The 24 Caprices for Solo Violin were written in groups (seven, five and twelve) by Niccolò Paganini between 1802 and 1817. They are also designated as M.S. 25 in Maria Rosa Moretti's and Anna Sorrento's Catalogo tematico delle musiche di Niccolò Paganini which was published in 1982. The Caprices are in the form of études, with each number exploring different skills (double stopped trills, extremely fast switching of positions and strings, etc.) Ricordi first published them in 1820, where they were grouped and numbered from 1 to 24 as Op. 1, together with 12 Sonatas for Violin and Guitar (Op. 2 and 3) and 6 Guitar Quartets (Op. 4 and 5). When Paganini released his Caprices, he dedicated them "alli artisti" (to the artists) rather than to a specific person. A sort of dedication can be recognized in Paganini's own score, where he annotated between 1832 and 1840 the following 'dedicatee' for each Caprice (possibly ready for a new printed edition): 1: Henri Vieuxtemps; 2: Giuseppe Austri; 3: Ernesto Camillo Sivori; 4: Ole Bornemann Bull; 5: Heinrich Wilhelm Ernst; 6: Karol Józef Lipiński; 7: Franz Liszt; 8: Delphin Alard; 9: Herrmann; 10: Theodor Haumann; 11: Sigismond Thalberg; 12: Dhuler; 13: Charles Philippe Lafont; 14: Jacques Pierre Rode; 15: Louis Spohr; 16: Rodolphe Kreutzer; 17: Alexandre Artôt; 18: Antoine Bohrer; 19: Andreas Jakob Romberg; 20: Carlo Bignami; 21: Antonio Bazzini; 22: Luigi Alliani; 23: [no name]; 24: Nicolò Paganini, sepolto pur troppo (to my self, regrettably buried). Ferdinand David's first edition was published by Breitkopf & Härtel in 1854. David, as editor, also issued an edition of Caprices with piano accompaniments by Robert Schumann. Another edition by David was issued in two books of 12 caprices each "mit hinzugefügter Begleitung des Pianoforte von Ferdinand David" (with additional piano accompaniment by Ferdinand David) and published by Breitkopf & Härtel (c. 1860). Unlike many earlier and later sets of 24 pieces, there was no intention to write these caprices in 24 different keys.

Karol Maciej Szymanowski (Polish pronunciation: [ˈkarɔl ˈmat͡ɕɛj ʂɨmaˈnɔfskʲi]; 3 October 1882 – 29 March 1937) was a Polish composer, pianist and writer. He was a member of the modernist Young Poland movement that flourished in the late 19th and early 20th century. Szymanowski's early works show the influence of the late Romantic German school as well as the early works of Alexander Scriabin, as exemplified by his Étude Op. 4 No. 3 and his first two symphonies. Later, he developed an impressionistic and partially atonal style, represented by such works as the Third Symphony and his Violin Concerto No. 1. His third period was influenced by the folk music of the Polish Górale people, including the ballet Harnasie, the Fourth Symphony, and his sets of Mazurkas for piano. King Roger, composed between 1918 and 1924, remains Szymanowski's most popular opera. His other significant works include Hagith, Symphony No. 2, The Love Songs of Hafiz, and Stabat Mater. Szymanowski was awarded the highest national honors, including the Officer's Cross of the Order of Polonia Restituta, the Order of Merit of the Republic of Poland and other distinctions, both Polish and foreign.

This is a complete list of recordings by the Los Angeles Philharmonic, shown alphabetically by conductor, and then by recording label.

A violin concerto is a concerto for solo violin (occasionally, two or more violins) and instrumental ensemble (customarily orchestra). Such works have been written since the Baroque period, when the solo concerto form was first developed, up through the present day. Many major composers have contributed to the violin concerto repertoire. Traditionally a three-movement work, the violin concerto has been structured in four movements by a number of modern composers, including Dmitri Shostakovich, Igor Stravinsky, and Alban Berg. In some violin concertos, especially from the Baroque and modern eras, the violin (or group of violins) is accompanied by a chamber ensemble rather than an orchestra—for instance, in Vivaldi's L'estro armonico, originally scored for four violins, two violas, cello, and continuo, and in Allan Pettersson's first concerto, for violin and string quartet.

Below is a sortable list of compositions by Karol Szymanowski. The works are categorized by genre, Michałowski catalogue number, opus number, date of composition, titles and scoring.

Below is a sortable list of compositions by Karol Szymanowski. The works are categorized by genre, Michałowski catalogue number, opus number, date of composition, titles and scoring.

A violin sonata is a musical composition for violin, which is nearly always accompanied by a piano or other keyboard instrument, or by figured bass in the Baroque period.