Vaughan Williams: Stage Works

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Explore the complete catalog of Stage compositions by Vaughan Williams. This curated list includes composition years, historical Wikipedia context, and interactive audio to add specific tracks directly to your listening queue.

Title Year Actions
Hugh the Drover, or Love in the Stocks

Hugh the Drover (or Love in the Stocks) is an opera in two acts by Ralph Vaughan Williams to an original English libretto by Harold Child. The work has set numbers with recitatives. It has been described as a modern example of a ballad opera. Contemporary comment noted the use of humour and the role of the chorus in the work, in the context of developing English opera.

Job, A Masque for Dancing

Job: A Masque for Dancing is a one-act ballet produced in 1931. The scenario is by Geoffrey Keynes, the choreography by Ninette de Valois, and the music by Ralph Vaughan Williams. The ballet is based on the Book of Job from the Hebrew Bible and was inspired by the illustrated edition by William Blake. The music was first given in concert in 1930 and the ballet had its stage premiere on 5 July 1931. It was the first ballet to be produced by an entirely British creative team. It was taken into the repertoire of the Vic-Wells Ballet and its successors, and has been intermittently revived.

On Christmas Night

"O Little Town of Bethlehem" is a Christmas carol. Based on an 1868 text written by Phillips Brooks, the carol is popular on both sides of the Atlantic, but to different tunes: in the United States and Canada, to "St. Louis" by Brooks' collaborator, Lewis Redner; and in the United Kingdom and Ireland to "Forest Green", a tune collected by Ralph Vaughan Williams and first published in the 1906 English Hymnal.

Riders to the Sea

Riders to the Sea is a short one-act opera by Ralph Vaughan Williams, based on the play of the same name by John Millington Synge. The composer completed the score in 1927, but it was not premiered until 1 December 1937, at the Royal College of Music, London. The opera remained largely the province of students and amateurs until it entered the repertoire of Sadler's Wells in 1953. Vaughan Williams set Synge's text essentially intact, with only a small number of changes. Although the vocal score had been in print since 1936, the full orchestral score was not published until 1973. The composer Edmund Rubbra characterised this work as less an opera than a "spoken drama raised in emotional power and expressiveness to the nth degree". Hugh Ottaway and Michael Kennedy have commented on musical connections between the opera and Vaughan Williams's later Symphony No. 6. Caireann Shannon has noted that Vaughan Williams deliberately avoided use of folksong in the music, and instead relied on the rhythms inherent in Synge's text for the composition.

Sir John in Love

This is a list of compositions by Ralph Vaughan Williams.

The Pilgrim's Progress

The Pilgrim's Progress is an opera by Ralph Vaughan Williams, based on John Bunyan's 1678 allegory The Pilgrim's Progress. The composer himself described the work as a 'Morality' rather than an opera. Nonetheless, he intended the work to be performed on stage, rather than in a church or cathedral. Vaughan Williams himself prepared the libretto, with interpolations from the Bible and also text from his second wife, Ursula Wood. His changes to the story included altering the name of the central character from 'Christian' to 'Pilgrim', so as to universalise the spiritual message. The musical gestation of this opera was protracted, and was reflected in a number of musical projects in Vaughan Williams' life. For example, his earlier one-act opera The Shepherds of the Delectable Mountains from 1921 was incorporated into Act 4, Scene 2 of the later opera. His Symphony No. 5 also made use of themes originally conceived for his John Bunyan project. In 1940 he wrote a motet on Mr. Valiant-for-Truth's speech for mixed chorus. The BBC commissioned Vaughan Williams for incidental music for a 1942 radio dramatisation of The Pilgrim's Progress. Herbert Murrill has characterised the opera as "summarizing in three hours virtually the whole creative output of a great composer". The opera contains forty-one individual singing roles. The first performance was at the Royal Opera House, Covent Garden on 26 April 1951. The conductor was Leonard Hancock, whom Vaughan Williams had personally chosen to conduct the premiere, and the director Nevill Coghill.

The Poisoned Kiss

The Poisoned Kiss, or The Empress and the Necromancer is an opera in three acts by the English composer Ralph Vaughan Williams. The libretto, by Evelyn Sharp, is based on Richard Garnett's The Poison Maid and Nathaniel Hawthorne's 1844 short story Rappaccini's Daughter.

The Wasps, incidental music for tenor, baritone, male chorus and orchestra

This is a list of compositions by Ralph Vaughan Williams.