants ˈpeːtɐ ˈʃuːbɐt]; 31 January 1797 – 19 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short life, Schubert left behind a vast oeuvre of more than 1,000 compositions, including more than 600 Lieder (art songs in German) and other vocal works, seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. Among these are the songs "Gretchen am Spinnrade", "Erlkönig" and "Ave Maria"; the Trout Quintet; the Symphony No. 8 in B minor (Unfinished); the Symphony No. 9 in C major (The Great); the String Quartet No. 14 in D minor (Death and the Maiden); the String Quintet in C major; the Impromptus for solo piano; the last three piano sonatas; the Fantasia in F minor for piano four hands; the incidental music to the play Rosamunde; the song cycles Die schöne Müllerin and Winterreise; and the song collection Schwanengesang. Born in the Himmelpfortgrund suburb of Vienna, Schubert showed uncommon gifts for music from an early age. His father gave him his first violin lessons and his elder brother gave him piano lessons, but Schubert soon exceeded their abilities. In 1808, at the age of eleven, he became a pupil at the Stadtkonvikt school, where he became acquainted with the orchestral music of Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven. He left the Stadtkonvikt at the end of 1813 and returned home to live with his father, where he began studying to become a schoolteacher. Despite this, he continued his studies in composition with Antonio Salieri and still composed prolifically. In 1821, Schubert was admitted to the Gesellschaft der Musikfreunde as a performing member, which helped establish his name among the Viennese citizenry. He gave a concert of his works to critical acclaim in March 1828, the only time he did so in his career. He died eight months later at the age of 31, the cause officially attributed to typhoid fever, but believed by some historians to be syphilis. Appreciation of Schubert's music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased greatly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is considered one of the greatest composers in the history of Western classical music and his music continues to be widely performed.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Peter Schubert (; German: [fʁants ˈpeːtɐ ˈʃuːbɐt]; 31 January 1797 – 19 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short life, Schubert left behind a vast oeuvre of more than 1,000 compositions, including more than 600 Lieder (art songs in German) and other vocal works, seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. Among these are the songs "Gretchen am Spinnrade", "Erlkönig" and "Ave Maria"; the Trout Quintet; the Symphony No. 8 in B minor (Unfinished); the Symphony No. 9 in C major (The Great); the String Quartet No. 14 in D minor (Death and the Maiden); the String Quintet in C major; the Impromptus for solo piano; the last three piano sonatas; the Fantasia in F minor for piano four hands; the incidental music to the play Rosamunde; the song cycles Die schöne Müllerin and Winterreise; and the song collection Schwanengesang. Born in the Himmelpfortgrund suburb of Vienna, Schubert showed uncommon gifts for music from an early age. His father gave him his first violin lessons and his elder brother gave him piano lessons, but Schubert soon exceeded their abilities. In 1808, at the age of eleven, he became a pupil at the Stadtkonvikt school, where he became acquainted with the orchestral music of Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven. He left the Stadtkonvikt at the end of 1813 and returned home to live with his father, where he began studying to become a schoolteacher. Despite this, he continued his studies in composition with Antonio Salieri and still composed prolifically. In 1821, Schubert was admitted to the Gesellschaft der Musikfreunde as a performing member, which helped establish his name among the Viennese citizenry. He gave a concert of his works to critical acclaim in March 1828, the only time he did so in his career. He died eight months later at the age of 31, the cause officially attributed to typhoid fever, but believed by some historians to be syphilis. Appreciation of Schubert's music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased greatly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is considered one of the greatest composers in the history of Western classical music and his music continues to be widely performed.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

The Piano Sonata in E♭ major D 568 by Franz Schubert is a sonata for solo piano. It is a revision and completion of the Sonata in D♭ major D 568. The D♭ major version was composed in June 1817, while the E♭ major revision and completion, published in 1829 after Schubert's death as Op. posth. 122, dates from sometime around 1826.

The Piano Sonata in E major, D 157 is a three-movement piano sonata composed by Franz Schubert in February 1815. The Allegro D 154 is an early version of its first movement.

Franz Schubert's Piano Sonata in A minor, D 784 (posthumously published as Op. 143), is one of Schubert's major compositions for the piano. Schubert composed the piano sonata in February 1823, perhaps as a response to his illness the year before. It was however not published until 1839, eleven years after his death. It was given the opus number 143 and a dedication to Felix Mendelssohn by its publishers. The D 784 sonata, Schubert's last to be in three movements, is seen by many to herald a new era in Schubert's output for the piano, and to be a profound and sometimes almost obsessively tragic work.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert's Piano Sonata in C major, D. 840, nicknamed "Reliquie" upon its first publication in 1861 in the mistaken belief that it had been Schubert's last work, was written in April 1825, whilst the composer was also working on the A minor sonata, D. 845 in tandem. Schubert abandoned the C major piano sonata, and only the first two movements were fully completed, with the trio section of the third movement also written in full. The minuet section of the third movement is incomplete and contains unusual harmonic changes, which suggests it was there Schubert had become disillusioned and abandoned the movement and later the sonata. The final fourth movement is also incomplete, ending abruptly after 272 measures. Even in this truncated form, the sonata takes approximately 30 to 35 minutes to perform. The fragments of the sonata survived in Schubert's manuscripts, and later the work was collected and published in its incomplete form in 1861.

The Piano Sonata in A minor D. 845 (Op.42) by Franz Schubert is a sonata for solo piano. Composed in May 1825 and entitled Premiere Grande Sonata, it is the first of three sonatas published during the composer's lifetime, the others being D. 850 and D. 894. Conceived as a set, these works were composed during what was reportedly a period of relatively good health and spirits for Schubert and are praised for their quality and ambition. This first sonata in particular marks a significant step toward the composer’s mature piano sonata style; the format and several characteristic stylistic elements continue through the last.

Franz Schubert's Piano Sonata in D major D. 850, Op. 53, known as the Gasteiner, was written during August 1825 while the composer was staying in the spa town of Bad Gastein. A year later, it became only the second of his piano sonatas to be published.

The Piano Sonata in G major D. 894, Op. 78 by Franz Schubert is a sonata for solo piano, completed in October 1826. The work is sometimes called the "Fantasie", a title which the publisher Tobias Haslinger, rather than Schubert, gave to the first movement of the work. It was the last of Schubert's sonatas published during his lifetime, and was later described by Robert Schumann as the "most perfect in form and conception" of any of Schubert's sonatas. A typical performance runs approximately 35 minutes. The autograph manuscript of the sonata is preserved in the British Library.

Franz Schubert's last three piano sonatas, D 958, 959 and 960, are his last major compositions for solo piano. They were written during the last months of his life, between the spring and autumn of 1828, but were not published until about ten years after his death, in 1838–39. Like the rest of Schubert's piano sonatas, they were mostly neglected in the 19th century. By the late 20th century, however, public and critical opinion had changed, and these sonatas are now considered among the most important of the composer's mature masterpieces. They are part of the core piano repertoire, appearing regularly on concert programs and recordings. One of the reasons for the long period of neglect of Schubert's piano sonatas seems to be their dismissal as structurally and dramatically inferior to the sonatas of Beethoven. In fact, the last sonatas contain distinct allusions and similarities to works by Beethoven, a composer Schubert venerated. Nevertheless, musicological analysis has shown that they maintain a mature, individual style. The last sonatas are now praised for that mature style, manifested in unique features such as a cyclical formal and tonal design, chamber music textures, and a rare depth of emotional expression. Each one of the three sonatas is cyclically intraconnected by diverse structural, harmonic and melodic elements tying together all movements, as well as interconnecting all three sonatas together. Consequently, they are often regarded as a trilogy. They also contain specific allusions and similarities to other Schubert compositions, such as his Winterreise song cycle; these connections point to turbulent emotions expressed in the sonatas, often understood as highly personal and autobiographical. Indeed, some researchers have suggested specific psychological narratives for the sonatas, based on historical evidence concerning the composer's life.

The Piano Sonata in C major, D 279 is a three-movement piano sonata composed by Franz Schubert in September 1815. It is regarded as incomplete for lacking a fourth movement. D. 346, an unfinished Allegretto in C major, has been suggested as its final movement.

The Piano Sonata in A major, D 664, Op. posth. 120, is a sonata for solo piano composed by Franz Schubert in the summer of 1819.

Franz Schubert's last three piano sonatas, D 958, 959 and 960, are his last major compositions for solo piano. They were written during the last months of his life, between the spring and autumn of 1828, but were not published until about ten years after his death, in 1838–39. Like the rest of Schubert's piano sonatas, they were mostly neglected in the 19th century. By the late 20th century, however, public and critical opinion had changed, and these sonatas are now considered among the most important of the composer's mature masterpieces. They are part of the core piano repertoire, appearing regularly on concert programs and recordings. One of the reasons for the long period of neglect of Schubert's piano sonatas seems to be their dismissal as structurally and dramatically inferior to the sonatas of Beethoven. In fact, the last sonatas contain distinct allusions and similarities to works by Beethoven, a composer Schubert venerated. Nevertheless, musicological analysis has shown that they maintain a mature, individual style. The last sonatas are now praised for that mature style, manifested in unique features such as a cyclical formal and tonal design, chamber music textures, and a rare depth of emotional expression. Each one of the three sonatas is cyclically intraconnected by diverse structural, harmonic and melodic elements tying together all movements, as well as interconnecting all three sonatas together. Consequently, they are often regarded as a trilogy. They also contain specific allusions and similarities to other Schubert compositions, such as his Winterreise song cycle; these connections point to turbulent emotions expressed in the sonatas, often understood as highly personal and autobiographical. Indeed, some researchers have suggested specific psychological narratives for the sonatas, based on historical evidence concerning the composer's life.

The Piano Sonata in E major, D 459, is a work for solo piano, composed by Franz Schubert in August 1816. It was first published in 1843, after the composer's death, by Carl August Klemm in Leipzig, in a publication known as Fünf Klavierstücke (Five Piano Pieces). In the first edition of the Deutsch catalogue all five pieces were grouped under the same number 459. Whether it is a single composition in 5 movements is a matter of contention. From the second edition of the Deutsch catalogue the three last pieces of the set were split off as D 459A, Drei Klavierstücke (Three Piano Pieces), with only the two first movements regarded as belonging to the same sonata, D 459. In his introduction to the first edition of the five pieces, Klemm refers to them as compositions, not movements of the same composition. In the extant autograph of the first piece, Allegro moderato, Schubert however wrote Sonate on top of the page, and continues in the same manuscript with an incomplete version of the second piece, the first Scherzo. It is not known whether Klemm possessed another (completer) manuscript of this Scherzo, or is responsible for its completion in its published form. No other combinations of the pieces are known from extant autographs or contemporary copies. Apart from the first two pieces, only a fragment of the fifth piece, predating the first printed version, is extant. D 506 has been suggested as a third and final movement of a sonata put together with the third D 459A piece (Allegro patetico) as first and the Adagio D 349 as second movement. Andrea Lindmayr-Brandl follows Klemm in his assertion that he compiled the pieces for his 1843 publication from a number of different Schubert compositions. Lindmayer concludes that the work is "fragmentary", because Schubert had broken off the sonata at the close of the development section of the second movement.

The Piano Sonata in A minor, D 537, of Franz Schubert is a sonata for solo piano, composed in March 1817.

Franz Schubert's Piano Sonata in A♭ major, D 557 was composed in May 1817.

The Piano Sonata in E minor D 566 by Franz Schubert is a sonata for solo piano written in June 1817. The original manuscript appeared to lack a finale. Ludwig Scheibler (1848–1921) was the first to suggest in 1905 that the Rondo in E, D.506 might be that movement. The British composer and musicologist Kathleen Dale produced the first edition using this suggestion in 1948. The 1976 Henle edition by Paul Badura-Skoda followed the same practice. The work takes approximately 20 minutes to perform or 25–30 minutes with the rondo finale.

The Piano Sonata in E♭ major D 568 by Franz Schubert is a sonata for solo piano. It is a revision and completion of the Sonata in D♭ major D 568. The D♭ major version was composed in June 1817, while the E♭ major revision and completion, published in 1829 after Schubert's death as Op. posth. 122, dates from sometime around 1826.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

The Sonata in B♭ major for piano four-hands (Grande Sonate), Op. 30, D 617 by Franz Schubert, is the first of two sonatas for two pianists the composer wrote in his lifetime, the other being the Grand Duo of 1824.

Franz Schubert wrote his Sonata in C major for piano four-hands, D 812, in June 1824 during his second stay at the Esterházy estate in Želiezovce. The extended work, in four movements, has a performance time of around 40 to 45 minutes. It was published as Grand Duo, Op. 140, in 1837, nine years after the composer's death. Robert Schumann saw Beethoven's influence in the work, and thought of it as the piano version of a symphony. Joseph Joachim's orchestration of the work was performed from the 19th to the 21st century. From the second half of the 20th century the Sonata was however more readily appreciated as a piano piece with orchestral effects, like many other piano works by Schubert, than as a symphony in disguise.

Franz Schubert (31 January 1797 – 19 November 1828), a Viennese composer of the late Classical to early Romantic eras, left a very extensive body of work notwithstanding his short life. He wrote over 1,500 items, or, when collections, cycles and variants are grouped, some thousand compositions. The largest group are his over six hundred Lieder for solo voice and piano. He composed nearly as many piano pieces, and further some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works and published it in 1951 as Schubert: Thematic Catalogue of all his Works in Chronological Order. A revised edition appeared in German in 1978. Later editions of the catalogue contained minor updates. Publication of Schubert's compositions started during his lifetime, by opus number. After the composer's death, posthumous opus numbers continued to be assigned to new publications of his work until 1867 (Op. post. 173). Meanwhile, publications without opus number had also started. For instance, from shortly after the composer's death, the many songs in Diabelli's fifty Nachlaß-Lieferung (installment from the heritage) editions. There are two attempts to publish everything Schubert has composed in a single edition: From 1884 to 1897 Breitkopf & Härtel published twenty-two series of Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe, known as the Alte Gesamt-Ausgabe (AGA, the former complete edition). From 1965 Dover Publications started to reprint this edition, and later it was made available at the IMSLP website. The Neue Schubert-Ausgabe (NSA), also known as the New Schubert Edition (NSE), is published by Bärenreiter (Kassel). Plans for this edition began as early as 1963, with the foundation of the International Schubert Society, headquartered at the University of Tübingen, Germany. 81 of the edition's projected 101 volumes were published by early May 2015, and it is scheduled to conclude in 2027. Websites such as Schubert Online (schubert-online.at) provide facsimiles (scans) of Schubert's autographs and of other manuscripts and early editions of his work. Texts of Schubert's vocal music can be published without the music, for instance his Lieder (songs) at the LiederNet Archive website.

Franz Peter Schubert (; German: [fʁants ˈpeːtɐ ˈʃuːbɐt]; 31 January 1797 – 19 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short life, Schubert left behind a vast oeuvre of more than 1,000 compositions, including more than 600 Lieder (art songs in German) and other vocal works, seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. Among these are the songs "Gretchen am Spinnrade", "Erlkönig" and "Ave Maria"; the Trout Quintet; the Symphony No. 8 in B minor (Unfinished); the Symphony No. 9 in C major (The Great); the String Quartet No. 14 in D minor (Death and the Maiden); the String Quintet in C major; the Impromptus for solo piano; the last three piano sonatas; the Fantasia in F minor for piano four hands; the incidental music to the play Rosamunde; the song cycles Die schöne Müllerin and Winterreise; and the song collection Schwanengesang. Born in the Himmelpfortgrund suburb of Vienna, Schubert showed uncommon gifts for music from an early age. His father gave him his first violin lessons and his elder brother gave him piano lessons, but Schubert soon exceeded their abilities. In 1808, at the age of eleven, he became a pupil at the Stadtkonvikt school, where he became acquainted with the orchestral music of Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven. He left the Stadtkonvikt at the end of 1813 and returned home to live with his father, where he began studying to become a schoolteacher. Despite this, he continued his studies in composition with Antonio Salieri and still composed prolifically. In 1821, Schubert was admitted to the Gesellschaft der Musikfreunde as a performing member, which helped establish his name among the Viennese citizenry. He gave a concert of his works to critical acclaim in March 1828, the only time he did so in his career. He died eight months later at the age of 31, the cause officially attributed to typhoid fever, but believed by some historians to be syphilis. Appreciation of Schubert's music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased greatly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is considered one of the greatest composers in the history of Western classical music and his music continues to be widely performed.

Franz Peter Schubert (; German: [fʁants ˈpeːtɐ ˈʃuːbɐt]; 31 January 1797 – 19 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short life, Schubert left behind a vast oeuvre of more than 1,000 compositions, including more than 600 Lieder (art songs in German) and other vocal works, seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. Among these are the songs "Gretchen am Spinnrade", "Erlkönig" and "Ave Maria"; the Trout Quintet; the Symphony No. 8 in B minor (Unfinished); the Symphony No. 9 in C major (The Great); the String Quartet No. 14 in D minor (Death and the Maiden); the String Quintet in C major; the Impromptus for solo piano; the last three piano sonatas; the Fantasia in F minor for piano four hands; the incidental music to the play Rosamunde; the song cycles Die schöne Müllerin and Winterreise; and the song collection Schwanengesang. Born in the Himmelpfortgrund suburb of Vienna, Schubert showed uncommon gifts for music from an early age. His father gave him his first violin lessons and his elder brother gave him piano lessons, but Schubert soon exceeded their abilities. In 1808, at the age of eleven, he became a pupil at the Stadtkonvikt school, where he became acquainted with the orchestral music of Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven. He left the Stadtkonvikt at the end of 1813 and returned home to live with his father, where he began studying to become a schoolteacher. Despite this, he continued his studies in composition with Antonio Salieri and still composed prolifically. In 1821, Schubert was admitted to the Gesellschaft der Musikfreunde as a performing member, which helped establish his name among the Viennese citizenry. He gave a concert of his works to critical acclaim in March 1828, the only time he did so in his career. He died eight months later at the age of 31, the cause officially attributed to typhoid fever, but believed by some historians to be syphilis. Appreciation of Schubert's music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased greatly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is considered one of the greatest composers in the history of Western classical music and his music continues to be widely performed.

Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers, the information of which attempts to reflect the most current information regarding Schubert's catalogue. The list below includes the following information: D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances Title – the title of the work Incipit – the first line(s) of text, as pertaining to vocal works Scoring – the instrumentation and/or vocal forces required for the work Informal Title – any additional names by which the work is known, when applicable Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable Date – the known or assumed date of composition, when available; or date of publication Opus Number – the opus number of the original publication of the work, when applicable Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text Version – the number of version as it pertains to works or vocal settings that have more than one existing version Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

Franz Schubert's compositions of 1825 are mostly in the Deutsch catalogue (D) range D 823–862, and include: Instrumental works: Piano Sonata in C major, D 840 Piano Sonata in A minor, D 845 Piano Sonata in D major, D 850 Vocal music: "Ave Maria", D 839, and six other songs from Walter Scott's Lady of the Lake, Op. 52