The Poem of Ecstasy (Le Poème de l'extase), Op. 54, is a symphonic poem by Russian composer and pianist Alexander Scriabin written between 1905 and 1908, when Scriabin was actively involved with the Theosophical Society. The 20-minute work premiered on 10 December 1908 in New York City.

The Piano Concerto in F♯ minor, Op. 20, is an early work of the Russian composer Alexander Scriabin (1872–1915). Written in 1896, when he was 24, it was his first work for orchestra and the only concerto he composed. Scriabin completed the concerto in only a few days in the fall of 1896, but did not finish the orchestration until the following May (and only after constant urging by his publisher and patron Mitrofan Belyayev). Belyayev paid the composer 600 rubles (roughly $10,000 in current USD); it premiered in October 1897 and was finally published in 1898.

Prometheus: The Poem of Fire, Op. 60 (1910), is a tone poem by the Russian composer Alexander Scriabin for piano, orchestra, optional choir, and clavier à lumières or "Chromola" (a color organ invented by Preston Millar, in fact rarely featured in performances of the piece, including those during Scriabin's lifetime). Prometheus is only loosely based on the myth of Prometheus. It premiered in Moscow on 2 March 1911. A typical performance lasts about 20 minutes.

Alexander Scriabin's 24 Preludes, Op. 11 is a set of preludes composed in the course of eight years between 1888–96, being also one of Scriabin's first published works with M.P. Belaieff in 1897, in Leipzig, Germany, together with his 12 Études, Op. 8 (1894–95). Scriabin entered a wager with his friend, M.P. Belaieff that by April 1896 he could compose a cycle of forty-eight preludes twice traversing the major and minor keys. Although he had already completed forty-six of the pieces he distanced himself from this project and divided the preludes over several volumes and opus numbers (op. 11, 13, 15, 16 and 17). Only opus 11, with its strict adherence to the circle of fifths to encompass each major and minor key, bears a resemblance to his original idea. Quite apart from the spiritual kinship with Chopin's art apparent in Scriabin's early music, both cycles are similar in construction, with the pieces arranged in relative major and minor keys following the circle of fifths. However, Scriabin himself never mentioned a conscious attempt to imitate Chopin's set of preludes, and by this time he had put aside his early enthusiasm for the Polish composer's music.

The Poem of Ecstasy (Le Poème de l'extase), Op. 54, is a symphonic poem by Russian composer and pianist Alexander Scriabin written between 1905 and 1908, when Scriabin was actively involved with the Theosophical Society. The 20-minute work premiered on 10 December 1908 in New York City.

Alexander Scriabin's Symphony No. 1, Op. 26, in E major was written in 1899 and 1900. It is an ambitious first symphony, consisting of six movements, the last of which has a chorus and two vocal soloists. This work is one of the first in which Scriabin's idea of art morally transforming a person is clearly expressed.

Alexander Scriabin's Symphony No. 2, Op. 29, in C minor was written in 1901 and first performed in St. Petersburg under Anatol Lyadov on 12 January 1902.

Alexander Scriabin's Symphony No. 3 in C minor (Op. 43), entitled Le Divin Poème (The Divine Poem), was written between 1902 and 1904 and published in 1905. It was premiered in Paris on 29 May of that year.