Strauss: Orchestral Works
View all works by Strauss in the main appExplore the complete catalog of Orchestral compositions by Strauss. This curated list includes composition years, historical Wikipedia context, and interactive audio to add specific tracks directly to your listening queue.
| Title | Year | Actions |
|---|---|---|
| 2 Military Marches, op. 57, TrV221 | ||
| 4 Symphonic Intermezzi,TrV246a | ||
| Also sprach Zarathustra, op. 30 |
Also sprach Zarathustra, Op. 30 (German: [ˈalzo ʃpʁaːx t͡saʁaˈtʊstʁa] , Thus Spoke Zarathustra or Thus Spake Zarathustra) is a tone poem by German composer Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's 1883–1885 philosophical work of the same name. Strauss conducted its first performance on 27 November 1896 in Frankfurt. A typical performance lasts roughly 33 minutes. The initial fanfare – titled "Sunrise" in the composer's programme notes – became well known after its use in Stanley Kubrick's 1968 film 2001: A Space Odyssey. Eumir Deodato's jazz-funk hit version won the 1974 Grammy Award for Best Pop Instrumental Performance. |
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| Aus Italien, symphonic fantasy, op. 16, TrV147 | ||
| Burleske for Piano and Orchestra in D minor, TrV145 | ||
| Capriccio: Mondscheinmusik, for orchestra | ||
| Dance Suite from Keyboard Pieces by François Couperin, TrV 245 |
The orchestral Dance Suite from Keyboard Pieces by François Couperin (Tanzsuite aus Klavierstücken von François Couperin), TrV 245 was composed by Richard Strauss in 1923 and consists of eight movements, each one based on a selection of pieces from François Couperin's Pièces de Clavecin written for the solo harpsichord over the period 1713 to 1730. It is also sometimes referred to as simply The Couperin Suite. |
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| Der Rosenkavalier, TrV227d | ||
| Der Rosenkavalier: Waltz Sequence no. 1, TrV227c | ||
| Der Rosenkavalier: Waltz Sequence no. 2, TrV227a | ||
| Die Frau ohne Schatten: Symphonic Fantasy from the Opera, TrV234a | ||
| Don Juan, op. 20, TrV156 | ||
| Don Quixote: Fantastic Variations for Cello and Orchestra, op. 35, TrV184 | ||
| Duet-Concertino for Clarinet, Bassoon, Harp and Strings, TrV293 | ||
| Ein Heldenleben, op. 40, TrV190 | ||
| Eine Alpensinfonie, op. 64, TrV233 | ||
| Fanfare zur Eröffnung der Musikwoche der Stadt Wien im September 1924, for brass and timpani, TrV250 | ||
| Feierlicher Einzug der Ritter des Johanniter-Ordens, for brass and timpani, WoO103, TrV224 | ||
| Festliches Präludium, for organ and orchestra, op. 61, TrV 229 |
The table below shows an incomplete list of compositions by Richard Strauss. |
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| Festmarsch in E flat major, op. 1, TrV 43 |
The table below shows an incomplete list of compositions by Richard Strauss. |
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| Festmusik der Stadt Wien, for brass and timpani, TrV286 | ||
| Horn Concerto no. 1 in E flat major, op. 11, TrV117 | ||
| Horn Concerto no. 2 in E flat major, TrV283 | ||
| Japanische Festmusik, op. 84, TrV277 | ||
| Macbeth, op. 23, TrV163 | ||
| München, commemorative waltz WoO140 | ||
| Oboe Concerto in D major, WoO144, TrV292 | ||
| Parergon zur Sinfonia Domestica, for piano, left hand and orchestra, op. 73, TrV209a | ||
| Romance in E flat major for Clarinet and Orchestra, WoO61, TrV80 | ||
| Romance in F for Cello and Orchestra, WoO75, TrV118 | ||
| Schlagobers, suite from the ballet op. 70 |
Schlagobers (Whipped Cream), Op. 70, is a ballet in two acts with a libretto and score by Richard Strauss. Composed in 1921–22, it was given its première at the Vienna State Opera on 9 May 1924. |
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| Serenade for 13 wind instruments in E flat major, op. 7, TrV106 | ||
| Sinfonia domestica, op. 53, TrV209 | ||
| Sonatina no. 1 in F for Wind Instruments, "From an Invalid's Workshop" | ||
| Symphony for Wind Instruments Op. posth., "Frohliche Werkstatt" | ||
| Symphony no. 1 in D minor, TrV94 | ||
| Symphony no. 2 in F minor, op. 12 |
The Symphony No. 3 in E♭ major, Op. 55, titled as the Eroica Symphony, is a symphony in four movements by Ludwig van Beethoven. One of Beethoven's most celebrated works, the Eroica symphony is a large-scale composition that marked the beginning of the composer's innovative "middle period". Composed mainly in 1803–1804, the work broke boundaries in symphonic form, length, harmony, emotional and cultural content. It is widely considered a landmark in the transition between the Classical and the Romantic era. It is also often considered to be the first Romantic symphony. Beethoven first conducted a private performance on 9 June 1804, and later the first public performance on 7 April 1805. |
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| Till Eulenspiegels lustige Streiche, op. 28, Trv171 | ||
| Tod und Verklärung, op. 24, TrV158 | ||
| Violin Concerto in D minor, op. 8, TrV110 | ||
| Wiener Philharmoniker Fanfare, for brass and timpani, TrV248 |