This list of compositions by Robert Schumann is classified into piano, vocal, orchestral and chamber works. All works are also listed separately, by opus number. Schumann wrote almost exclusively for the piano until 1840, when he burst into song composition around the time of his marriage to Clara Wieck. Partly due to Clara Schumann's encouragement, he then expanded his oeuvre to orchestral works, composing the 1st symphony, the 4th symphony, and the Overture, Scherzo and Finale Op. 52 in the year of 1841. The next year, 1842, is known as 'the year of chamber works,' where he notably composed 3 String Quartets, a Piano Quintet, and a Piano Quartet. Robert Schumann is known as one of the most prolific composers in the Romantic era, producing multiple works for multiple instruments, forms, and genres (both absolute and program music). The list is based on lists of his works, such as in the 2001 biography by Eric Frederick Jensen.

In music, Op. 84 stands for Opus number 84. Compositions that are assigned this number include: Aleš – The Jacobin Beethoven – Egmont Dvořák – The Jacobin Elgar – Piano Quintet Prokofiev – Piano Sonata No. 8 Schumann – Beim Abschied zu singen for chorus & winds Strauss – Japanese Festival Music

In music, Op. 57 stands for Opus number 57. Compositions that are assigned this number include: Beethoven – Piano Sonata No. 23 Chopin – Berceuse Dvořák – Violin Sonata Fauré – Shylock Glazunov – Raymonda Medtner – Violin Sonata No. 3 Nielsen – Clarinet Concerto Prokofiev – Symphonic Song Reicha – L'art de varier Schumann – Belsatzar, ballad (Heine) Shostakovich – Piano Quintet

Paradise and the Peri, in German Das Paradies und die Peri, is a secular oratorio for soloists, choir, and orchestra by Robert Schumann. Completed in 1843, the work was published as Schumann's Op. 50. The work is based on a German translation (by Schumann and his friend Emil Flechsig) of a tale from Lalla-Rookh by Irish poet and lyricist Thomas Moore. The peri, a creature from Persian mythology, is the focus of the story, having been expelled from Paradise and trying to regain entrance by giving the gift that is most dear to heaven. Eventually the peri is admitted after bringing a tear from the cheek of a repentant old sinner who has seen a child praying. Peter Ostwald in his biography Schumann: The Inner Voices of a Musical Genius records that Schumann "confided to a friend that 'while writing Paradise and the Peri a voice occasionally whispered to me "what you are doing is not done completely in vain,"'" and that even Richard Wagner praised this work. The cantata is generally held to be a significant achievement by Schumann, and it perhaps appeals less than it might otherwise to modern audiences due to the flowery, Eastern-inspired verbiage of the libretto, which represents a vogue for orientalism that was in full swing in the 19th century but has receded considerably today. This oratorio premiered under the composer's baton on 4 December 1843 in Leipzig. It was well received, and performances in Dresden and Berlin followed. The first English performance took place under difficult conditions at the Hanover Square Rooms in London at the invitation of the Philharmonic Society conducted by William Sterndale Bennett with Jenny Lind taking the leading soprano part. Paradise and the Peri was the vehicle for Gabrielle Krauss's first important appearance, in Vienna in 1858, when she was not yet 16 years old.

In music, Op. 87 stands for Opus number 87. Compositions that are assigned this number include: Brahms – Piano Trio No. 2 Dvořák – Piano Quartet No. 2 Elgar – The Severn Suite Fauré – Le Plus doux chemin Mendelssohn – String Quintet No. 2 Prokofiev – Cinderella Rautavaara – String Quartet No. 4 Ries – Flute Sonata No. 4 Schumann – Der Handschuh Shostakovich – 24 Preludes and Fugues Sibelius – Two Humoresques, concertante works for violin and orchestra (1917, revised 1940)

In music, Op. 116 stands for Opus number 116. Compositions that are assigned this number include: Brahms – Fantasies, Op. 116 Prokofiev – Ivan the Terrible Schumann – Der Königssohn (Uhland), for solos, chorus and orchestra

In music, Op. 112 stands for Opus number 112. Compositions that are assigned this number include: Beethoven – Meeresstille und glückliche Fahrt Dvořák – The Devil and Kate Ries – Symphony No. 5 Schumann – Der Rose Pilgerfahrt Shostakovich – Symphony No. 12 Sibelius – Tapiola, tone poem for orchestra (1926) Weinberg – Lady Magnesia

In music, Op. 139 stands for Opus number 139. Compositions that are assigned this number include: Czerny – 100 Progressive Studies Schumann – "Des Sängers Fluch" (Uhland) for solo voice, chorus and orchestra Shostakovich – March of the Soviet Police Smirnov – Triple Concerto No. 2 Strauss II – Kron

Dichterliebe, A Poet's Love (composed 1840), is the best-known song cycle by Robert Schumann (Op. 48). The texts for its 16 songs come from the Lyrisches Intermezzo by Heinrich Heine, written in 1822–23 and published as part of Heine's Das Buch der Lieder. Along with the song cycles of Franz Schubert (Die schöne Müllerin and Winterreise), Schumann's form the core of the genre in musical literature.

In music, Op. 141 stands for Opus number 141. Compositions that are assigned this number include: Schumann – 4 doppelchörige Gesänge (partsongs) Shostakovich – Symphony No. 15 Strauss II – Wellen und Wogen

In music, Op. 34 stands for Opus number 34. Compositions that are assigned this number include: Arnold – The Dancing Master Brahms – Piano Quintet Britten – The Young Person's Guide to the Orchestra Chopin – Waltzes, Op. 34 Dvořák – String Quartet No. 9 Eberl – Symphony in D minor Ginastera – Bomarzo Grieg – Two Elegiac Melodies Hanson – Symphony No. 4 Larsson – Symphony No. 3 in C minor (1945) Nielsen – Aladdin Prokofiev– Overture on Hebrew Themes Rachmaninoff – 14 Songs Rimsky – Capriccio Espagnol Schumann – 4 Duets (soprano and tenor with piano) Shostakovich – 24 Preludes Suk – Ripening Szymanowski – Masques Tchaikovsky – Valse-Scherzo Weber – Clarinet Quintet

In music, Op. 43 stands for Opus number 43. Compositions that are assigned this number include: Atterberg – Aladdin Beethoven – The Creatures of Prometheus Chopin – Tarantelle Elgar – Dream Children Milhaud – Little Symphony No. 1 Nielsen – Wind Quintet Rachmaninoff – Rhapsody on a Theme of Paganini Rossini – La Danza Roussel – Bacchus and Ariadne Schumann – 3 Duets Scriabin – Symphony No. 3 Shostakovich – Symphony No. 4 Sibelius – Symphony No. 2 in D major (1902) Spohr – String Quartet No. 11 Strauss – Explosions-Polka Tchaikovsky – Orchestral Suite No. 1 Waterhouse – Gestural Variations

In music, Op. 78 stands for Opus number 78. Compositions that have been assigned this number include: Beethoven – Piano Sonata No. 24 Brahms – Violin Sonata No. 1 Dvořák – Symphonic Variations Fauré – Sicilienne Klebe – Das Rendezvous Saint-Saëns – Symphony No. 3 Schubert – Piano Sonata in G major, D 894 Schumann – 4 duets (soprano and tenor) Tchaikovsky – The Voyevoda

Frauen-Liebe und Leben (Woman's Love and Life) is a cycle of poems by Adelbert von Chamisso, written in late 1829 and early 1830. They describe the course of a woman's love for a man, from their first meeting to her widowhood. The poems were widely popular and set to music by many composers, including Carl Loewe and Franz Lachner. Robert Schumann's song cycle on the text is the most widely known.

This list of compositions by Robert Schumann is classified into piano, vocal, orchestral and chamber works. All works are also listed separately, by opus number. Schumann wrote almost exclusively for the piano until 1840, when he burst into song composition around the time of his marriage to Clara Wieck. Partly due to Clara Schumann's encouragement, he then expanded his oeuvre to orchestral works, composing the 1st symphony, the 4th symphony, and the Overture, Scherzo and Finale Op. 52 in the year of 1841. The next year, 1842, is known as 'the year of chamber works,' where he notably composed 3 String Quartets, a Piano Quintet, and a Piano Quartet. Robert Schumann is known as one of the most prolific composers in the Romantic era, producing multiple works for multiple instruments, forms, and genres (both absolute and program music). The list is based on lists of his works, such as in the 2001 biography by Eric Frederick Jensen.

This list of compositions by Robert Schumann is classified into piano, vocal, orchestral and chamber works. All works are also listed separately, by opus number. Schumann wrote almost exclusively for the piano until 1840, when he burst into song composition around the time of his marriage to Clara Wieck. Partly due to Clara Schumann's encouragement, he then expanded his oeuvre to orchestral works, composing the 1st symphony, the 4th symphony, and the Overture, Scherzo and Finale Op. 52 in the year of 1841. The next year, 1842, is known as 'the year of chamber works,' where he notably composed 3 String Quartets, a Piano Quintet, and a Piano Quartet. Robert Schumann is known as one of the most prolific composers in the Romantic era, producing multiple works for multiple instruments, forms, and genres (both absolute and program music). The list is based on lists of his works, such as in the 2001 biography by Eric Frederick Jensen.

Sechs Gedichte und Requiem, Op. 90, (English: Six Poems and Requiem) also called the Lenau-Lieder, is a song cycle by Robert Schumann. It was composed in 1850, shortly before the Schumanns moved to Düsseldorf. The cycle consists of seven songs. The first six are settings of poems by Nikolaus Lenau. The final song, "Requiem", is a setting of a translation by Lebrecht Blücher Dreves of an anonymous mediaeval poem in Latin.

In music, Op. 119 stands for Opus number 119. Compositions that are assigned this number include: Beethoven – Bagatelles, Op. 119 Brahms – Four Pieces for Piano Klebe – Gervaise Macquart Prokofiev – Cello Sonata Reger – Die Weihe der Nacht Saint-Saëns – Cello Concerto No. 2 Schumann – 3 Gedichte

In music, Op. 29 stands for Opus number 29. Compositions that are assigned this number include: Beethoven – String Quintet, Op. 29 Chopin – Impromptu No. 1 Enescu – Piano Quintet Finzi – Intimations of Immortality Hindemith – Klaviermusik mit Orchester Holst – St Paul's Suite Liebermann – Gargoyles Madetoja – Symphony No. 1 in F major (1916) Nielsen – Symphony No. 4 Prokofiev – Piano Sonata No. 4 Rachmaninoff – Isle of the Dead Ries – Clarinet Sonata Saint-Saëns – Piano Concerto No. 3 Schubert – String Quartet No. 13 Schumann – 3 Gedichte Scriabin – Symphony No. 2 Shostakovich – Lady Macbeth of the Mtsensk District Sibelius – Snöfrid, melodrama for narrator, mixed choir, and orchestra (1900) Strauss – Traum durch die Dämmerung Suk – A Summer's Tale Szymanowski – Métopes Tchaikovsky – Symphony No. 3 Waterhouse – Mouvements d'Harmonie

In music, Op. 35 stands for Opus number 35. Compositions that are assigned this number include: Arensky – Variations on a Theme by Tchaikovsky Barber – A Hand of Bridge Beethoven – Eroica Variations Brahms – Variations on a Theme of Paganini Chausson – String Quartet Chopin – Piano Sonata No. 2 Fauré – Madrigal Hába – Mother Korngold – Violin Concerto Madetoja – Symphony No. 2 in E-flat major (1918) Rachmaninoff – The Bells Reger – Sechs Lieder, Op. 35 Rieding- Concerto in B minor for Violin and Piano Op. 35 Rimsky-Korsakov – Scheherazade Rubinstein – Piano Concerto No. 2 Schumann – 12 Gedichte Shostakovich – Piano Concerto No. 1 Sibelius – Two Songs, Op. 35, collection of art songs (1908) Strauss – Don Quixote Szymanowski – Violin Concerto No. 1 Tchaikovsky – Violin Concerto

In music, Op. 36 stands for Opus number 36. Compositions that are assigned this number include: Ashton – Enigma Variations Beethoven – Symphony No. 2 Brahms – String Sextet No. 2 Britten – String Quartet No. 2 Bruch – Symphony No. 2 Chopin – Impromptu No. 2 Clementi – 6 Sonatinas Elgar – Enigma Variations Górecki – Symphony No. 3 Grieg – Cello Sonata Hindemith – Kammermusik Klebe – Alkmene Korngold – Die stumme Serenade Mendelssohn – St. Paul Moszkowski – Étincelles Myaskovsky – Symphony No. 13 Rachmaninoff – Piano Sonata No. 2 Rimskij Korsakov – Russian Easter Festival Overture Rózsa – Toccata capricciosa for cello, Op. 36 Schumann – 6 Gedichte Sibelius – Six Songs, Op. 36, collection of art songs (1899–1900) Tchaikovsky – Symphony No. 4 Vieuxtemps – Viola Sonata No. 1 Waterhouse – Celtic Voices and Hale Bopp

In music, Op. 107 stands for Opus number 107. Compositions that are assigned this number include: Beethoven – Ten National Airs with Variations for Flute and Piano Chaminade – Flute Concertino Dvořák – The Water Goblin Mendelssohn – Symphony No. 5 Schumann – 6 Gesänge Shostakovich – Cello Concerto No. 1

In music, Op. 142 stands for Opus number 142. Compositions that are assigned this number include: Schubert – Four Impromptus, D. 935 Schumann – 4 Gesänge Shostakovich – String Quartet No. 14

This list of compositions by Robert Schumann is classified into piano, vocal, orchestral and chamber works. All works are also listed separately, by opus number. Schumann wrote almost exclusively for the piano until 1840, when he burst into song composition around the time of his marriage to Clara Wieck. Partly due to Clara Schumann's encouragement, he then expanded his oeuvre to orchestral works, composing the 1st symphony, the 4th symphony, and the Overture, Scherzo and Finale Op. 52 in the year of 1841. The next year, 1842, is known as 'the year of chamber works,' where he notably composed 3 String Quartets, a Piano Quintet, and a Piano Quartet. Robert Schumann is known as one of the most prolific composers in the Romantic era, producing multiple works for multiple instruments, forms, and genres (both absolute and program music). The list is based on lists of his works, such as in the 2001 biography by Eric Frederick Jensen.

In music, Op. 31 stands for Opus number 31. Compositions that are assigned this number include: Alkan – Preludes, Op. 31 Barber – Summer Music Beethoven – Piano Sonata No. 16 Beethoven – Piano Sonata No. 17 Beethoven – Piano Sonata No. 18 Britten – Serenade for Tenor, Horn and Strings Chopin – Scherzo No. 2 Elgar – A Song of Flight Elgar – After Enescu – Vox Maris Farrenc – Piano Quintet No. 2 Górecki – Symphony No. 2 Gottschalk – Souvenir de Porto Rico Prokofiev – Tales of an Old Grandmother Rachmaninoff – Liturgy of St. John Chrysostom Saint-Saëns – Le rouet d'Omphale Schillings – Mona Lisa Schoenberg – Variations for Orchestra Schumann – 3 Gesänge Tchaikovsky – Marche slave Vierne – Vingt-quatre pièces en style libre

In music, Op. 59 stands for Opus number 59. Compositions that are assigned this number include: Beethoven – String Quartets Nos. 7–9, Op. 59 – Rasumovsky Chopin – Mazurkas, Op. 59 Dvořák – Legends Elgar – Oh, soft was the song, Was it some Golden Star?, and Twilight Mendelssohn – Sechs Lieder, Op. 59 Nielsen – Tre Klaverstykker Schubert – Du bist die Ruh' Schumann – 4 Gesänge Scriabin – Prelude, Op. 59, No. 2 Sibelius – In memoriam, funeral march for orchestra (1909, revised 1910) Strauss – Der Rosenkavalier Szymanowski – Litany to the Virgin Mary

In music, Op. 83 stands for Opus number 83. Compositions that are assigned this number include: Brahms – Piano Concerto No. 2 Elgar – String Quartet Glazunov – Symphony No. 8 Prokofiev – Piano Sonata No. 7 Ries – Violin Sonata No. 19 Saint-Saëns – Havanaise Schumann – 3 Gesänge Shostakovich – String Quartet No. 4 Sibelius – Everyman (Jedermann or Jokamies), theatre score for soloists, mixed choir, and orchestra (1916)

In music, Op. 89 stands for Opus number 89. Compositions that are assigned this number include: Beethoven – Polonaise, Op. 89 Brahms – Gesang der Parzen Dvořák – Requiem Fauré – Piano Quintet No. 1 Hummel – Piano Concerto No. 3 Saint-Saëns – Africa Schubert – Winterreise Schumann – 6 Gesänge Shostakovich – The Unforgettable Year 1919 Sibelius – Four Humoresques, concertante works for violin and orchestra (1917–1918)

In music, Op. 95 stands for Opus number 95. Compositions that are assigned this number include: Arnold – Symphony No. 6 Beethoven – String Quartet No. 11 Dvořák – Symphony No. 9 Schumann – 3 Gesänge Sibelius – Hymn of the Earth (Maan virsi), cantata for mixed choir and orchestra (1920) Stanford – Serenade in F major Strauss – Idyllen Tcherepnin – Chinese Songs

The following is a list of the complete vocal output of Robert Schumann (8 June 1810 – 29 July 1856). Schumann was one of the most prolific composers of the nineteenth century. After producing almost only piano music during the early part of his career, he turned with such vigour in 1839–40 to vocal music that it made up the majority of his published work afterwards. His songs, part-songs and larger-scale vocal works were well-known and lucrative in his lifetime, and they have remained some of his most popular compositions. This list is based upon the Thematisch-Bibliographisches Werkverzeichnis, a comprehensive catalogue of Schumann's works compiled by Margit L. McCorkle and published in 2003. Since Schumann's death scholars have made several separate attempts to catalogue his works not published with Opus number. The result is that one work may bear several separate tags, as designated by the various cataloguers. The list gives as a lemma any WoO (Werke ohne Opuszahl) number assigned traditionally to works published, or prepared for publication, by Schumann himself. Posthumous publication of a work prepared for the press by Schumann is indicated in brackets. For works neither published nor prepared for publication by Schumann, RSW (Robert-Schumann-Werkverzeichnis) numbers, as assigned by McCorkle, are used. Hofmann-Keil (H/K) WoO numberings are given for some items in brackets; the catalogue Hofman and Keil prepared, though incomplete, was the most popular before the publication of McCorkle's, and the numbers they assigned are still occasionally used. For a list of all Schumann's compositions, see List of compositions by Robert Schumann.

In music, Op. 125 stands for Opus number 125. Compositions that are assigned this number include: Beethoven – Symphony No. 9 Prokofiev – Symphony-Concerto Reger – Eine romantische Suite Ries – Cello Sonata No. 4 Schumann – 5 heitere Gesänge Straus II – Phönix-Schwingen

In music, Op. 117 stands for Opus number 117. Compositions that are assigned this number include: Beethoven – King Stephen Brahms – Three Intermezzi Fauré – Cello Sonata No. 2 Mendelssohn - Albumblatt (Album Leaf) in A minor, Op. 117, "Lied ohne Worte" Polevoy – The Story of a Real Man Schumann – 4 Husarenlieder Shostakovich – String Quartet No. 9

The following is a list of the complete vocal output of Robert Schumann (8 June 1810 – 29 July 1856). Schumann was one of the most prolific composers of the nineteenth century. After producing almost only piano music during the early part of his career, he turned with such vigour in 1839–40 to vocal music that it made up the majority of his published work afterwards. His songs, part-songs and larger-scale vocal works were well-known and lucrative in his lifetime, and they have remained some of his most popular compositions. This list is based upon the Thematisch-Bibliographisches Werkverzeichnis, a comprehensive catalogue of Schumann's works compiled by Margit L. McCorkle and published in 2003. Since Schumann's death scholars have made several separate attempts to catalogue his works not published with Opus number. The result is that one work may bear several separate tags, as designated by the various cataloguers. The list gives as a lemma any WoO (Werke ohne Opuszahl) number assigned traditionally to works published, or prepared for publication, by Schumann himself. Posthumous publication of a work prepared for the press by Schumann is indicated in brackets. For works neither published nor prepared for publication by Schumann, RSW (Robert-Schumann-Werkverzeichnis) numbers, as assigned by McCorkle, are used. Hofmann-Keil (H/K) WoO numberings are given for some items in brackets; the catalogue Hofman and Keil prepared, though incomplete, was the most popular before the publication of McCorkle's, and the numbers they assigned are still occasionally used. For a list of all Schumann's compositions, see List of compositions by Robert Schumann.

In music, Op. 137 stands for Opus number 137. Compositions that are assigned this number include: Beethoven – Fugue for String Quintet, Op. 137 Prokofiev – Piano Sonata No. 10 Schumann – Jagdlieder (5 partsongs for men's voices with 4 horns ad lib)

Wilhelm Meister's Apprenticeship (German: Wilhelm Meisters Lehrjahre) is the second novel by Johann Wolfgang von Goethe, published in 1795–96. A Bildungsroman, or coming-of-age story, it was published in 1795/96. It consists of eight books, the first five of which are based on the fragment Wilhelm Meister's Theatrical Mission, which remained unpublished during Goethe's lifetime. A comparison of the two texts reveals numerous verbatim similarities. The sequel, Wilhelm Meister's Journeyman Years, was published in two volumes in 1821 and 1829, respectively.

In music, Op. 127 stands for Opus number 127. Compositions that are assigned this number include: Beethoven – String Quartet No. 12 Czerny – Rondino for Piano Quintet Reger – Introduction, Passacaglia and Fugue Schumann – 5 Lieder und Gesänge

In music, Op. 27 stands for Opus number 27. Compositions that are assigned this number include: Alkan – Le chemin de fer Arnold – English Dances Atterberg – Sonata in B minor Beethoven – Piano Sonata No. 13 Beethoven – Piano Sonata No. 14 Britten – Hymn to St Cecilia Castelnuovo – Naomi and Ruth Chopin – Nocturnes, Op. 27 Elgar – From the Bavarian Highlands Elgar – Three Bavarian Dances Enescu – Orchestral Suite No. 3 Grieg – String Quartet No. 1 Klebe – Die tödlichen Wünsche Lover – Heimliche Aufforderung Mendelssohn – Calm Sea and Prosperous Voyage Nielsen – Symphony No. 3 Rachmaninoff – Symphony No. 2 Reger – Ein' feste Burg ist unser Gott Roussel – Joueurs de flûte Schumann – Lieder und Gesänge volume I (5 songs) Shostakovich – The Bolt Sibelius – King Christian II (Kuningas Kristian II), theatre score and suite (1898, revised and arranged 1898) Spohr – String Quartet No. 6 Strauss – Cäcilie Strauss – Morgen! Strauss – Ruhe, meine Seele! Suk – Asrael Symphony Szymanowski – Symphony No. 3 Waterhouse – Cello Concerto Webern – Variations for piano Wirén – Symphony No. 4 (1952) Ysaÿe – Six Sonatas for solo violin Violin Sonata No. 2

In music, Op. 51 stands for Opus number 51. Compositions that are assigned this number include: Arnold – Tam O'Shanter Overture Beethoven – Two rondos for piano Brahms – Two String Quartets Chopin – Impromptu No. 3 Dvořák – String Quartet No. 10 Elgar – The Kingdom Fibich – Šárka Holst – A Choral Fantasia MacDowell – Woodland Sketches Prokofiev – On the Dnieper Schubert – Three Marches Militaires Schumann – Lieder und Gesänge volume II (5 songs) Scriabin – Prelude in A minor, Op. 51, No. 2 Sibelius – Belshazzar's Feast (Belsazars gästabud), theatre score and suite (1906, arranged 1907) Tchaikovsky – 6 Pieces for solo piano

In music, Op. 77 stands for Opus number 77. Compositions that are assigned this number include: Arnold – Concerto for Two Violins and String Orchestra Beethoven - Fantasia for Piano (1809) Brahms – Violin Concerto Britten – The Burning Fiery Furnace Dvořák – String Quintet No. 2 Elgar – Une voix dans le désert Glazunov – Symphony No. 7 Haydn, Franz - String Quartets Opus 77 (“Lobkowitz”) Krenek – Cefalo e Procri Schubert - Valses Nobles Schumann – Lieder und Gesänge volume III (5 songs) Shostakovich – Violin Concerto No. 1 Sibelius – Two Serious Melodies, concertante works for violin (or cello) and orchestra (1914–1915, arranged 1916) Tchaikovsky – Fatum

In music, Op. 96 stands for Opus number 96. Compositions that are assigned this number include: Beethoven – Violin Sonata No. 10 Dvořák – String Quartet No. 12 Raff – Symphony No. 1 Schumann – Lieder und Gesänge volume IV Shostakovich – Festive Overture Weinberg – Requiem

Clara Josephine Schumann (; German: [ˈklaːʁa ˈʃuːman]; née Wieck; 13 September 1819 – 20 May 1896) was a German virtuoso pianist, composer, and piano teacher and prodigy. Regarded as one of the most distinguished pianists of the Romantic era, she exerted her influence over the course of a 61-year concert career, changing the format and repertoire of the piano recital by lessening the importance of purely virtuosic works. She also composed solo piano pieces, a piano concerto, chamber music, choral pieces, and songs. She grew up in Leipzig, where both her father Friedrich Wieck and her mother Mariane were pianists and piano teachers. In addition, her mother was a singer. Clara was a child prodigy, and was trained by her father. She began touring at age eleven, and was successful in Paris and Vienna, among other cities. She married the composer Robert Schumann, on 12 September 1840, and the couple had eight children. Together, they encouraged Johannes Brahms and maintained a close relationship with him. She gave the public premieres of many works by her husband and by Brahms. After Robert Schumann's early death, she continued her concert tours in Europe for decades, frequently with the violinist Joseph Joachim and other chamber musicians. Beginning in 1878, she was an influential piano educator at Dr. Hoch's Konservatorium in Frankfurt, where she attracted international students. She edited the publication of her husband's work. Schumann died in Frankfurt, but was buried in Bonn beside her husband. Several films have focused on Schumann's life, the earliest being Träumerei (Dreaming) of 1944. A 2008 film, Geliebte Clara (Beloved Clara), was directed by Helma Sanders-Brahms. An image of Clara Schumann from an 1835 lithograph by Andreas Staub was featured on the 100 Deutsche Mark banknote from 1989 to 2002. Interest in her compositions began to revive in the late 20th century, and her 2019 bicentenary prompted new books and exhibitions.

The following is a list of the complete vocal output of Robert Schumann (8 June 1810 – 29 July 1856). Schumann was one of the most prolific composers of the nineteenth century. After producing almost only piano music during the early part of his career, he turned with such vigour in 1839–40 to vocal music that it made up the majority of his published work afterwards. His songs, part-songs and larger-scale vocal works were well-known and lucrative in his lifetime, and they have remained some of his most popular compositions. This list is based upon the Thematisch-Bibliographisches Werkverzeichnis, a comprehensive catalogue of Schumann's works compiled by Margit L. McCorkle and published in 2003. Since Schumann's death scholars have made several separate attempts to catalogue his works not published with Opus number. The result is that one work may bear several separate tags, as designated by the various cataloguers. The list gives as a lemma any WoO (Werke ohne Opuszahl) number assigned traditionally to works published, or prepared for publication, by Schumann himself. Posthumous publication of a work prepared for the press by Schumann is indicated in brackets. For works neither published nor prepared for publication by Schumann, RSW (Robert-Schumann-Werkverzeichnis) numbers, as assigned by McCorkle, are used. Hofmann-Keil (H/K) WoO numberings are given for some items in brackets; the catalogue Hofman and Keil prepared, though incomplete, was the most popular before the publication of McCorkle's, and the numbers they assigned are still occasionally used. For a list of all Schumann's compositions, see List of compositions by Robert Schumann.

In music, Op. 33 stands for Opus number 33. Compositions that are assigned this number include: Beethoven – Bagatelles, Op. 33 Chopin – Mazurkas, Op. 33 Dvořák – Piano Concerto Eberl – Symphony in E-flat Enescu – Chamber Symphony Frankel – Symphony No. 1 French – The Love for Three Oranges Glazunov – Symphony No. 3 Haydn – String Quartets, Op. 33 Jón Leifs – Requiem Kurtág – Stele Nielsen – Violin Concerto Rachmaninoff – Études-Tableaux, Op. 33 Saint-Saëns – Cello Concerto No. 1 Schoenberg – Zwei Klavierstücke Schumann – 6 Lieder (part songs for men's voices with piano ad lib) Sibelius – The Rapids-Rider's Brides (Koskenlaskijan morsiamet), song for soloist and orchestra (1897) Tchaikovsky – Variations on a Rococo Theme Wheeldon – Rococo Variations

In music, Op. 40 stands for Opus number 40. Compositions that are assigned this number include: Arnold – Symphony No. 2 Barber – Antony and Cleopatra Beethoven – Romance for violin and orchestra no. 1 Op. 40 Brahms – Horn Trio Bruch – Hermione Chopin – Polonaises Op. 40 Dohnányi – Symphony No. 2 Dvořák – Nocturne in B major Elgar – Cockaigne (In London Town) Finzi – Cello Concerto Holberg – Holberg Suite Mendelssohn – Piano Concerto No. 2 Rachmaninoff – Piano Concerto No. 4 Reger – Zwei Choralphantasien, Op. 40 Robbins – The Concert Saint-Saëns – Danse macabre Schumann – 5 Lieder Schwabe – Fervaal Shostakovich – Cello Sonata Strauss – Ein Heldenleben

In music, Op. 55 stands for Opus number 55. Compositions that are assigned this number include: Beethoven – Symphony No. 3 Brahms – Triumphlied Chopin – Nocturnes, Op. 55 Alkan - Une fusee, Op. 55 Elgar – Symphony No. 1 Glazunov – Symphony No. 5 Haydn, J. - “Tost” Quartets, Set II, Op. 55 Ippolitov-Ivanov – Turkish March Klebe – Das Märchen von der schönen Lilie Krenek – Schwergewicht Madetoja – Symphony No. 3 in A major (1926) Mendelssohn – Antigone Nielsen – Tre Motetter Prokofiev – Piano Concerto No. 5 Ries – Piano Concerto No. 3 Schumann – 5 Lieder Sibelius – Nightride and Sunrise (Öinen ratsastus ja auringonnousu), tone poem for orchestra (1908) Szymanowski – Harnasie Tchaikovsky – Orchestral Suite No. 3

Liederkreis, Op. 39, is a song cycle composed by Robert Schumann. Its poetry is taken from Joseph von Eichendorff's collection entitled Intermezzo. Schumann wrote two cycles of this name – the other being his Opus 24, to texts by Heinrich Heine – so this work is also known as the Eichendorff Liederkreis. Schumann wrote, "The voice alone cannot reproduce everything or produce every effect; together with the expression of the whole the finer details of the poem should also be emphasized; and all is well so long as the vocal line is not sacrificed." Liederkreis, Op. 39, is regarded as one of the great song cycles of the 19th century, capturing, in essence, the Romantic experience of landscape. Schumann wrote it starting in May 1840, the year in which he wrote such a large number of lieder that it is known as his "year of song" or Liederjahr.

Liederkreis, Op. 39, is a song cycle composed by Robert Schumann. Its poetry is taken from Joseph von Eichendorff's collection entitled Intermezzo. Schumann wrote two cycles of this name – the other being his Opus 24, to texts by Heinrich Heine – so this work is also known as the Eichendorff Liederkreis. Schumann wrote, "The voice alone cannot reproduce everything or produce every effect; together with the expression of the whole the finer details of the poem should also be emphasized; and all is well so long as the vocal line is not sacrificed." Liederkreis, Op. 39, is regarded as one of the great song cycles of the 19th century, capturing, in essence, the Romantic experience of landscape. Schumann wrote it starting in May 1840, the year in which he wrote such a large number of lieder that it is known as his "year of song" or Liederjahr.

In music, Op. 103 stands for Opus number 103. Compositions that are assigned this number include: Beethoven – Octet Haydn - Quartet No. 68 in D minor Prokofiev – Piano Sonata No. 9 Saint-Saëns – Piano Concerto No. 5 Schumann – Mädchenlieder (2 women's voices and piano) Shostakovich – Symphony No. 11

In music, Op. 101 stands for Opus number 101. Compositions that are assigned this number include: Beethoven – Piano Sonata No. 28 Brahms – Piano Trio No. 3 Dvořák – Humoresques Schumann – Minnespiel (4 songs, 2 duets, 2 quartets) Shostakovich – String Quartet No. 6 Strauss – Mephistos Höllenrufe

Missa sacra, also called Mass in C minor, Op. 147 is a six movement work by Robert Schumann for choir and orchestra. The work was originally composed in 1852 and 1853 and fully published in 1862, six years after the composer's death. The work runs approximately 45 minutes.

Myrthen (Myrtles), Op. 25, is a song cycle composed in the spring of 1840 by Robert Schumann. Its 26 Lieder were written as a wedding gift for his fiancée, Clara Wieck, and presented to her on the eve of their wedding which took place on 12 September that year. The cycle was published that same month, with a dedication to Clara, in four books by Kistner in Leipzig where the couple lived. The texts are poems by various authors, including eight by Robert Burns, translated into German by the poet Wilhelm Gerhard, and several each by Friedrich Rückert, Johann Wolfgang von Goethe and Heinrich Heine. The cycle was originally published in a version for high voice, but has been performed by singers of all voice types, sometimes by a woman and man alternating. The opening song "Widmung" (Dedication) is the best-known song from the cycle. Regarded as a profound expression of marital devotion, it was one of Clara Schumann's favourites among her husband's Lieder.

Nachtlied, Op. 108, is a tone poem by Robert Schumann for choir and orchestra with text from a poem of the same name by Friedrich Hebbel. The work was composed in 1849 and published in 1852. A performance lasts for approximately 10 to 12 minutes.

Requiem for Mignon (German: Requiem für Mignon) is a six movement work by Robert Schumann for choir and orchestra. The work was originally composed in 1849, premiered in 1851, and runs approximately 13 minutes.

Requiem Op. 148 is a nine movement work by Robert Schumann for choir and orchestra. The work was originally composed in 1852 and published in 1865, eight years after the composer's death. The work runs approximately 33 minutes.

In music, Op. 65 stands for Opus number 65. Compositions that are assigned this number include: Beethoven – Ah! perfido Brahms – Neue Liebeslieder Britten – Cello Sonata Chopin – Cello Sonata Dvořák – Piano Trio No. 3 Glazunov – Commemorative Cantata for the Centenary of the Birth of Pushkin Koechlin – Les Heures persanes Mendelssohn – Organ Sonatas, Op. 65 Prokofiev – Music for Children, Op. 65 Reger – Zwölf Stücke, Op. 65 Saint-Saëns – Septet in E♭ major Schumann – Ritornelle in canonischen Weisen (7 canonic part songs) Shostakovich – Symphony No. 8 Sibelius – The Bells of Kallio Church (Kallion kirkon kellosävel), transcription for solo piano (1912) Strauss – Die Frau ohne Schatten Weber – Invitation to the Dance

In music, Op. 145 stands for Opus number 145. Compositions that are assigned this number include: Castelnuovo-Tedesco – Fantasia Reger – Sieben Stücke, Op. 145 Ries – Three Flute Quartets Schumann – Romanzen und Balladen, Vol. III

In music, Op. 146 stands for Opus number 146. Compositions that are assigned this number include: Reger – Clarinet Quintet Schumann – Romanzen und Balladen, Vol. V Strauss – Novellen

This list of compositions by Robert Schumann is classified into piano, vocal, orchestral and chamber works. All works are also listed separately, by opus number. Schumann wrote almost exclusively for the piano until 1840, when he burst into song composition around the time of his marriage to Clara Wieck. Partly due to Clara Schumann's encouragement, he then expanded his oeuvre to orchestral works, composing the 1st symphony, the 4th symphony, and the Overture, Scherzo and Finale Op. 52 in the year of 1841. The next year, 1842, is known as 'the year of chamber works,' where he notably composed 3 String Quartets, a Piano Quintet, and a Piano Quartet. Robert Schumann is known as one of the most prolific composers in the Romantic era, producing multiple works for multiple instruments, forms, and genres (both absolute and program music). The list is based on lists of his works, such as in the 2001 biography by Eric Frederick Jensen.

In music, Op. 49 stands for Opus number 49. Compositions that are assigned this number include: Beethoven – Piano Sonatas Nos. 19 and 20 Brahms – Wiegenlied Chopin – Fantaisie in F minor Elgar – The Apostles Klebe – Jacobowsky und der Oberst Krenek – Der Diktator Mendelssohn – Piano Trio No. 1 Milhaud – Little Symphony No. 2 Schumann – Romanzen & Balladen volume II (3 songs) Scriabin – Prelude in F major, Op. 49, No. 2 Shostakovich – String Quartet No. 1 Sibelius – Pohjola's Daughter (Pohjolan tytär), tone poem for orchestra (1906) Tchaikovsky – 1812 Overture

This list of compositions by Robert Schumann is classified into piano, vocal, orchestral and chamber works. All works are also listed separately, by opus number. Schumann wrote almost exclusively for the piano until 1840, when he burst into song composition around the time of his marriage to Clara Wieck. Partly due to Clara Schumann's encouragement, he then expanded his oeuvre to orchestral works, composing the 1st symphony, the 4th symphony, and the Overture, Scherzo and Finale Op. 52 in the year of 1841. The next year, 1842, is known as 'the year of chamber works,' where he notably composed 3 String Quartets, a Piano Quintet, and a Piano Quartet. Robert Schumann is known as one of the most prolific composers in the Romantic era, producing multiple works for multiple instruments, forms, and genres (both absolute and program music). The list is based on lists of his works, such as in the 2001 biography by Eric Frederick Jensen.

This list of compositions by Robert Schumann is classified into piano, vocal, orchestral and chamber works. All works are also listed separately, by opus number. Schumann wrote almost exclusively for the piano until 1840, when he burst into song composition around the time of his marriage to Clara Wieck. Partly due to Clara Schumann's encouragement, he then expanded his oeuvre to orchestral works, composing the 1st symphony, the 4th symphony, and the Overture, Scherzo and Finale Op. 52 in the year of 1841. The next year, 1842, is known as 'the year of chamber works,' where he notably composed 3 String Quartets, a Piano Quintet, and a Piano Quartet. Robert Schumann is known as one of the most prolific composers in the Romantic era, producing multiple works for multiple instruments, forms, and genres (both absolute and program music). The list is based on lists of his works, such as in the 2001 biography by Eric Frederick Jensen.

This list of compositions by Robert Schumann is classified into piano, vocal, orchestral and chamber works. All works are also listed separately, by opus number. Schumann wrote almost exclusively for the piano until 1840, when he burst into song composition around the time of his marriage to Clara Wieck. Partly due to Clara Schumann's encouragement, he then expanded his oeuvre to orchestral works, composing the 1st symphony, the 4th symphony, and the Overture, Scherzo and Finale Op. 52 in the year of 1841. The next year, 1842, is known as 'the year of chamber works,' where he notably composed 3 String Quartets, a Piano Quintet, and a Piano Quartet. Robert Schumann is known as one of the most prolific composers in the Romantic era, producing multiple works for multiple instruments, forms, and genres (both absolute and program music). The list is based on lists of his works, such as in the 2001 biography by Eric Frederick Jensen.

This list of compositions by Robert Schumann is classified into piano, vocal, orchestral and chamber works. All works are also listed separately, by opus number. Schumann wrote almost exclusively for the piano until 1840, when he burst into song composition around the time of his marriage to Clara Wieck. Partly due to Clara Schumann's encouragement, he then expanded his oeuvre to orchestral works, composing the 1st symphony, the 4th symphony, and the Overture, Scherzo and Finale Op. 52 in the year of 1841. The next year, 1842, is known as 'the year of chamber works,' where he notably composed 3 String Quartets, a Piano Quintet, and a Piano Quartet. Robert Schumann is known as one of the most prolific composers in the Romantic era, producing multiple works for multiple instruments, forms, and genres (both absolute and program music). The list is based on lists of his works, such as in the 2001 biography by Eric Frederick Jensen.

This list of compositions by Robert Schumann is classified into piano, vocal, orchestral and chamber works. All works are also listed separately, by opus number. Schumann wrote almost exclusively for the piano until 1840, when he burst into song composition around the time of his marriage to Clara Wieck. Partly due to Clara Schumann's encouragement, he then expanded his oeuvre to orchestral works, composing the 1st symphony, the 4th symphony, and the Overture, Scherzo and Finale Op. 52 in the year of 1841. The next year, 1842, is known as 'the year of chamber works,' where he notably composed 3 String Quartets, a Piano Quintet, and a Piano Quartet. Robert Schumann is known as one of the most prolific composers in the Romantic era, producing multiple works for multiple instruments, forms, and genres (both absolute and program music). The list is based on lists of his works, such as in the 2001 biography by Eric Frederick Jensen.

This list of compositions by Robert Schumann is classified into piano, vocal, orchestral and chamber works. All works are also listed separately, by opus number. Schumann wrote almost exclusively for the piano until 1840, when he burst into song composition around the time of his marriage to Clara Wieck. Partly due to Clara Schumann's encouragement, he then expanded his oeuvre to orchestral works, composing the 1st symphony, the 4th symphony, and the Overture, Scherzo and Finale Op. 52 in the year of 1841. The next year, 1842, is known as 'the year of chamber works,' where he notably composed 3 String Quartets, a Piano Quintet, and a Piano Quartet. Robert Schumann is known as one of the most prolific composers in the Romantic era, producing multiple works for multiple instruments, forms, and genres (both absolute and program music). The list is based on lists of his works, such as in the 2001 biography by Eric Frederick Jensen.

This list of compositions by Robert Schumann is classified into piano, vocal, orchestral and chamber works. All works are also listed separately, by opus number. Schumann wrote almost exclusively for the piano until 1840, when he burst into song composition around the time of his marriage to Clara Wieck. Partly due to Clara Schumann's encouragement, he then expanded his oeuvre to orchestral works, composing the 1st symphony, the 4th symphony, and the Overture, Scherzo and Finale Op. 52 in the year of 1841. The next year, 1842, is known as 'the year of chamber works,' where he notably composed 3 String Quartets, a Piano Quintet, and a Piano Quartet. Robert Schumann is known as one of the most prolific composers in the Romantic era, producing multiple works for multiple instruments, forms, and genres (both absolute and program music). The list is based on lists of his works, such as in the 2001 biography by Eric Frederick Jensen.

In music, Op. 106 stands for Opus number 106. Compositions that are assigned this number include: Beethoven – Piano Sonata No. 29 Dvořák – String Quartet No. 13 Fauré – Le jardin clos Reger – Der 100. Psalm Schubert – An Sylvia Schumann – Declamation with piano, "Schön Hedwig"

This list of compositions by Robert Schumann is classified into piano, vocal, orchestral and chamber works. All works are also listed separately, by opus number. Schumann wrote almost exclusively for the piano until 1840, when he burst into song composition around the time of his marriage to Clara Wieck. Partly due to Clara Schumann's encouragement, he then expanded his oeuvre to orchestral works, composing the 1st symphony, the 4th symphony, and the Overture, Scherzo and Finale Op. 52 in the year of 1841. The next year, 1842, is known as 'the year of chamber works,' where he notably composed 3 String Quartets, a Piano Quintet, and a Piano Quartet. Robert Schumann is known as one of the most prolific composers in the Romantic era, producing multiple works for multiple instruments, forms, and genres (both absolute and program music). The list is based on lists of his works, such as in the 2001 biography by Eric Frederick Jensen.

In music, Op. 138 stands for Opus number 138. Compositions that are assigned this number include: Reger – Der Mensch lebt und bestehet Reger – Nachtlied Reger – Unser lieben Frauen Traum Schumann – Spanische Liebeslieder Shostakovich – String Quartet No. 13

This list of compositions by Robert Schumann is classified into piano, vocal, orchestral and chamber works. All works are also listed separately, by opus number. Schumann wrote almost exclusively for the piano until 1840, when he burst into song composition around the time of his marriage to Clara Wieck. Partly due to Clara Schumann's encouragement, he then expanded his oeuvre to orchestral works, composing the 1st symphony, the 4th symphony, and the Overture, Scherzo and Finale Op. 52 in the year of 1841. The next year, 1842, is known as 'the year of chamber works,' where he notably composed 3 String Quartets, a Piano Quintet, and a Piano Quartet. Robert Schumann is known as one of the most prolific composers in the Romantic era, producing multiple works for multiple instruments, forms, and genres (both absolute and program music). The list is based on lists of his works, such as in the 2001 biography by Eric Frederick Jensen.

In music, Op. 140 stands for Opus number 140. Compositions that are assigned this number include: Raff – Symphony No. 2 Saint-Saëns – The Promised Land Schubert – Sonata in C major for piano four-hands, D 812 (Grand Duo) Schumann – "Vom Pagen und der Königstochter" for solo voice, chorus, and orchestra Shostakovich – Six Romances on Verses by English Poets