Ralph Vaughan Williams ( RAYF vawn WIL-yəmz; 12 October 1872 – 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century. Vaughan Williams was born to a well-to-do family with strong moral views and a progressive social outlook. Throughout his life he sought to be of service to his fellow citizens, and believed in making music as available as possible to everybody. He wrote many works for amateur and student performance. He was musically a late developer, not finding his true voice until his late thirties; his studies in 1907–1908 with the French composer Maurice Ravel helped him clarify the textures of his music and free it from Teutonic influences. Vaughan Williams is among the best-known British symphonists, noted for his very wide range of moods, from stormy and impassioned to tranquil, from mysterious to exuberant. Among the most familiar of his other concert works are Fantasia on a Theme by Thomas Tallis (1910) and The Lark Ascending (1914). His vocal works include hymns, folk-song arrangements and large-scale choral pieces. He wrote eight works for stage performance between 1919 and 1951. Although none of his operas became popular repertoire pieces, his ballet Job: A Masque for Dancing (1930) was successful and has been frequently staged. Two episodes made notably deep impressions in Vaughan Williams's personal life. The First World War, in which he served in the army, had a lasting emotional impact. Twenty years later, though in his sixties and devotedly married, he was reinvigorated by a love affair with a much younger woman, who later became his second wife. He went on composing through his 70s and 80s, producing his last symphony months before his death at the age of 85. His works have continued to be a staple of the British concert repertoire, and all his major compositions and many of the minor ones have been recorded.

This is a list of compositions by Ralph Vaughan Williams.

Five Variants of Dives and Lazarus is a work for string orchestra and harp composed in 1939 by Ralph Vaughan Williams. It is based on the English folk song "Dives and Lazarus". According to varying personal recollections, Vaughan Williams first heard the song either in 1893 or 1898. He subsequently transcribed several versions of it during his ethnomusicological surveys, one of which he included in The English Hymnal in 1906. He also quoted the melody in the first movement of his English Folk Song Suite in 1923. The Five Variants of Dives and Lazarus was commissioned by the British Council for the 1939 New York World's Fair's scheduled classical music events at its Hall of Music. A budget deficit from lack of public interest forced a change of venue to Carnegie Hall, where the New York Philharmonic-Symphony Orchestra conducted by Sir Adrian Boult premiered the work on 10 June 1939. In 1949, Vaughan Williams adapted it for his score to a short documentary by Humphrey Jennings. It was played at Vaughan Williams' funeral in 1958.

This is a list of compositions by Ralph Vaughan Williams.

The concerto grosso (pronounced [konˈtʃɛrto ˈɡrɔsso]; Italian for big concert(o), plural concerti grossi [konˈtʃɛrti ˈɡrɔssi]) is a form of baroque music in which the musical material is passed between a small group of soloists (the concertino) and full orchestra (the ripieno, tutti or concerto grosso). This is in contrast to the solo concerto which features a single solo instrument with the melody line, accompanied by the orchestra.

This is a list of compositions by Ralph Vaughan Williams.

English Folk Song Suite is one of English composer Ralph Vaughan Williams' most famous works. It was first published for the military band as Folk Song Suite and its premiere was given at Kneller Hall on 4 July 1923, conducted by Lt Hector Adkins. The piece was then arranged for full orchestra in 1924 by Vaughan Williams' student Gordon Jacob and published as English Folk Song Suite. The piece was later arranged for British-style brass band in 1956 by Frank Wright and published as English Folk Songs Suite. All three versions were published by Boosey & Hawkes; note the use of three different titles for the three different versions. The suite uses the melodies of nine English folk songs, six of which were drawn from the collection made by Vaughan Williams' friend and colleague Cecil Sharp.

Fantasia on a Theme by Thomas Tallis, also known as the Tallis Fantasia, is a one-movement work for string orchestra by Ralph Vaughan Williams. The theme is by the 16th-century English composer Thomas Tallis. The Fantasia was first performed at Gloucester Cathedral as part of the 1910 Three Choirs Festival, and has entered the orchestral repertoire, with frequent concert performances and recordings by conductors and orchestras of various countries.

"Greensleeves" is a traditional English folk song. A broadside ballad by the name "A Newe Northen Dittye of ye Ladye Greene Sleves" was registered by Richard Jones at the London Stationers' Company in September 1580, and the tune is found in several late 16th-century and early 17th-century sources, such as Ballet's MS Lute Book and Het Luitboek van Thysius, as well as various manuscripts preserved in the Seeley Historical Library in the University of Cambridge.

Fantasia on a Theme by Thomas Tallis, also known as the Tallis Fantasia, is a one-movement work for string orchestra by Ralph Vaughan Williams. The theme is by the 16th-century English composer Thomas Tallis. The Fantasia was first performed at Gloucester Cathedral as part of the 1910 Three Choirs Festival, and has entered the orchestral repertoire, with frequent concert performances and recordings by conductors and orchestras of various countries.

Ralph Vaughan Williams ( RAYF vawn WIL-yəmz; 12 October 1872 – 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century. Vaughan Williams was born to a well-to-do family with strong moral views and a progressive social outlook. Throughout his life he sought to be of service to his fellow citizens, and believed in making music as available as possible to everybody. He wrote many works for amateur and student performance. He was musically a late developer, not finding his true voice until his late thirties; his studies in 1907–1908 with the French composer Maurice Ravel helped him clarify the textures of his music and free it from Teutonic influences. Vaughan Williams is among the best-known British symphonists, noted for his very wide range of moods, from stormy and impassioned to tranquil, from mysterious to exuberant. Among the most familiar of his other concert works are Fantasia on a Theme by Thomas Tallis (1910) and The Lark Ascending (1914). His vocal works include hymns, folk-song arrangements and large-scale choral pieces. He wrote eight works for stage performance between 1919 and 1951. Although none of his operas became popular repertoire pieces, his ballet Job: A Masque for Dancing (1930) was successful and has been frequently staged. Two episodes made notably deep impressions in Vaughan Williams's personal life. The First World War, in which he served in the army, had a lasting emotional impact. Twenty years later, though in his sixties and devotedly married, he was reinvigorated by a love affair with a much younger woman, who later became his second wife. He went on composing through his 70s and 80s, producing his last symphony months before his death at the age of 85. His works have continued to be a staple of the British concert repertoire, and all his major compositions and many of the minor ones have been recorded.

This is a list of compositions by Ralph Vaughan Williams.

This is a list of some of the standards of concert band repertoire.

This is a list of compositions by Ralph Vaughan Williams.

The Fens or Fenlands in eastern England are a naturally marshy region supporting a rich ecology and numerous species. Most of the fens were drained centuries ago, resulting in a flat, dry, low-lying agricultural region supported by a system of drainage channels, man-made rivers (dykes and drains), and automated pumping stations. There have been unintended consequences to this reclamation, as the land level has continued to sink and the dykes have been built higher to protect it from flooding. Fen is the local term for an individual area of marshland or former marshland. It also designates the type of marsh typical of the area, which has neutral or alkaline water and relatively large quantities of dissolved minerals, but few other plant nutrients. The Fens are a National Character Area, based on their landscape, biodiversity, geodiversity and economic activity. The Fens lie inland of the Wash, and are an area of nearly 1,500 sq mi (3,900 km2) in the south east of Lincolnshire, most of Cambridgeshire (which also includes parts of the old historic county of Huntingdonshire), and western-most parts of Norfolk and Suffolk. Most of the Fens lie within a few metres of sea level. As with similar areas in the Netherlands, much of the Fenland originally consisted of fresh- or salt-water wetlands. These have been artificially drained and continue to be protected from floods by drainage banks and pumps. With the support of this drainage system, the Fenland has become a major arable agricultural region for grains and vegetables. The Fens are particularly fertile, containing around half of the grade 1 agricultural land in England. The Fens have been referred to as the "Holy Land of the English" because of the former monasteries, now churches and cathedrals, of Crowland, Ely, Peterborough, Ramsey and Thorney. Other significant settlements in the Fens include Boston, Downham Market, King’s Lynn, Mildenhall, March, Spalding, and Wisbech.

The Norfolk Rhapsodies are three orchestral rhapsodies by Ralph Vaughan Williams, drafted in 1905–06. They were based on folk songs Vaughan Williams had collected in the English county of Norfolk, in particular the fishing port of King's Lynn in January 1905. Only the first rhapsody survives in its entirety, having been revised by the composer in 1914. The second exists in fragmentary form, and has been completed by other hands. The third is lost. The three rhapsodies together were originally intended to form a sort of folk-song symphony. The First Rhapsody corresponded to the first movement, the Second Rhapsody combines the second and third movements of the symphony, with the scherzo occurring as an inserted episode of the slow movement. The Third Rhapsody was the finale, using four tunes formed as a quick march and trio.

The Norfolk Rhapsodies are three orchestral rhapsodies by Ralph Vaughan Williams, drafted in 1905–06. They were based on folk songs Vaughan Williams had collected in the English county of Norfolk, in particular the fishing port of King's Lynn in January 1905. Only the first rhapsody survives in its entirety, having been revised by the composer in 1914. The second exists in fragmentary form, and has been completed by other hands. The third is lost. The three rhapsodies together were originally intended to form a sort of folk-song symphony. The First Rhapsody corresponded to the first movement, the Second Rhapsody combines the second and third movements of the symphony, with the scherzo occurring as an inserted episode of the slow movement. The Third Rhapsody was the finale, using four tunes formed as a quick march and trio.

The Concerto in A minor for Oboe and Strings was written by Ralph Vaughan Williams in 1943–44 for the oboist Léon Goossens, to whom the score is dedicated.

A string orchestra is an orchestra consisting solely of a string section made up of the bowed strings used in Western Classical music. The instruments of such an orchestra are most often the following: the violin, which is divided into first and second violin players (each usually playing different parts), the viola, the cello, and usually, but not always, the double bass. String orchestras can be of chamber orchestra size ranging from between 12 (4 first violins, 3 second violins, 2 violas, 2 cellos and 1 bass = 12) and 21 musicians (6 first violins, 5 second violins, 4 violas, 4 cellos and 2 double basses= 21) sometimes performing without a conductor. It could also consist of the entire string section of a large symphony orchestra which could have 60 musicians (16 first violins, 14 second violins, 12 violas, 10 cellos and 8 double basses = 60; Gurre-Lieder calls for 84: 20.20.16.16.12).

The Piano Concerto in C is a concertante work by Ralph Vaughan Williams written in 1926 (movements 1 and 2) and 1930–31 (movement 3). During the intervening years, the composer completed Job: A Masque for Dancing and began work on his Fourth Symphony. The concerto shares some thematic characteristics with these works, as well as some of their drama and turbulence.

This is a list of compositions by Ralph Vaughan Williams.

Sinfonia antartica ("Antarctic Symphony") is the Italian title given by Ralph Vaughan Williams to his seventh symphony, first performed in 1953. It drew on incidental music the composer had written for the 1948 film Scott of the Antarctic.

This is a list of compositions by Ralph Vaughan Williams.

The Suite for Viola and Orchestra (also called Suite for Viola and Small Orchestra) by Ralph Vaughan Williams is a work in eight movements for solo viola and orchestra composed in 1933 and 1934. The Suite is dedicated to violist Lionel Tertis, who premiered the work on November 12, 1934 at the Queen's Hall in London under the baton of Malcolm Sargent. A typical performance lasts about 23 minutes.

A Sea Symphony is a work of just over an hour's length for soprano, baritone, chorus and large orchestra written by Ralph Vaughan Williams between 1903 and 1909. The first and longest of his nine symphonies, it was first performed at the Leeds Festival in 1910 with the composer conducting. It is one of the first symphonies in which a chorus is used throughout as an integral part of the texture and it helped set the stage for a new era of symphonic and choral music in Britain during the first half of the 20th century.

A London Symphony is the second symphony that Ralph Vaughan Williams composed. The work is sometimes referred to as Symphony No. 2, though the composer did not designate that name for the work. First performed in 1914, the original score of this four-movement symphony was lost and subsequently reconstructed. Vaughan Williams continued revisions of the work into its final definitive form, which was published in 1936.

Ralph Vaughan Williams's third symphony, published as A Pastoral Symphony and not formally numbered until later, was completed in 1922. Vaughan Williams's inspiration to write this symphony came during his military service during the First World War after hearing a bugler practising: this ultimately led to the trumpet cadenza in the second movement. The work has gained the reputation of being a subtly beautiful elegy for the dead of the World War and a meditation on the sounds of peace. Like many of the composer's works, the Pastoral Symphony is not programmatic, but its spirit is evocative. In the last of the four movements a wordless voice (usually soprano, but the score allows for a tenor alternative) joins the orchestral forces.

Ralph Vaughan Williams composed his Symphony No. 4 between 1931 and 1935. Unlike his first three symphonies, it was not given a title: the composer said that it was to be understood as pure music, without any incidental or external inspiration. In contrast to many of Vaughan Williams's previous compositions, the symphony displays a severity of tone. It is in four movements, scored for a large orchestra. The first performance was given at the Queen's Hall, London, on 10 April 1935; Adrian Boult conducted the BBC Symphony Orchestra. There have been many recordings of the symphony, beginning with one made two years after the premiere featuring the BBC orchestra conducted by the composer.

Ralph Vaughan Williams wrote his Symphony No. 5 in D major between 1938 and 1943. In style it represents a shift away from the violent dissonance of his Fourth Symphony, and a return to the gentler style of the earlier Pastoral Symphony. Many of the musical themes in the Fifth Symphony stem from Vaughan Williams's then-unfinished operatic work, The Pilgrim's Progress. This opera, or "morality" as Vaughan Williams preferred to call it, had been in gestation for decades, and the composer had temporarily abandoned it at the time the symphony was conceived. Despite its origins, the symphony is without programmatic content. The work was an immediate success at its premiere in 1943, and is frequently performed in concert and on record.

Ralph Vaughan Williams wrote his Symphony No. 5 in D major between 1938 and 1943. In style it represents a shift away from the violent dissonance of his Fourth Symphony, and a return to the gentler style of the earlier Pastoral Symphony. Many of the musical themes in the Fifth Symphony stem from Vaughan Williams's then-unfinished operatic work, The Pilgrim's Progress. This opera, or "morality" as Vaughan Williams preferred to call it, had been in gestation for decades, and the composer had temporarily abandoned it at the time the symphony was conceived. Despite its origins, the symphony is without programmatic content. The work was an immediate success at its premiere in 1943, and is frequently performed in concert and on record.

Sinfonia antartica ("Antarctic Symphony") is the Italian title given by Ralph Vaughan Williams to his seventh symphony, first performed in 1953. It drew on incidental music the composer had written for the 1948 film Scott of the Antarctic.

Ralph Vaughan Williams's Symphony No. 8 in D minor was composed between 1953 and 1955. Sir John Barbirolli, its dedicatee, conducted the Hallé Orchestra in the premiere at the Kings Hall in Manchester, on 2 May 1956. It is the shortest of the composer's nine symphonies, and is mostly buoyant and optimistic in tone.

The Symphony No. 9 in E minor was the last symphony completed by the English composer Ralph Vaughan Williams. He composed it during 1956 and 1957, and it was given its premiere performance in London by the Royal Philharmonic Orchestra conducted by Sir Malcolm Sargent on 2 April 1958, in the composer's eighty-sixth year. The work was received respectfully but, at first, without great enthusiasm. Its reputation has subsequently grown, and the symphony has entered the repertoire, in the concert hall and on record, with the majority of recordings from the 1990s and the 21st century. In his early sketches for the symphony, Vaughan Williams made explicit reference to characters and scenes in Thomas Hardy's Tess of the d'Urbervilles. By the time the symphony was complete he had deleted the programmatic details, but musical analysts have found many points in which the work nonetheless evokes the novel.

The Death of Tintagiles (French: La Mort de Tintagiles) is an 1894 play by Belgian playwright Maurice Maeterlinck. It was Maeterlinck's last play for marionettes. Maeterlinck dedicated the play to Aurélien Lugné-Poe, a theatre director who had supported several of his earlier works.

Elizabeth I (7 September 1533 – 24 March 1603) was Queen of England and Ireland from 17 November 1558 until her death in 1603. She was the last and longest reigning monarch of the House of Tudor. Her eventful reign, and its effect on history and culture, gave name to the Elizabethan era. Elizabeth was the only surviving child of Henry VIII and his second wife, Anne Boleyn. When Elizabeth was two years old, her parents' marriage was annulled, her mother was executed, and Elizabeth was declared illegitimate. Henry restored her to the line of succession when she was 10. After Henry's death in 1547, Elizabeth's younger half-brother Edward VI ruled until his own death in 1553, bequeathing the crown to a Protestant cousin, Lady Jane Grey, and ignoring the claims of his two half-sisters, Mary and Elizabeth, despite statutes to the contrary. Edward's will was quickly set aside and the Catholic Mary became queen, deposing Jane. During Mary's reign, Elizabeth was imprisoned for nearly a year on suspicion of supporting Protestant rebels. Upon Mary's death in 1558, Elizabeth succeeded to the throne and set out to rule by good counsel. She depended heavily on a group of trusted advisers led by William Cecil, whom she created Baron Burghley. One of her first actions as queen was the establishment of an English church, of which she became the supreme governor. This arrangement, later named the Elizabethan Religious Settlement, would evolve into the Church of England. It was expected that Elizabeth would marry and produce an heir; however, despite numerous courtships, she never did. Because of this she is sometimes referred to as the "Virgin Queen". She was succeeded by her first cousin twice removed, James VI of Scotland. In government, Elizabeth was more moderate than her father and siblings had been. One of her mottoes was video et taceo ('I see and keep silent'). In religion, she was relatively tolerant and avoided systematic persecution. After the pope declared her illegitimate in 1570, which in theory released English Catholics from allegiance to her, several conspiracies threatened her life, all of which were defeated with the help of her ministers' secret service, run by Francis Walsingham. Elizabeth was cautious in foreign affairs, manoeuvring between the major powers of France and Spain. She half-heartedly supported a number of ineffective, poorly resourced military campaigns in the Netherlands, France, and Ireland. By the mid-1580s, England could no longer avoid war with Spain. As she grew older, Elizabeth became celebrated for her virginity. A cult of personality grew around her which was celebrated in the portraits, pageants, and literature of the day. The Elizabethan era is famous for the flourishing of English drama, led by playwrights such as William Shakespeare and Christopher Marlowe, the prowess of English maritime adventurers, such as Francis Drake and Walter Raleigh, and for the defeat of the Spanish Armada. Some historians depict Elizabeth as a short-tempered, sometimes indecisive ruler who enjoyed more than her fair share of luck. Towards the end of her reign, a series of economic and military problems weakened her popularity. Elizabeth is acknowledged as a charismatic performer and a dogged survivor in an era when government was ramshackle and limited, and when monarchs in neighbouring countries faced internal problems and religious civil wars that jeopardised their thrones. After the short, disastrous reigns of her half-siblings, her 44 years on the throne provided welcome stability for the kingdom and helped to forge a sense of national identity.

The Lark Ascending is a short, single-movement work by the English composer Ralph Vaughan Williams, inspired by the 1881 poem of the same name by the English writer George Meredith. It was originally for violin and piano, completed in 1914, but not performed until 1920. The composer reworked it for solo violin and orchestra after the First World War. This version, in which the work is chiefly known, was first performed in 1921. It is subtitled "A Romance", a term that Vaughan Williams favoured for contemplative slow music. The work has gained considerable popularity in Britain and elsewhere and has been much recorded between 1928 and the present day.

The Loves of Joanna Godden is a 1947 British historical drama film directed by Charles Frend and produced by Michael Balcon. The screenplay was written by H. E. Bates and Angus MacPhail from the novel Joanna Godden (1921) by Sheila Kaye-Smith. It stars Googie Withers, Jean Kent, John McCallum, Derek Bond, Chips Rafferty and Sonia Holm. Some scenes were shot by director Robert Hamer when Frend was ill, though he was uncredited. The music was composed by Ralph Vaughan Williams.

Ralph Vaughan Williams ( RAYF vawn WIL-yəmz; 12 October 1872 – 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century. Vaughan Williams was born to a well-to-do family with strong moral views and a progressive social outlook. Throughout his life he sought to be of service to his fellow citizens, and believed in making music as available as possible to everybody. He wrote many works for amateur and student performance. He was musically a late developer, not finding his true voice until his late thirties; his studies in 1907–1908 with the French composer Maurice Ravel helped him clarify the textures of his music and free it from Teutonic influences. Vaughan Williams is among the best-known British symphonists, noted for his very wide range of moods, from stormy and impassioned to tranquil, from mysterious to exuberant. Among the most familiar of his other concert works are Fantasia on a Theme by Thomas Tallis (1910) and The Lark Ascending (1914). His vocal works include hymns, folk-song arrangements and large-scale choral pieces. He wrote eight works for stage performance between 1919 and 1951. Although none of his operas became popular repertoire pieces, his ballet Job: A Masque for Dancing (1930) was successful and has been frequently staged. Two episodes made notably deep impressions in Vaughan Williams's personal life. The First World War, in which he served in the army, had a lasting emotional impact. Twenty years later, though in his sixties and devotedly married, he was reinvigorated by a love affair with a much younger woman, who later became his second wife. He went on composing through his 70s and 80s, producing his last symphony months before his death at the age of 85. His works have continued to be a staple of the British concert repertoire, and all his major compositions and many of the minor ones have been recorded.

"Waltzing Matilda" is a song developed in the Australian style of poetry and folk music called a bush ballad. It has been described as the country's "unofficial national anthem". The title was Australian slang for travelling on foot, by walking (waltzing) with one's belongings in a "matilda" (swag) slung over one's back, a slang expression that may have originally been repurposed from a work of light verse by Charles Godfrey Leland. The song narrates the story of a "swagman" (itinerant worker) boiling a billy at a bush camp and capturing a stray jumbuck (sheep) to eat. When the jumbuck's owner, a squatter (grazier), and three troopers (mounted policemen) pursue the swagman for theft, he declares "You'll never catch me alive!" and commits suicide by drowning himself in a nearby billabong (watering hole), after which his ghost haunts the site. The original lyrics were composed in 1895 by the Australian poet Banjo Paterson, to a tune played by Christina MacPherson based on her memory of Thomas Bulch's march Craigielee, which was in turn based on James Barr's setting for Robert Tannahill's poem "Thou Bonnie Wood o Craigielee". The first published setting of "Waltzing Matilda" was Harry Nathan's on 20 December 1902. Nathan wrote a new variation of Christina MacPherson's melody and changed some of the words. The Sydney tea merchant James Inglis wanted to use "Waltzing Matilda" as an advertising jingle for Billy Tea. In early 1903, Inglis purchased the rights to 'Waltzing Matilda' and asked Marie Cowan, the wife of one of his managers, to try her hand at turning it into an advertising jingle. Cowan made some more changes to the words and some very minor changes to Nathan's melody and gave the song a simple, brisk, harmonious accompaniment which made it very catchy. Her song, published in 1903, grew in popularity, and Cowan's arrangement remains the best-known version of "Waltzing Matilda". Extensive folklore surrounds the song and the process of its creation, to the extent that it has its own museum, the Waltzing Matilda Centre in Winton, in the Queensland outback, where Paterson wrote the lyrics. In 2012, to remind Australians of the song's significance, Winton organised the inaugural Waltzing Matilda Day to be held on 6 April, wrongly thought at the time to be the anniversary of its first performance. The song was first recorded in 1926 as performed by John Collinson and Russell Callow. In 2008, this recording of "Waltzing Matilda" was added to the Sounds of Australia registry in the National Film and Sound Archive, which says that there are more recordings of "Waltzing Matilda" than any other Australian song.

The Flemish Farm is a 1943 British war film, based on an actual wartime incident. Released during the war and used as a propaganda tool to support the Allied war effort, the film begins with the caption: The following story is based on an actual incident, but for security reasons, real names have not been used. The co-operation of the Belgian Government and of the Air Ministry is gratefully acknowledged. The score for the film was composed by Ralph Vaughan Williams in the summer of 1942, and the music was recorded by the London Symphony Orchestra conducted by Muir Mathieson. Vaughan Williams later made a suite in seven movements, entitled The Story of a Flemish Farm, from the music for the film.

This is a list of compositions by Ralph Vaughan Williams.

This is a list of some of the standards of concert band repertoire.

The Concerto in F Minor for Bass Tuba and Orchestra by British composer Ralph Vaughan Williams was written in 1954 for Philip Catelinet, principal tubist of the London Symphony Orchestra (LSO), who together gave the premiere on 13 June 1954 with Sir John Barbirolli conducting. The same musicians made the work’s first recording that same year. This concerto was the first concerto written for solo tuba.

Jelly d'Aranyi, fully Jelly Aranyi de Hunyadvár (Hungarian: Hunyadvári Aranyi Jelly) (30 May 1893 – 30 March 1966) was a Hungarian violinist who made her home in London. The great-niece of Joseph Joachim and sister of violinist Adila Fachiri, she became one of the leading violinists of her generation. After studying at the Franz Liszt Academy of Music in Budapest, she established herself as a prominent chamber musician and soloist, forming notable collaborations with Pablo Casals and Frederick Septimus Kelly. Several major composers dedicated works to her, including Béla Bartók's two violin sonatas, Maurice Ravel's Tzigane, Ralph Vaughan Williams' Concerto Accademico, and Gustav Holst's Double Concerto for Two Violins. She played an unusual role in the discovery of Robert Schumann's lost Violin Concerto through a séance in 1933.